本文選題：宮崎駿動畫　切入點：悲劇意識　出處：《揚州大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：宮崎駿是日本著名的動畫導(dǎo)演、動畫師及漫畫家,在全球動畫界具有無可替代的地位,被迪斯尼稱為“動畫界的黑澤明”。他立足日本傳統(tǒng)文化,放眼世界,關(guān)注各種生命體的生存和發(fā)展,使得他的作品具有深邃的思想和重要的意義。學(xué)界對宮崎駿及其動畫的研究已經(jīng)很多,包括動畫主題、角色、藝術(shù)特色、對中國動畫的借鑒與啟示意義以及宮崎動畫中蘊含的日本傳統(tǒng)文化等多個角度的探究已相當(dāng)詳盡。但是,對其中的悲劇意識的探究還比較少。日本民族又是一個悲劇意識濃厚的民族,因此對宮崎駿動畫悲劇意識的探究是具有重要意義的。一些研究者在探究日本悲劇意識時大多是局限于“死亡”這一范疇,本文將運用日本美學(xué)來闡釋宮崎駿動畫中存在的廣泛意義上的悲劇意識,包括動畫中體現(xiàn)出的鄉(xiāng)愁、死亡和孤獨。 眾所周知,櫻花、武士道、富士山,是日本民族文化的象征�！皺鸦ā贝砣毡久褡宓淖匀粚徝烙^念以及人對自身與自然的關(guān)系的認識,“武士道”是存在于日本民族意識深處的崇高信仰和生死觀念,“富士山”則更像是二者的統(tǒng)一。它是日本的最高山,山頂終年白雪皚皚,代表了日本民族所欣賞的自然風(fēng)物的純潔無暇、淡然優(yōu)雅的審美特點；又是可望而不可即的活火山,雄偉崇高,代表著日本民族“安靜的激情,富于戰(zhàn)斗性的恬淡”的國民性格。日本眾多文藝作品中都有對富士山的歌頌,與其說是對自然的敬仰,不如說是對生命——這種孤獨的存在形式的一種欣賞。宮崎駿的動畫中有人類因自然家園喪失而生的鄉(xiāng)愁,有淡薄生死的崇高信仰,有獨自行走在人生路途的成長歷練的孤獨,這些情境和角色身上有著淡淡的憂傷,體現(xiàn)了日本民族的悲劇意識。 本文以“鄉(xiāng)愁”、“死亡”、“孤獨”作為三條主線來探究宮崎駿動畫中的悲劇意識。分析宮崎駿動畫作品中的悲劇意識從而更加深刻地理解日本民族文化中的審美意識,了解日本美學(xué)中的一些重要概念,如森林文化、海洋文化、物哀、空寂、死亡觀念、悲劇意識等等是本文的主要目的。通過對宮崎駿動畫中的人物形象、情節(jié)、主題等方面的分析,從“鄉(xiāng)愁”、“死亡”和“孤獨”三個方面揭示動畫中的悲劇意蘊和日本民族審美中的悲劇意識,為解讀宮崎駿動畫提供了一個相對新的角度。 第一章櫻花篇：自然家園的喪失——鄉(xiāng)愁,探討宮崎動畫中神靈和自然被人類忘卻,而人類不得不沉降于大地胎內(nèi)去尋找最原始的精神家園,呈現(xiàn)出“流浪”或“飛翔”的狀態(tài)。選擇森林、海洋和大地三個與日本民族密不可分的自然家園,從它們與人類的疏離和對立的關(guān)系來闡述動畫中體現(xiàn)出的鄉(xiāng)愁意識,反映到人類心靈上的是精神家園的迷失而不得不流浪。第二章武士道篇：人生信仰的崇高——死亡,探討武士道精神對日本民族人生信仰和死亡觀念的影響,分析動畫中的具有武士道精神的角色和體現(xiàn)死亡觀念和悲劇意識的情節(jié),揭示出日本民族對死亡的獨特的看法。第三章富士山篇：生命存在的空寂——孤獨,探討宮崎動畫中孤獨意境產(chǎn)生的社會背景和心理,分析動畫角色的孤獨,結(jié)合宮崎駿生平和經(jīng)歷分析他作為一名動畫大師的孤獨,闡述孤獨是生命存在的—種形式,勇于面對和承擔(dān)孤獨的人生才是圓滿的。這三個方面體現(xiàn)在宮崎動畫中,使得其中彌漫著淡淡的悲劇意識。
[Abstract]:Hayao Miyazaki is a famous Japanese animation director, animator and cartoonist, has an irreplaceable position in the global animation industry, is known as the "Disney animation of Kurosawa". He is based on Japanese traditional culture, have the whole world in view, concerned about the survival and development of various life, making his works have profound thought and important significance to study. Hayao Miyazaki and the animation community has many, including animated themes, characters, artistic features, explore the implication of Chinese animation and inspiring significance as well as Miyazaki Animation in Japanese traditional culture and other aspects have been quite detailed. However, research on the tragic consciousness is still relatively small. The Japanese nation is a tragedy strong national consciousness, it is of great significance to the study of Hayao Miyazaki animation's tragic consciousness. Some researchers in the study of Japanese tragedy consciousness are mostly confined to the In the category of "death", this article will use Japanese aesthetics to explain the tragic sense in the broad sense of Hayao Miyazaki animation, including homesickness, death and loneliness reflected in animation.
