本文關(guān)鍵詞： 夸張 修辭格 分類 藝術(shù)表現(xiàn)手法 作用 應(yīng)用 運(yùn)用 程式化夸張表現(xiàn)　出處：《湖南師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：自20世紀(jì)初第一部動(dòng)畫誕生算起,動(dòng)畫經(jīng)過(guò)了近百年的發(fā)展歷史.它從少數(shù)藝術(shù)家的個(gè)人創(chuàng)作走向社會(huì),很快步入芝術(shù)殿堂，，成為電影電視藝術(shù)中的一個(gè)重要分支,并顯示出了這一新興藝術(shù)的勃勃生機(jī)。動(dòng)畫已逐漸走進(jìn)世界各國(guó)的各個(gè)家庭,成為廣大少年兒童、乃至成年人的最愛(ài),如今動(dòng)畫已發(fā)展成為創(chuàng)意經(jīng)濟(jì)中最活躍、最熱門的朝陽(yáng)產(chǎn)業(yè),動(dòng)畫發(fā)展到現(xiàn)在,在藝術(shù)上、技術(shù)上經(jīng)歷了巨大的變化,唯一不變的是,無(wú)論何種題材的動(dòng)畫片都具有極大地假定性,并由此派生出了動(dòng)畫的象征性、夸張性和趣味性。 動(dòng)畫是一種假定性的電影藝術(shù),是運(yùn)用虛構(gòu)、幻想、神似、變形等手法來(lái)反映人們的愿望。動(dòng)畫片的題材常常是以表現(xiàn)生活中人們的意愿和想象為題材,經(jīng)過(guò)提煉加工,以夸張、變形為主要特征。 “夸張”作為動(dòng)畫藝術(shù)表現(xiàn)手法在動(dòng)畫創(chuàng)作中具有廣泛應(yīng)用,幾乎可以說(shuō),每一部動(dòng)畫片都有“夸張”的存在,或者是劇本構(gòu)思的夸張、或者是人物造型的夸張、或者是動(dòng)作的夸張等等,可以說(shuō),夸張是動(dòng)畫的重要特性之一。 本文通過(guò)對(duì)作為修辭的夸張和作為藝術(shù)表現(xiàn)手法的夸張闡述了夸張的基礎(chǔ)理論知識(shí)、夸張的美學(xué)價(jià)值、夸張?jiān)趧?dòng)畫中的作用、在動(dòng)畫中的應(yīng)用及在動(dòng)畫設(shè)計(jì)主要環(huán)節(jié)的運(yùn)用等等,并通過(guò)大量案例來(lái)解釋動(dòng)畫中夸張給讀者帶來(lái)的極大樂(lè)趣,引發(fā)無(wú)窮的想象和聯(lián)想。
[Abstract]:Since the birth of the first animation in 20th century, animation has been developing for nearly a hundred years. It moves from the personal creation of a few artists to the society, and soon steps into the palace of Zhizhu, becoming an important branch of the art of film and television. It shows the vitality of this new art. Animation has gradually entered every family around the world and become the favorite of the majority of children and adults. Now animation has developed into the most active creative economy. The hottest sunrise industry, animation, has developed to the present, and has undergone tremendous changes in art and technology. The only thing that has not changed is that cartoons of any subject matter are highly hypothetical, and thus derive the symbolism of animation. Exaggeration and interest. Animation is a kind of fictitious film art, which is used to reflect people's wishes by means of fiction, fantasy, likeness, deformation and so on. The subject matter of animation is often based on the expression of people's will and imagination in life, and is refined and processed. It is characterized by exaggeration and deformation. "exaggeration" is widely used in animation creation as an expression of animation art. It can be said that every cartoon has the existence of "exaggeration", or the exaggeration of script design or the exaggeration of character modeling. Or action exaggeration and so on, can say, exaggeration is one of the important features of animation. This paper expounds the basic theoretical knowledge of hyperbole, the aesthetic value of hyperbole and the function of hyperbole in animation through exaggeration as rhetoric and hyperbole as artistic expression. The application in the animation and the application in the main link of the animation design and so on, and through a large number of cases to explain the animation hyperbole brings the reader the great pleasure, causes the infinite imagination and the association.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J954

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本文編號(hào)：1540615