本文關(guān)鍵詞： 紀(jì)錄片 撒尼人 民間歌舞　出處：《昆明理工大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：少數(shù)民族民間歌舞是民族文化中最具外顯特征的符號(hào)系統(tǒng),誕生于當(dāng)?shù)刈迦壕奂叩纳�、勞作�?由當(dāng)?shù)孛癖娭苯觿?chuàng)造,具有鮮明的人文風(fēng)俗和地方特色;而紀(jì)錄片客觀再現(xiàn)、反映真實(shí)的影像特點(diǎn),不僅可以完整記錄少數(shù)民族民間歌舞形式,形成獨(dú)特的視覺(jué)審美,更能反映背后的族群心理、生活狀態(tài)以及更深層次的民族文化內(nèi)涵。少數(shù)民族民間歌舞獨(dú)特的外顯特質(zhì)和紀(jì)錄片直觀、深刻的影像表達(dá)方式形成優(yōu)勢(shì)互補(bǔ),相較其他視覺(jué)傳達(dá)方式,具有無(wú)可比擬的傳播優(yōu)勢(shì)。畢業(yè)作品《“行走”的樂(lè)舞》采用影像記錄的形式,筆者在多次到石林彝族撒尼村寨調(diào)研的基礎(chǔ)上,參照現(xiàn)有的影視理論和撒尼歌舞的實(shí)踐創(chuàng)作現(xiàn)狀,選擇以石林地區(qū)聚集的彝族撒尼人和撒尼民間歌舞作為創(chuàng)作對(duì)象,以當(dāng)?shù)剌^有代表性的老、中、青三代人作為主要人物,通過(guò)他們的生活狀態(tài)、心理變化和對(duì)本族群歌舞文化的認(rèn)知,展現(xiàn)撒尼人對(duì)于歌舞天生的熱愛(ài)以及在大眾文化的影響下,不同年代的人對(duì)于本族群文化的理解和民族文化的再創(chuàng)造與傳承,將具有較強(qiáng)視聽審美的歌舞形式通過(guò)鏡頭語(yǔ)言轉(zhuǎn)化成一個(gè)個(gè)可看性的故事是本作品的創(chuàng)新之處�！丁靶凶摺钡臉�(lè)舞》畢業(yè)設(shè)計(jì)說(shuō)明,分別從五部分詳細(xì)闡述了紀(jì)錄片創(chuàng)作過(guò)程中的準(zhǔn)備工作、拍攝思路、方法、過(guò)程和相關(guān)經(jīng)驗(yàn)教訓(xùn),并從傳播學(xué)的角度和影視人類學(xué)的角度對(duì)影片的價(jià)值和意義進(jìn)行了總結(jié)。第一部分,從影片選題背景入手,闡釋撒尼歌舞的現(xiàn)狀和意義,梳理國(guó)內(nèi)外關(guān)于民族歌舞紀(jì)錄片的理論創(chuàng)作現(xiàn)狀和實(shí)踐創(chuàng)作現(xiàn)狀,從而總結(jié)出本部作品的創(chuàng)作價(jià)值:從文化人類學(xué)“他者的眼光”之角度,運(yùn)用故事化的敘述方式表達(dá)主題,具有視角的獨(dú)特性,豐富了撒尼歌舞影像維度的記錄與研究;第二部分論述了本作品田野調(diào)研和前期準(zhǔn)備情況,為作品的完成提供了較為完善的理論和現(xiàn)實(shí)儲(chǔ)備;第三部分是本作品的中期拍攝過(guò)程,詳細(xì)展示了拍攝過(guò)程中的設(shè)備使用、攝影技術(shù)、攝影技巧和場(chǎng)面調(diào)度以及突發(fā)事件的應(yīng)對(duì);第四部分是整部影片的后期制作闡述,從挑選素材、影片粗剪、素材補(bǔ)拍、影片精剪、調(diào)色、特效制作到輸出成片整個(gè)全過(guò)程都進(jìn)行了理論和實(shí)踐的論述;最后一部分對(duì)本作品進(jìn)行全方位總結(jié),從傳播學(xué)和影視人類學(xué)的角度對(duì)影片的實(shí)踐進(jìn)行學(xué)術(shù)性的思考和總結(jié),以便今后進(jìn)一步提升關(guān)于民族影像的理論和實(shí)踐創(chuàng)作。
[Abstract]:The folk song and dance of minority nationality is the symbol system with the most explicit characteristics in the national culture. It is born in the life of the local ethnic group gathering people, working, created directly by the local people, and has distinct humanistic customs and local characteristics. The objective reappearance of the documentary film, reflecting the true image characteristics, can not only record the forms of folk songs and dances of ethnic minorities completely, form a unique visual aesthetic, but also reflect the ethnic psychology behind it. The unique explicit characteristics of ethnic folk songs and dances and the visual features of documentaries, the profound ways of image expression form complementary advantages, compared with other visual means of communication, The music and dance of the graduation work "Walking" is in the form of video recording. On the basis of the investigation and investigation of the Sani village of the Yi nationality in Shilin many times, the author refers to the existing film and television theory and the present situation of the practical creation of the song and dance of Sani. They chose the Sani and the folk dance of the Yi nationality gathered in the Stone Forest area as their creative objects, and the three generations of the old, middle and young people who were more representative of the local people as the main characters through their living conditions. The psychological change and the cognition to the culture of singing and dancing of this ethnic group show the natural love for song and dance of the Sani people and the understanding of the culture of the ethnic group and the re-creation and inheritance of the national culture under the influence of the popular culture. It is the innovation of this work to transform the form of singing and dancing with strong audiovisual appreciation into a series of interesting stories by means of lens language. From the five parts, the preparation, shooting ideas, methods, process and relevant experience and lessons of documentary film creation are elaborated in detail. And from the angle of communication and film anthropology, the paper summarizes the value and significance of the film. The first part, starting with the background of the film topic, explains the current situation and significance of the song and dance of Sonny. Combing the present situation of theoretical creation and practical creation of national music and dance documentaries at home and abroad, and summing up the creative value of the works of this part: from the perspective of cultural anthropology "other person's vision", the theme is expressed by means of story narration. It enriches the recording and research of Sani's singing and dancing video dimension. The second part discusses the field investigation and preliminary preparation of this work, which provides a more perfect theoretical and practical reserve for the completion of the work. The third part is the medium-term shooting process of this work, which shows the use of equipment, photography technology, photography techniques and scene scheduling and emergency response in detail. Part 4th is the post-production of the whole film. From the selection of materials, film coarse scissors, material shooting, film fine scissors, color adjustment, special effects production to the output of the whole process of the whole process are discussed in theory and practice; the last part of the overall summary of this work, From the angle of communication and film anthropology, the author thinks and summarizes the practice of the film academically in order to further improve the theory and practice of national image creation in the future.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J952

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