本文選題：微電影　切入點(diǎn)：情感　出處：《山東師范大學(xué)》2017年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：伴隨著新媒體時(shí)代的到來(lái),人們的日常生活逐漸被“微”字包圍,微博、微信、微商等大行其道,這為微電影的發(fā)展提供了很好的生存環(huán)境。近些年,微電影作為影視界的新生代力量慢慢被人們從認(rèn)識(shí)到熟知,成為人們生活中不可或缺的調(diào)味劑,豐富著人們的心靈與情感世界。新媒體時(shí)代來(lái)臨,微電影在快速發(fā)展,僅僅觀(guān)看與欣賞微電影已經(jīng)無(wú)法滿(mǎn)足需求,大批的影視愛(ài)好者加入了制作微電影的大軍,從以前的“無(wú)語(yǔ)”或“失語(yǔ)”狀態(tài)變?yōu)橹鲃?dòng)“發(fā)聲”,微電影市場(chǎng)迅速火爆起來(lái),不計(jì)其數(shù)的微電影作品海量出現(xiàn),而作品的質(zhì)量卻參差不齊,有些作品因其情感表達(dá)的偏離而出現(xiàn)了歧義。情感作為微電影中的驅(qū)動(dòng)性因素,對(duì)于其本身有著不可估量的作用,而情感的準(zhǔn)確表達(dá)更是衡量一部微電影作品優(yōu)劣的關(guān)鍵元素。在如今數(shù)量眾多、質(zhì)量參差不齊的微電影中,情感的表達(dá)呈現(xiàn)出一些規(guī)律,也顯露了部分問(wèn)題。一部?jī)?yōu)秀微電影的完整的情感表達(dá)應(yīng)該是由編劇、導(dǎo)演、演員、作品本身、觀(guān)眾等共同完成的,缺少了其中任何一項(xiàng)都無(wú)法真正體現(xiàn)微電影情感表達(dá)的魅力。微電影中的情感如何準(zhǔn)確表達(dá)的研究不僅有助于提高微電影作品的質(zhì)量,也為微電影進(jìn)一步更好的發(fā)展打下理論基礎(chǔ)。本論文主要圍繞微電影中情感表達(dá)這一因素展開(kāi),運(yùn)用美學(xué)、文藝學(xué)、影視學(xué)、受眾心理學(xué)、傳播學(xué)等多種學(xué)科理論為指導(dǎo),對(duì)近些年來(lái)大量的優(yōu)秀微電影作品進(jìn)行詳細(xì)的分析與品鑒,并結(jié)合筆者創(chuàng)作微電影的實(shí)際經(jīng)驗(yàn),歸納、總結(jié)、分析微電影中情感表達(dá)的呈現(xiàn)規(guī)律及其特點(diǎn)。微電影情感的完整呈現(xiàn)包括了創(chuàng)作過(guò)程中的情感表達(dá)和審美過(guò)程的情感表達(dá),本論文依照這一思路把文章分為五個(gè)章節(jié),主要包括以下幾方面的內(nèi)容:首先,從微電影的概念和情感的內(nèi)涵入手,探討了情感表達(dá)在微電影中的重要意義,并且分別從事小情深、片短情長(zhǎng)、速快情濃、式多情真、情易近人五個(gè)方面分析了微電影情感表達(dá)的特點(diǎn)。接下來(lái)的兩部分是本文的核心章節(jié),把微電影創(chuàng)作過(guò)程中的情感表達(dá)作為重點(diǎn)進(jìn)行分析論證,依照微電影創(chuàng)作過(guò)程中的創(chuàng)作順序,分別從劇本與表演、拍攝與剪輯等方面闡述了微電影創(chuàng)作過(guò)程中的情感如何表達(dá),其中又著重分析了創(chuàng)作過(guò)程中的拍攝與剪輯情感表達(dá)的外在呈現(xiàn)和內(nèi)在技巧。最后,論述微電影審美過(guò)程中的情感表達(dá),主要從情感認(rèn)同和情感共鳴兩部分來(lái)分析受眾的情感表達(dá),并從審美的角度分析了微電影的情感接收與微電影創(chuàng)作之間的關(guān)系。本論文緊跟時(shí)代步伐,按照微電影系統(tǒng)生產(chǎn)全過(guò)程的順序,抓住情感表達(dá)這個(gè)重要的因素,針對(duì)當(dāng)下微電影中情感表達(dá)方面出現(xiàn)的問(wèn)題進(jìn)行研究,通過(guò)對(duì)典型的微電影作品的情感表達(dá)的分析,梳理總結(jié)關(guān)于微電影情感表達(dá)的特點(diǎn)、規(guī)律和方法,以期對(duì)微電影的策劃、拍攝和制作產(chǎn)生一定的指導(dǎo)作用,為微電影常葆藝術(shù)魅力和進(jìn)一步完善微電影的發(fā)展鋪磚引路,也希望能為推出更多微電影的精品盡一份綿薄之力。
[Abstract]:With the arrival of the new media era, people's daily life gradually by the micro character surrounded by micro-blog, WeChat, and other popular micro business, to provide a good living environment for the development of the micro film. In recent years, micro film and television industry as the new generation of power slowly known from understanding to, become people life indispensable seasoning, enrich people's spiritual and emotional world. New media era, with the rapid development of micro film, only to watch and enjoy micro film has been unable to meet the demand, a large number of movie goers joined the production of micro film force, from the previous "Speechless" or "aphasia" of state variable active voice, micro film market quickly hot up, too many to count micro films and the mass, work quality is uneven, some works because of its emotional expression and the deviation of ambiguity arises. As the driving factors of micro film, plays an important role for itself, and accurate expression of emotion is a key element to measure micro movies in the pros. Now a large number of micro film, uneven quality, emotional expression showed some regularity, also revealed some problems. An excellent micro film full of emotional expression should be a screenwriter, director, actor, work itself, the audience completed, the lack of any one of them can truly reflect the emotional expression of micro film charm. On micro film emotion accurately not only helps to improve the quality of micro film works also, micro film further development and lay a theoretical foundation. This thesis mainly focuses on the micro film emotion expression of this factor, the use of aesthetics, literature, film studies, psychology, communication A variety of theories, analysis and tasting in detail in recent years a large number of outstanding micro films, combined with practical experience, the author summarizes the creation of micro film, summary, analysis of micro film emotional expression rules and characteristics of micro film. The complete presentation includes the emotional expression of emotion emotional expression in the process of creation and the aesthetic process, this paper in accordance with the idea of the article is divided into five chapters, including the following aspects: first, from the connotation of emotion and micro film, discusses the emotional expression in the significance of the micro film, and are engaged in small deep, short long fast, love, love really love approachable style, five aspects of the characteristics of micro film emotional expression. The two part is the core of this chapter, the expression of emotion in the process of micro film creation 閲嶇偣榪涜鍒嗘瀽璁鴻瘉,渚濈収寰數(shù)褰卞垱浣滆繃紼嬩腑鐨勫垱浣滈『搴，

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