本文關(guān)鍵詞： 贛劇影像 文化傳播 戲曲電影 傳播路徑　出處：《南昌大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：在國(guó)家文化產(chǎn)業(yè)的重要布局中,戲曲資源作為一種特殊意義的文化符號(hào),不僅僅是文化資源開發(fā)的著眼點(diǎn),更是對(duì)地域性文化探討的試金石。因此對(duì)于戲曲資源的重視應(yīng)當(dāng)由表層內(nèi)容轉(zhuǎn)向深層次的傳播視點(diǎn),而贛劇作為江西文化的一張名片,尤其是建國(guó)以來(lái)到今天的整體發(fā)展面貌,需要更多的學(xué)者進(jìn)行歷時(shí)性與共時(shí)性的雙向關(guān)注。在當(dāng)下進(jìn)入到信息時(shí)代的大背景下,嘗試以影像傳播的視域分析贛劇的發(fā)展概況,研究贛劇影像的繼承和創(chuàng)新問(wèn)題,將為戲曲文化事業(yè)的發(fā)展提供更厚實(shí)的理論依據(jù)。本文以傳播學(xué)的視角對(duì)贛劇的影像進(jìn)行研究,主要分為三大部分。第一部分著眼于將贛劇影像的定義進(jìn)行類別界定。把建國(guó)以來(lái)的贛劇影像傳播歷史通過(guò)歷時(shí)性的方式進(jìn)行重點(diǎn)梳理和介紹;在第一部分的基礎(chǔ)上,文章的第二部分重點(diǎn)從傳播學(xué)視域中的贛劇傳播媒介、贛劇影像文本內(nèi)容、贛劇的傳播者和受眾層面對(duì)其一一分析,立足于傳播學(xué)視野的同時(shí)又兼顧到贛劇作為一種特色的戲曲藝術(shù)作品而區(qū)別與其他影像,系統(tǒng)性、完整性的由傳播學(xué)內(nèi)容分析贛劇影像,能夠?qū)M劇有更為深層次的認(rèn)知和理解。文章的第三部分則是對(duì)贛劇個(gè)案的研究,其中既有贛劇的主要影像形式—戲曲電影,也兼顧到贛劇電視劇、電視節(jié)目和紀(jì)錄影像等,通過(guò)對(duì)贛劇影像的個(gè)案分析對(duì)不同類別的影像文本進(jìn)行探討,能夠更加具有說(shuō)服力的討論贛劇影像的傳播路徑。結(jié)語(yǔ)的部分,將文章研究的贛劇影像傳播范圍中仍然存在的問(wèn)題進(jìn)行梳理和表述,并對(duì)贛劇影像今后的傳播和發(fā)展提出論證性的觀點(diǎn)。
[Abstract]:In the important layout of the national cultural industry, as a cultural symbol of special significance, opera resources are not only the focus of the development of cultural resources. It is also a touchstone for the discussion of regional culture. Therefore, the emphasis on the resources of opera should be shifted from the superficial content to the deep-seated transmission point of view. As a business card of Jiangxi culture, especially since the founding of the people's Republic of China, Jiangxi Opera has been developing as a whole since the founding of the people's Republic of China. It needs more scholars to pay attention to both diachronic and synchronic aspects. Under the background of the information age, this paper attempts to analyze the development of Jiangxi Opera from the perspective of image communication, and to study the inheritance and innovation of the images of Jiangxi Opera. It will provide a more solid theoretical basis for the development of opera culture. This paper studies the images of Jiangxi Opera from the perspective of communication. It is divided into three parts. The first part focuses on defining the definition of Jiangxi opera image. The history of Jiangxi opera image communication since the founding of the people's Republic of China is mainly combed and introduced in a diachronic way; on the basis of the first part, The second part of the article focuses on the media of Jiangxi opera in the field of communication, the content of the image text of Jiangxi opera, the communicator and audience of Jiangxi opera, and analyzes it one by one. Based on the field of communication, as well as taking into account the Jiangxi opera as a kind of characteristic opera works of art and different from other images, systematic, integrity from the content of communication analysis of Jiangxi opera images, Can have a deeper understanding and understanding of Jiangxi opera. The third part of the article is a case study of Jiangxi opera, in which there are not only the main image forms of Jiangxi opera, but also the TV series, television programs and recorded images of Jiangxi opera, etc. Through the case study of the images of Jiangxi Opera, we can discuss the transmission path of the images in Jiangxi Opera more persuasively. This paper combs and expresses the problems that still exist in the scope of image communication of Jiangxi opera, and puts forward the argumentative point of view on the spread and development of the image of Jiangxi opera in the future.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J909.2;G222

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本文編號(hào)：1532811