發(fā)布時(shí)間：2018-02-21 17:43

  本文關(guān)鍵詞： 《金色夢(mèng)鄉(xiāng)》 形式 敘事分析 敘事學(xué)　出處：《電影文學(xué)》2017年07期 　論文類(lèi)型：期刊論文

【摘要】：電影《金色夢(mèng)鄉(xiāng)》的敘事形式獨(dú)特豐富,它主要運(yùn)用了四項(xiàng)敘事原則:一是采用古典主義敘事模式,嚴(yán)格遵循鋪陳、沖突、解決沖突的三段式結(jié)構(gòu);二是敘事的因果關(guān)系主要以人物角色特征為動(dòng)機(jī),鼓勵(lì)觀眾自覺(jué)拼接各種因果事件;三是運(yùn)用閃回方式故意打亂部分?jǐn)⑹聲r(shí)間,使觀眾享受重組時(shí)序帶來(lái)的喜悅;四是綜合選擇非限制型敘事與限制型敘事兩種敘事范圍來(lái)達(dá)到敘事所要呈現(xiàn)的效果。只有深入分析以上敘事原則,才能真正理解本片的完整故事內(nèi)容與獨(dú)特審美趣味。
[Abstract]:The narrative form of the film "Golden Dream" is unique and rich. It mainly uses four narrative principles: first, it adopts the classical narrative mode, strictly follows the three-paragraph structure of laying out, conflict and resolving conflict; Second, the causality of narration is mainly motivated by the character characteristics of the characters, and encourages the audience to consciously splice all kinds of causation events; third, the narration time is deliberately disturbed by the flashback method, so that the audience can enjoy the joy brought by the reorganization time series; The fourth is to comprehensively select the two narrative ranges of non-restricted narrative and restricted narrative to achieve the effect of narrative. Only by in-depth analysis of the above narrative principles can we truly understand the complete story content and unique aesthetic taste of this film.
【作者單位】： 鄭州大學(xué)西亞斯國(guó)際學(xué)院;
【分類(lèi)號(hào)】：J905

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