本文選題：《消失的愛(ài)人》　切入點(diǎn)：大衛(wèi)·芬奇　出處：《電影文學(xué)》2017年13期 　論文類(lèi)型：期刊論文

【摘要】：大衛(wèi)·芬奇的《消失的愛(ài)人》以懸疑、驚悚的外衣探討了當(dāng)代社會(huì)的兩性關(guān)系。因?yàn)閷?duì)兩性文化冷峻而深邃的思考,電影能夠擺脫懸疑片純粹靠情節(jié)取勝的窠臼。影片中,大量的細(xì)節(jié)與其中隱含的深意誘使觀(guān)眾對(duì)影片重復(fù)回味,不斷接近人物的內(nèi)心,并將電影置于當(dāng)下社會(huì)的語(yǔ)境中思考,逐漸意識(shí)到影片中兩性文化的現(xiàn)實(shí)意義。文章從兩性關(guān)系的失衡、"去男權(quán)"的性別權(quán)力書(shū)寫(xiě)、社會(huì)場(chǎng)域與兩性文化三方面,以?xún)尚晕幕^(guān)照電影《消失的愛(ài)人》。
[Abstract]:David Finch's "lost Love" explores gender relations in contemporary society in a suspense, thriller cloak. Because of the cold and deep thinking about gender culture, movies can get rid of the mere plot winning pattern of suspense films. In the film, A great deal of detail and its implied meaning induces the audience to repeat the film, to get close to the character's heart, and to think about the film in the context of the present society. Gradually realize the realistic significance of the gender culture in the film. The article from the imbalance of the relationship between the two sexes, "go to male power" gender power writing, social field and gender culture three aspects, from the gender culture view of the film "lost Love".
【作者單位】： 河南工程學(xué)院;
【分類(lèi)號(hào)】：J905

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本文編號(hào)：1582056