發(fā)布時(shí)間：2018-02-15 21:18

  本文關(guān)鍵詞： 《刺客聶隱娘》 敘事策略 鏡語(yǔ)表達(dá) 傳奇　出處：《電影文學(xué)》2016年20期 　論文類型：期刊論文

【摘要】：電影《刺客聶隱娘》通過反傳奇的方式改寫唐傳奇。導(dǎo)演以真實(shí)性為本,摒棄虛幻離奇的情節(jié);以主人公意志為本,通過場(chǎng)面調(diào)度、主觀視點(diǎn)和閃回鏡頭的運(yùn)用為人物行動(dòng)構(gòu)建內(nèi)在依據(jù);以靜觀為本,在自然場(chǎng)景、生活場(chǎng)景和對(duì)話場(chǎng)景中還原常態(tài)之奇。從唐傳奇到文學(xué)劇本,再到電影本身,經(jīng)歷了一個(gè)逐漸內(nèi)化的過程,電影摒棄文學(xué)作品中離奇的情節(jié)表象,運(yùn)用鏡頭語(yǔ)言呈現(xiàn)人物的內(nèi)心世界,引導(dǎo)觀眾去探察其"隱而不顯"的行動(dòng)根源,塑造了一個(gè)孤獨(dú)而不乏溫情和大義的女刺客形象。
[Abstract]:The film "the Assassin Nie Yin Nie" rewrites the Tang legend in an anti-legendary way. The director takes authenticity as the basis and abandons the illusory and bizarre plot; he takes the protagonist's will as the basis and dispatches the story through the scene. The application of subjective viewpoint and flashback lens is the internal basis for the character's action; taking the static view as the foundation, restoring the normal in the natural scene, the life scene and the dialogue scene. From the legend of Tang Dynasty to the literary script, and then to the movie itself, After a gradual process of internalization, the film abandons the bizarre plot representation in the literary works, uses lens language to present the inner world of the characters, and guides the audience to explore the root causes of its "hidden but invisible" action. Created a lonely but no lack of warmth and righteousness of the image of a female assassin.
【作者單位】： 上海大學(xué)上海電影學(xué)院;長(zhǎng)江大學(xué)文學(xué)院;
【分類號(hào)】：J905

【相似文獻(xiàn)】

相關(guān)期刊論文 前1條

1 嵇紹波;;父愛永不言棄[J];電影畫刊(上半月刊);2011年11期

，

本文編號(hào)：1513899