本文關(guān)鍵詞： 日本電影 死亡審美 死亡主題 向死而生 死亡意象　出處：《重慶大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：死亡作為生命的最終歸宿,一直以來就是人類思考的終極命題。由于死亡的不可抗拒性和人類與生俱來的生命意識,使得人們既對死亡充滿未知的好奇,又對死亡普遍持有回避和抵觸的態(tài)度。為了明白生命存在的真正價(jià)值和意義,人類圍繞死亡展開一系列的研究。從宗教領(lǐng)域,到哲學(xué)范疇,再到藝術(shù)世界,人類借助各種方式,從不同的角度剖析死亡,時(shí)光流逝,探尋的腳步始終未曾停止。然而,在此過程中,電影憑借自身獨(dú)特的藝術(shù)特性成為解讀死亡的一大有利途徑。它通過不同角度,不同層面審視死亡,并且在此基礎(chǔ)上融合各種文化元素,展開對死亡多手法的影像表達(dá),使得影像中死亡元素具有了一定的審美價(jià)值。視聽結(jié)合下的死亡情節(jié)不僅豐富了人類的死亡認(rèn)知,還激發(fā)起電影藝術(shù)的審美表達(dá),提升了電影藝術(shù)的人文價(jià)值。縱觀世界電影發(fā)展的歷程,日本電影因其影像間流露出的鮮明的民族特性,成為世界電影一個(gè)重要的組成部分。就死亡而言,日本電影人同樣不吝于對它的書寫,甚至是熱衷于表現(xiàn)死亡。從電影的敘事內(nèi)容到影像風(fēng)格,死亡意象被賦予了深厚的日式民族審美特質(zhì),突顯出一種獨(dú)特的欣賞死亡和贊美死亡的心理。究其根源,與日本傳統(tǒng)文化中流露出的死亡崇拜息息相關(guān)。此外,日本電影創(chuàng)作者對死亡有意識的追求,也影響了觀影者對待死亡的態(tài)度,幫助他們建立起一種審視死亡之美的生命體驗(yàn)。本文對日本電影中的死亡審美研究從四個(gè)部分展開論述。第一部分是死亡之美。從哲學(xué)、宗教、藝術(shù)三方面,對日式死亡審美受到的不同程度的影響做一個(gè)整體性的梳理。同時(shí),在死亡美學(xué)的研究范疇中,總結(jié)出電影中死亡元素的三大功能。由此對日本傳統(tǒng)文化中蘊(yùn)含的死亡觀念有一個(gè)基本的了解,為下面深入探究日本電影中的死亡審美做鋪墊。第二部分是日本電影中的死亡主題。本文選取了在死亡主題表達(dá)上具有代表性的日本電影作為主要研究對象。通過對比分析,提煉共性,挖掘出日本電影呈現(xiàn)死亡主題時(shí)的創(chuàng)作特點(diǎn)。由此總結(jié)了三個(gè)具有代表性的死亡主題:愛與死的糾纏;青春與死的相遇;責(zé)任與死的碰撞。第三部分是日本電影中的死亡影像風(fēng)格。從死亡意象的選擇,死亡的色彩表達(dá),死亡的儀式化呈現(xiàn)三方面,結(jié)合日本傳統(tǒng)文化、民族心理等,對日本電影中透露出的死亡影像風(fēng)格進(jìn)行較為深入的研究,挖掘出死亡在影像中表達(dá)的多重可能。第四部分是中日電影中死亡審美的比較研究。日本電影中死亡元素的文化內(nèi)涵受到中國傳統(tǒng)文化的影響頗深,將中日電影中的死亡主題和影像風(fēng)格進(jìn)行比較,有助于完善對日本電影死亡元素的理解,也可以在橫向比較間,總結(jié)出日本電影死亡審美的優(yōu)勢和缺陷,為中國電影,以及世界其他國家電影創(chuàng)作帶來啟示。
[Abstract]:Death, as the ultimate destination of life, has always been the ultimate proposition of human thinking. Due to the irresistibility of death and the innate consciousness of life, people are full of unknown curiosity about death. In order to understand the true value and significance of the existence of life, human beings carry out a series of studies around death. From the religious field to the philosophical category, to the artistic world, human beings resort to various means. Analyzing death from different angles, time goes by, the pace of exploration never stops. However, in the process, movies, by virtue of their own unique artistic characteristics, become a great way to interpret death. On the basis of examining death at different levels and integrating all kinds of cultural elements, the image expression of multiple methods of death is carried out. It not only enriches the death cognition of human beings, but also stimulates the aesthetic expression of film art. The history of film development in the world shows that Japanese films have become an important part of the world's films because of their distinctive national characteristics. As far as death is concerned, Japanese filmmakers are equally willing to write about it and even to express death. From its narrative content to its image style, the image of death is endowed with a profound aesthetic quality of the Japanese nation. Highlighting a unique appreciation of and admiration for death. Its root causes are closely related to the worship of death revealed in traditional Japanese culture. In addition, Japanese film makers have a conscious pursuit of death. It also affects the attitude of the moviegoers towards death, and helps them to establish a life experience that examines the beauty of death. This paper discusses the aesthetic study of death in Japanese movies from four parts. The first part is the beauty of death. In the three aspects of religion and art, this paper makes a holistic analysis of the influence of Japanese death aesthetics to different degrees. At the same time, in the study of death aesthetics, Summed up the three functions of the death elements in the film. From this, we have a basic understanding of the concept of death contained in the traditional Japanese culture. The second part is the theme of death in Japanese film. This paper selects the Japanese film which is representative of the theme of death as the main research object. Abstract the common character, excavate the creation characteristic when Japanese film presents the theme of death. From this, it summarizes three representative death themes: the entanglement of love and death, the encounter of youth and death; The third part is the style of death image in Japanese film. From the choice of death image, the color expression of death, the ritualization of death, the combination of Japanese traditional culture, national psychology, etc. A more in-depth study of the style of death images revealed in Japanese films, The 4th part is a comparative study of death aesthetics in Chinese and Japanese films. The cultural connotation of death elements in Japanese films is deeply influenced by Chinese traditional culture. Comparing the death theme and the image style between Chinese and Japanese films will help to improve the understanding of the Japanese film death elements, and can also sum up the advantages and disadvantages of the Japanese film death aesthetic in the horizontal comparison, so as to be Chinese film. And other countries around the world to bring inspiration to film creation.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J901

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本文編號：1553809