發(fā)布時(shí)間：2018-03-10 21:15

  本文選題：紀(jì)錄片　切入點(diǎn)：現(xiàn)實(shí)題材　出處：《山東師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：新世紀(jì)以來(lái),中國(guó)政府連續(xù)出臺(tái)關(guān)于促進(jìn)紀(jì)錄片發(fā)展的激勵(lì)政策,為紀(jì)錄片的發(fā)展奠定良好基礎(chǔ)。2012年一部《舌尖上的中國(guó)》點(diǎn)燃了中國(guó)觀眾對(duì)紀(jì)錄片高度關(guān)注的熱情,掀起一股紀(jì)錄片熱狂潮�，F(xiàn)實(shí)題材紀(jì)錄片與其他類型紀(jì)錄片相比是一種更貼近大眾現(xiàn)實(shí)生活的紀(jì)錄片,其所承載的是觀眾最為熟知的內(nèi)容,可輕松地將觀眾快速帶入整個(gè)敘事情境中,具有獨(dú)特的魅力和藝術(shù)感染力。然而仔細(xì)研究紀(jì)錄片市場(chǎng)會(huì)發(fā)現(xiàn),自然地理和人文歷史類的紀(jì)錄片占多數(shù),現(xiàn)實(shí)類題材紀(jì)錄片相對(duì)較少。筆者在對(duì)國(guó)內(nèi)外專家學(xué)者已有現(xiàn)實(shí)題材紀(jì)錄片研究進(jìn)行分析整理的基礎(chǔ)上,結(jié)合影片案例以及筆者畢業(yè)作品創(chuàng)作經(jīng)驗(yàn)對(duì)現(xiàn)實(shí)題材紀(jì)錄片的創(chuàng)作進(jìn)行了較為詳細(xì)的闡述與分析。本文以現(xiàn)實(shí)題材紀(jì)錄片為研究對(duì)象,以受眾心理學(xué)、紀(jì)實(shí)美學(xué)為基本理論依據(jù),結(jié)合當(dāng)前部分具有代表性的現(xiàn)實(shí)題材紀(jì)錄片創(chuàng)作,運(yùn)用文獻(xiàn)分析法、案例調(diào)查法等科學(xué)的研究方法,對(duì)現(xiàn)實(shí)題材紀(jì)錄片的創(chuàng)作分析進(jìn)行詳細(xì)分析。首先,本文對(duì)受眾心理學(xué)和紀(jì)實(shí)美學(xué)這兩大理論進(jìn)行了簡(jiǎn)單闡述。其次,從發(fā)展脈絡(luò)和創(chuàng)作現(xiàn)狀兩個(gè)方面對(duì)現(xiàn)實(shí)題材紀(jì)錄片的整體發(fā)展進(jìn)行詳細(xì)梳理。再次,從前期構(gòu)思、中期拍攝和后期剪輯三個(gè)方面總結(jié)歸納現(xiàn)實(shí)題材紀(jì)錄片創(chuàng)作需要緊緊圍繞“找故事”“拍故事”“強(qiáng)化故事”的線索開展,并結(jié)合優(yōu)秀現(xiàn)實(shí)題材紀(jì)錄片案例以及筆者畢業(yè)作品創(chuàng)作經(jīng)驗(yàn)進(jìn)行分析。最后,對(duì)本文研究及畢業(yè)作品創(chuàng)作進(jìn)行反思總結(jié),并在此基礎(chǔ)上提出對(duì)現(xiàn)實(shí)題材紀(jì)錄片的發(fā)展展望。
[Abstract]:Since the beginning of the new century, the Chinese government has continuously promulgated an incentive policy to promote the development of documentaries, laying a good foundation for the development of documentaries. In 2012, a film "China on the Top of the tongue" ignited the enthusiasm of the Chinese audience for paying close attention to the documentary. There is a wave of documentary fever. Compared with other types of documentaries, realistic documentaries are a kind of documentaries that are closer to the real life of the public and carry the most familiar content of the audience. Can easily bring viewers into the entire narrative context, with unique charm and artistic appeal. However, a careful study of the documentary market will find that the majority of documentaries are natural geography and humanities and history. On the basis of the analysis and arrangement of the domestic and foreign experts and scholars, Based on the case of the film and the experience of the author's graduation, the author expounds and analyzes the creation of the realistic documentary in detail. This paper takes the realistic documentary as the object of study, and takes the psychology of the audience as the subject. Documentary aesthetics as the basic theoretical basis, combined with the current part of the representative documentary film creation, the use of literature analysis, case investigation and other scientific research methods, First of all, this paper briefly expounds the two major theories of audience psychology and documentary aesthetics. Combing the overall development of realistic documentaries from the two aspects of the development context and the present situation of creation. Again, from the early conception, The three aspects of intermediate shooting and later editing sum up the creation of realistic documentaries, which need to be closely focused on the clues of "looking for stories", "shooting stories" and "strengthening stories". Finally, the author rethinks and summarizes the research and creation of graduation works in this paper, and puts forward the prospect of the development of realistic documentaries on the basis of the analysis of the case of excellent realistic documentaries and the author's experience in the creation of graduation works.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J952

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