本文選題：歷史紀錄片　切入點：中西方文化差異　出處：《上海師范大學》2014年碩士論文　論文類型：學位論文

【摘要】：世界各國都擁有自己的文化，不同文化背景下的各國觀眾有著不同的審美心理與審美期待。中西方的歷史紀錄片在文化差異的影響下呈現(xiàn)出截然不同的創(chuàng)作風格。在全球化背景下,從文化差異的角度認真地了解與比較研宄中西方歷史紀錄片，不僅是中國歷史紀錄片生存和發(fā)展的需要,同時也是加強中外文化交流、促進文化融合、抵制文化一體化、傳播中華優(yōu)秀傳統(tǒng)文化的需要。 本文先是從歷史紀錄片的概念及分類、文化的內(nèi)涵及文化差異來說明歷史紀錄片與文化的相關理論;然后從文化差異的歷史根源、文化形態(tài)、人與自然關系、人與社會關系、時間取向、審美取向這六個方面對中西方歷史紀錄片的文化語境做深入的分析，作為案例比較研宄的理論鋪墊；接著以《1405,鄭和下西洋》與《偉大傳奇再現(xiàn)一一鄭和下西洋》兩部歷史紀錄片作為分析案例，，從案例選擇依據(jù)、創(chuàng)作觀念、內(nèi)容與主題、價值觀表達、敘事方式、影像語言這六個方面對歷史紀錄片的創(chuàng)作進行分析和比較研宄。最后論述了中西方的文化交流與借鑒對我國歷史紀錄片發(fā)展的重要意義，并對我國的歷史紀錄片如何才能既讓中國觀眾喜愛、又能走向世界提出了自己的一些看法。
[Abstract]:Every country in the world has its own culture, The audiences of different countries have different aesthetic psychology and aesthetic expectation under different cultural background. Under the influence of cultural differences, the historical documentaries of China and the West present quite different creative styles. To understand and compare Chinese and Western historical documentaries from the perspective of cultural differences is not only the need for the survival and development of Chinese historical documentaries, but also the need to strengthen cultural exchanges between China and foreign countries, to promote cultural integration, and to resist cultural integration. The need to spread the excellent Chinese traditional culture. This paper first explains the theory of historical documentary and culture from the concept and classification of historical documentary, the connotation of culture and cultural differences, and then from the historical root of cultural differences, cultural form, the relationship between man and nature, human and social relations, Time orientation, aesthetic orientation of the six aspects of the history of Chinese and Western documentary cultural context in-depth analysis, as a case comparative study of the theoretical foundation; Then two historical documentaries, < 1405, Zheng he's voyages to the West > and "the Great Legend of the West", are taken as analysis cases, which are based on the selection of cases, creative concepts, contents and themes, expressions of values, and narrative methods. This paper analyzes and compares the creation of historical documentaries in the six aspects of image language. Finally, it discusses the significance of cultural exchange and reference between China and the West to the development of historical documentaries in China. It also puts forward some views on how to make Chinese viewers like it and go to the world.
【學位授予單位】：上海師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J952

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本文編號：1566397