本文選題：敘事　切入點：元小說　出處：《華東師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：本文旨在通過比較分析《法國中尉的女人》這部元小說及據(jù)其改編的同名電影之間的敘事差異,探討電影文學(xué)改編中藝術(shù)效果的流變,以及兩種媒介之間實現(xiàn)元敘事轉(zhuǎn)換的藝術(shù)技巧。論文以敘事學(xué)理論為框架,第一章著重從故事情節(jié)變動、人物塑造的基本方面闡述兩種藝術(shù)形式在敘事內(nèi)容上的區(qū)別,第二章則從敘事編排和敘事角度兩方面分析兩者在敘事策略的組織差異,第三章從最終的藝術(shù)效果上探討兩種藝術(shù)形式的深層差異。在這三章的基礎(chǔ)上,第四章結(jié)合作者、導(dǎo)演及編劇對原著改編的探索和理念,討論元小說與電影改編的雙向互動,探討兩種敘述媒介實現(xiàn)元敘事轉(zhuǎn)換的奧秘。 論文在理論運用上以敘事學(xué)理論、電影文學(xué)改編、后現(xiàn)代理論等為依托,對小說《法國中尉的女人》及同名電影進行比較分析,行文中探討“元小說”作為后現(xiàn)代主義小說的主要類型,通過戲仿、反諷、開放式結(jié)尾、自我指涉等敘述技巧顛覆傳統(tǒng)小說的敘事模式,而這些“元”特點在電影改編中通過“戲中戲”的套層結(jié)構(gòu)、并列敘事及穿插對比等方式體現(xiàn)出來,并且電影運用了巧妙精簡的敘事結(jié)構(gòu)和策略,達到了電影所需要的商業(yè)效果。在此基礎(chǔ)上,論文進一步追問元小說經(jīng)電影改編后藝術(shù)效果的流變,并探討元小說到電影的轉(zhuǎn)換技巧。 本文注重分析從小說到電影兩種藝術(shù)形式如何完成敘事轉(zhuǎn)換的問題。元小說的后現(xiàn)代敘事特點及產(chǎn)生的藝術(shù)效果,如何通過電影這種不同的敘事載體得以呈現(xiàn)；電影改編又如何在遵從原著主旨的基礎(chǔ)上,在敘事技巧和主題闡釋上做出創(chuàng)新,這些是本文關(guān)注的重點。先前的研究大多集中于對小說文本的研究,也有對戲劇或電影的研究,但是對小說與電影的比較研究尚屬少數(shù),因此本文試圖從電影改編角度的研究,尤其是對元小說與電影改編的研究具有一定的學(xué)術(shù)意義。
[Abstract]:The purpose of this paper is to analyze the narrative differences between the metafiction of French Lieutenant's woman and the film of the same name based on it, and to discuss the evolution of artistic effect in the adaptation of film literature. The thesis takes narratology theory as the frame, the first chapter emphasizes from the story plot change, the character molds the basic aspect to expound two kinds of art forms in the narrative content difference, the article takes the narratology theory as the frame, and the artistic skill which realizes the meta narrative conversion between the two kinds of media. The second chapter analyzes the organizational differences of narrative strategies from the angle of narrative arrangement and narrative, and the third chapter discusses the deep differences between the two artistic forms from the final artistic effect. On the basis of these three chapters, Chapter 4th combines with the author. This paper discusses the bidirectional interaction between the metafiction and the film adaptation, and probes into the mystery of the meta narrative transformation between the two narrative media. Based on the theory of narratology, the adaptation of film literature and the postmodern theory, the thesis makes a comparative analysis of the novel "French Lieutenant's woman" and the film of the same name. As the main type of postmodernist novels, metafiction subverts the narrative mode of traditional novels by means of parody, irony, open ending, self-reference and so on. These "Yuan" features are reflected in the film adaptation through the "drama in the drama" of the set structure, parallel narration and interspersed comparison, and the film has used a clever and concise narrative structure and strategy. On the basis of this, the thesis further inquires into the evolution of the artistic effect of the metafiction after the film adaptation, and probes into the conversion skills from the metafiction to the film. This paper focuses on the analysis of how to complete the narrative transformation between the two artistic forms from novel to film. The post-modern narrative characteristics and artistic effects of metafiction are presented through different narrative carriers such as film. How to innovate in narrative technique and theme interpretation on the basis of complying with the main purpose of the original book is the focus of this paper. Previous studies have mostly focused on the study of the text of the novel, as well as on the study of drama or film. However, the comparative study of novels and films is still a minority, so this paper tries to study from the angle of film adaptation, especially the study of metafiction and film adaptation has certain academic significance.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I561.074;J905

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本文編號：1581473