本文關(guān)鍵詞： 偶動(dòng)畫 材料應(yīng)用 角色表演　出處：《江南大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：二十一世紀(jì)以來(lái)偶動(dòng)畫進(jìn)入了蓬勃發(fā)展的時(shí)期，世界范圍內(nèi)多部偶動(dòng)畫影片收獲高額票房又頻頻獲獎(jiǎng)，，取得了在觀眾中和行業(yè)內(nèi)的高度認(rèn)可。如今的偶動(dòng)畫形式已經(jīng)發(fā)生了巨大的變化，其在材料應(yīng)用、角色表演、制作規(guī)模、故事情節(jié)等方面均突破了傳統(tǒng)模式，尤其是新穎先進(jìn)的材料技術(shù)和風(fēng)格各異的表演效果給觀眾留下了深刻的印象。如此巨大的影響力和變革值得重新審視和不斷研究。 材料是偶動(dòng)畫的核心，是偶動(dòng)畫角色表演的基礎(chǔ)。本文旨在對(duì)材料的應(yīng)用研究，闡述材料對(duì)角色表演的影響、分析實(shí)現(xiàn)表演的材料技術(shù)、探索角色表演中的材料風(fēng)格，從而為我國(guó)的偶動(dòng)畫事業(yè)的發(fā)展提供一些理論和實(shí)踐依據(jù)。在研究過程中，運(yùn)用定性研究、定量研究和文獻(xiàn)研究的方法，將理論和實(shí)踐相結(jié)合，通過參考大量文獻(xiàn)資料，分析優(yōu)秀作品，建立實(shí)驗(yàn)對(duì)象來(lái)充實(shí)本文的論點(diǎn)和論據(jù)。 首先，從偶動(dòng)畫的概況出發(fā)，對(duì)偶動(dòng)畫、材料應(yīng)用和角色表演的概念進(jìn)行了表述，在概念中確定了研究對(duì)象的定義、范圍、特點(diǎn)等內(nèi)容。其次，探討了材料應(yīng)用和角色表演之間的聯(lián)系。闡述了材料在質(zhì)地、工藝、質(zhì)感上的應(yīng)用和角色表演的三個(gè)過程，揭示角色表演具有在真實(shí)空間中操控的特殊性，這一特殊性與材料應(yīng)用有直接的聯(lián)系。再次，研究材料在角色表演中的應(yīng)用，充分結(jié)合例證分析材料對(duì)表演的局限、實(shí)現(xiàn)、以及參照英國(guó)、美國(guó)、捷克、中國(guó)四個(gè)國(guó)家的偶動(dòng)畫影片，例舉材料應(yīng)用的表現(xiàn)，驗(yàn)證了材料應(yīng)用對(duì)角色表演的影響。最后,探索了3D打印技術(shù)在偶動(dòng)畫中的應(yīng)用，提升了偶動(dòng)畫制作的效率；展望了材料類型向?qū)I(yè)化和大眾化方向發(fā)展的趨勢(shì)，多元化的材料在不同的發(fā)展方向上發(fā)揮著自身的優(yōu)勢(shì)；思考了當(dāng)下角色表演中偶味缺失的現(xiàn)象，并指出只有角色表演回歸材料本質(zhì)才是偶動(dòng)畫的魅力之源。 進(jìn)而得出結(jié)論，材料是塑造形象、模擬動(dòng)作的工具，對(duì)其的應(yīng)用技術(shù)是實(shí)現(xiàn)操控表演和克服制約因素的手段。技術(shù)的進(jìn)步推動(dòng)著藝術(shù)的發(fā)展，提高了制作效率，提升了影片效果，，而過度依賴先進(jìn)技術(shù)則會(huì)丟失偶動(dòng)畫的本質(zhì)要求，影響偶動(dòng)畫藝術(shù)形式的發(fā)展。本文論述的內(nèi)容和結(jié)論對(duì)認(rèn)識(shí)偶動(dòng)畫材料在角色表演中的應(yīng)用具有一定的參考價(jià)值。
[Abstract]:Since 21th century, my animation has entered a period of vigorous development. Has gained a high degree of recognition in the audience and in the industry. Nowadays, the form of couple animation has changed greatly. It has broken through the traditional mode in material application, role performance, production scale, storyline and so on. Especially the novel and advanced material technology and the different styles of performance effect left a deep impression on the audience. Such a huge influence and change is worthy of re-examination and continuous study. The material is the core of the couple animation and the basis of the character performance. This paper aims to study the application of the material, explain the influence of the material on the role performance, analyze the material technology to realize the performance, and explore the material style in the role performance. Thus providing some theoretical and practical basis for the development of the cause of couple animation in our country. In the process of research, using the methods of qualitative research, quantitative research and literature research, combining theory with practice, and referring to a large number of documents, Analyze excellent works and establish experimental objects to enrich the arguments and arguments of this paper. Firstly, the concepts of dual animation, material application and role performance are described, and the definition, scope and characteristics of the object of study are defined in the concept. This paper discusses the relationship between material application and role performance, expounds the three processes of material application in texture, technology, texture and role performance, and reveals the particularity of role performance in real space. This particularity is directly related to the application of materials. Thirdly, research on the application of materials in role shows, fully combining examples to analyze the limitations of materials on performance, realization, as well as reference to the United Kingdom, the United States, the Czech Republic, In four countries of China, the performance of the application of materials is cited to verify the impact of the application of materials on the role performance. Finally, the application of 3D printing technology in the animation is explored to improve the efficiency of the animation production. Looking forward to the trend of material types developing towards specialization and popularization, the diversified materials play their own advantages in different development directions, and consider the phenomenon of lack of occasional taste in the current role performance. It is pointed out that only the return material essence of the character performance is the source of the charm of the occasional animation. It is concluded that the material is the tool for shaping the image and simulating the action, and the applied technology is the means to control the performance and overcome the restrictive factors. The progress of technology promotes the development of art and improves the production efficiency. Improved film effect, and excessive reliance on advanced technology will lose the nature of the requirements of the couple animation, The content and conclusion discussed in this paper have certain reference value for understanding the application of couple animation material in character performance.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J954

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