本文關(guān)鍵詞： 蒙古族題材電影 女性形象 女性主義 藝術(shù)價(jià)值　出處：《內(nèi)蒙古大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：新中國(guó)成立以來,蒙古族題材電影以濃郁的民族特色和鮮明的藝術(shù)特色在中國(guó)電影史上占有一席之地。在半個(gè)多世紀(jì)的發(fā)展歷程中,蒙古族題材電影在表現(xiàn)本民族文化、刻畫民族性格、弘揚(yáng)民族精神方面做出了有益的藝術(shù)探索。本文以新世紀(jì)以來蒙古族題材電影為研究對(duì)象,重點(diǎn)對(duì)此時(shí)期蒙古族題材電影中的女性形象進(jìn)行分析。本文從蒙古族題材電影女性形象的分類研究入手,對(duì)中國(guó)女性的性格特征、意識(shí)、心理、情感等因素進(jìn)行論析,并嘗試從女性主義的視角來觀照新世紀(jì)蒙古族題材電影女性意識(shí)的表現(xiàn),展現(xiàn)蒙古族題材電影女性形象的獨(dú)特魅力及藝術(shù)價(jià)值。 本文第一部分對(duì)蒙古族題材電影的發(fā)展史進(jìn)行梳理,將研究重點(diǎn)放在各個(gè)時(shí)期蒙古族題材電影中的女性形象上。這些女性形象的塑造,由于受時(shí)代背景、創(chuàng)作理念等諸多因素影響,具有鮮明的時(shí)代烙��；特別是新世紀(jì)以來蒙古族題材電影中的女性形象,與之前比較,展現(xiàn)出更具獨(dú)立自主的女性意識(shí)和善良無私的美好品質(zhì)。本文第二部分對(duì)影片女性形象從其社會(huì)角色與家庭角色二個(gè)角度進(jìn)行探析,關(guān)注影片中“母親”、“女兒”、“妻子”、“知識(shí)女性”和“草原捍衛(wèi)者”等女性形象,總結(jié)出女性形象之“堅(jiān)韌寬厚”、“獨(dú)立自主”、“勇敢堅(jiān)強(qiáng)”等性格特征；本文運(yùn)用“微笑的女性主義”觀點(diǎn),對(duì)影片女性與男性關(guān)系進(jìn)行分析,認(rèn)為新世紀(jì)以來蒙古族題材電影并非表現(xiàn)女性與男性之對(duì)立,而更多是表現(xiàn)女性與男性之理解與關(guān)懷。該文第三部分探析蒙古族題材電影女性形象之藝術(shù)價(jià)值,認(rèn)為其藝術(shù)價(jià)值不僅體現(xiàn)在真實(shí)展現(xiàn)新世紀(jì)蒙古族女性之生存狀態(tài),而且體現(xiàn)在女性形象自身所具有的振奮他人之精神力量；對(duì)于影片創(chuàng)作者而言,女性形象承載著其“生命觀”,即電影創(chuàng)作者“對(duì)生命與自然的一種尊重的態(tài)度”。
[Abstract]:Since the founding of the people's Republic of China, Mongolian films have occupied a place in the history of Chinese films with strong national characteristics and distinctive artistic characteristics. In the course of development of more than half a century, Mongolian films have been showing their own national culture. Depicting the national character and carrying forward the national spirit has made a beneficial artistic exploration. This article takes the Mongolian theme film as the research object since the new century. This paper starts with the classification of the female images of Mongolian films, and analyzes the characteristics, consciousness, psychology, emotion and other factors of Chinese women. From the perspective of feminism, this paper attempts to study the female consciousness of Mongolian films in the new century, and to show the unique charm and artistic value of the female images of Mongolian films. The first part of this paper combs the history of the development of Mongolian films, focusing on the female images of Mongolian films in various periods. The shaping of these female images, due to the background of the times, Many factors, such as creative ideas, have marked the brand of the times. In particular, the images of women in Mongolian films since the new century have been compared with those before. The second part of this paper analyzes the female image of the film from two angles: social role and family role. Pay attention to the female images such as "Mother", "daughter", "wife", "intellectual woman" and "Prairie defender" in the film, summed up the female image of "tough and generous", "independent", "brave and strong" and other personality characteristics; Based on the view of "smiling feminism", this paper analyzes the relationship between women and men in the film, and concludes that the Mongolian films do not represent the opposition between women and men in the new century. The third part of this article analyzes the artistic value of the female image of Mongolian film, and thinks that the artistic value is not only reflected in the existence state of the Mongolian women in the new century. And it is embodied in the spiritual power of the female image itself to exhilarate others; for the film creators, the female image bears its "view of life", that is, the filmmaker's "attitude of respect for life and nature".
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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本文編號(hào)：1555683