As everyone knows, Sakura, Bushido, Mt Fuji, is a symbol of Japanese culture. "Sakura" on behalf of the Japanese national natural aesthetic values and human understanding of their relationship with nature, "Bushido" exists in the Japanese national consciousness of the depths of the noble faith and the concept of life and death, "Mt Fuji" is more like the unity of the two it is the highest mountain in Japan, the peak is on behalf of the Japanese Snow gleams white., enjoy the national natural scenery pure aesthetic characteristics indifferent grace; it is within sight but beyond reach of the volcano, majestic and lofty, represents the Japanese nation "quiet passion, militant and tranquil national character. Japan's many literary works have praise for Mt Fuji, and that is respect for nature, as it is to this kind of lonely life -- a form of appreciation. In Hayao Miyazaki's animation Homesickness due to the loss of natural home, the noble belief of thin life and death, the lonely experience of growing alone and walking on the road of life, and these situations and roles are characterized by light sadness, reflecting the tragic consciousness of the Japanese nation.
In this paper, "nostalgia", "death", "lonely" as the three main lines to explore the tragic consciousness in the Hayao Miyazaki animated cartoon works of Hayao Miyazaki. Analysis of the tragic consciousness in order to more deeply understand Japanese culture in the aesthetic sense, understand some important concepts of Japanese aesthetics, such as forest culture, marine culture, Mononoaware and empty, the idea of death, tragedy consciousness and so on. The main purpose of this paper is based on Hayao Miyazaki animation characters, plot, theme and other aspects of the analysis, from the "nostalgia", "death" and "lonely" three aspects to reveal tragedy in animation and Japanese national aesthetic awareness of the tragedy, provide a relatively new perspective for the interpretation of Hayao Miyazaki animation.
The first chapter: Sakura natural home loss of nostalgia, Miyazaki Animation and natural gods being forgotten, and human settlement on the earth in the tyre had to go looking for the original spiritual home, showing a "Tramp" or "flying". Choose the forest, the sea and the land in three and the Japanese nation inseparable natural home, alienation and opposition and human beings from their to elaborate reflected in animation nostalgia awareness, to reflect on the human mind is the spiritual home of the lost and had to tramp. The second chapter: the life of faith of the sublime of death, to explore the influence of Japanese bushido spirit belief in life and death concept in the analysis, the animation has the spirit of Bushido role and embody the concept of death and tragedy consciousness of the plot, revealing the Japanese nation on the death of Zhang Fu third unique views. Shi Shan: being empty - lonely, alone on the social background of Miyazaki Animation artistic conception and psychological analysis, the animation role alone, combined with Hayao Miyazaki's life and experience of him as a master of animation alone, this alone is a form of life existence, the courage to face and bear the lonely life is complete. This is reflected in the three aspects of Miyazaki Animation, which was filled with a touch of tragedy consciousness.

【學(xué)位授予單位】：揚州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J954

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