本文選題：動畫　切入點：角色設計　出處：《武漢理工大學》2014年碩士論文　論文類型：學位論文

【摘要】：色彩作為動畫的重要表達部分，在我國動畫產(chǎn)業(yè)確并不被重視�？v觀美、日等動畫大國在色彩的運用上都獨具一格，動畫創(chuàng)作者都十分注重色彩與鏡頭以及色彩對角色的塑造關系。而我國動畫在色彩的運用尤其是色彩對角色的塑造上還有很大的不足。本文對于角色設計中的色彩表達，主要針對的是我國動畫行業(yè)現(xiàn)存的幾個基礎問題進行探討與研究，，這幾個問題分別是：一、整體畫面關系。角色色彩的應用必須在符合整個作品的基調(diào)，符合大場景的前提下，爭取更豐富更充盈。目前很多優(yōu)秀的動畫作品都把注意力更多的放在故事情節(jié)的起承轉(zhuǎn)合、人物和場景的設計以及后期制作，以至于沒有精力豐富動畫的整體色彩搭配，忽略角色色彩與場景色彩的相互呼應。二、色彩搭配對于角色形象塑造的作用。角色形象塑造指的不僅僅是角色的外觀既人們口中的“看起來”，還包括性格的塑造以及給觀眾的心理暗示。三、打破單調(diào)的角色色彩風格，擴大動畫的觀眾群體，從中國悠久的歷史文化中尋找靈感，積極借鑒國內(nèi)外優(yōu)秀作品的經(jīng)驗，學習并創(chuàng)新。文章第一章主要介紹了本文的研究背景、意義以及研究方法。第二章到第四章直接進入主題，從色彩和角色設計的概念入手，討論兩者之間的關系。第五章聯(lián)系動畫實際案列分析場景色彩與角色色彩的關系，鏡頭講述故事，場景和角色共同組成每一個鏡頭，只有兩者相互統(tǒng)一，鏡頭的畫面感才會和諧一致，給觀眾沒的感受。第六章則以不同的國家為案例分析不同國家的動畫，其色彩運用得不同特征，不同的文化背景下，民眾的色彩心理也不一樣，這是決定一個國家動畫色彩的主要因素。第八章則是主要研究我國傳統(tǒng)文化藝術中的色彩應用，我國動畫要形成自己的民族風格，首先是要了解本國悠久的歷史傳承下的各種文化藝術，去領悟文化與藝術所形成的民族色彩心理認知。同時，結合所學知識，分析畢業(yè)設計中的色彩指定的意義。最后引言部分則是對全文的總結。中國作為世界人口大國，我們從來不缺乏創(chuàng)意，我們?nèi)钡氖菍⑾敕ㄟ\用到實踐的行動力，我們需要努力學習，學習國外成功經(jīng)驗，學習本國的傳統(tǒng)文化，學習優(yōu)良的技術，學習優(yōu)秀的技法，為中國動畫之崛起去學習，我相信中國風一定會再一次席卷全球。
[Abstract]:Color as an important part of animation, animation industry in China is not really taken seriously. Throughout the United States, Japan and other animation countries are unique in the use of color, Animation creators attach great importance to the relationship between color and lens and color on the role. But in our country, there is still a big shortage in the use of color, especially in the role of color. This article is about the color expression in character design. The main aim is to discuss and study several basic problems existing in the animation industry of our country. These problems are as follows: first, the relationship between the whole picture and the application of the role color must be in accordance with the tone of the whole work and the premise of the big scene. Strive for more richness and fullness. At present, many excellent animations focus more on storylines, character and scene design and post-production, so that they don't have the energy to enrich the overall color match of the animation. Ignore the interaction between the color of the character and the color of the scene. The role of color collocation in shaping the character image. Role image shaping not only refers to the appearance of the character, but also includes the shaping of character and the psychological implication to the audience. Third, break the monotonous color style of the character. Expanding the audience of animation, looking for inspiration from China's long history and culture, actively learning and innovating from the experience of excellent works at home and abroad. Chapter one mainly introduces the research background of this paper. From Chapter 2 to Chapter 4th, the relationship between color and character design is discussed. Chapter 5th analyzes the relationship between scene color and character color. The lens tells the story, the scene and the character make up each shot together. Only when the two are United, can the picture sense of the lens be harmonious and consistent, giving the audience a feeling that they do not have. Chapter 6th takes different countries as a case study to analyze the animation of different countries. Under different cultural background, the color psychology of the people is different, which is the main factor that determines the color of a country. Chapter 8th mainly studies the application of color in the traditional culture and art of our country. In order to form our own national style, animation must first understand the various cultures and arts in the long history of our country, and understand the psychological cognition of national color formed by culture and art. At the same time, we must combine the knowledge we have learned. Analysis of the significance of color designation in graduation design. Finally, the introduction is a summary of the full text. As a populous country in the world, we have never lacked creativity. What we lack is the ability to apply ideas to practice. We need to study hard, to learn foreign successful experience, to learn the traditional culture of our country, to learn the fine technology, to study the excellent technique, to study for the rise of Chinese animation, I believe that the Chinese style will sweep the whole world again.
【學位授予單位】：武漢理工大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J954

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