本文關(guān)鍵詞： 《真愛(ài)》 《凝望上帝》 女性主體建構(gòu) 后現(xiàn)代主義　出處：《電影文學(xué)》2017年20期 　論文類型：期刊論文

【摘要】：電影《真愛(ài)》和《凝望上帝》分別改編自美國(guó)黑人女性作家托妮·莫里森和佐拉·尼爾·赫斯頓的兩部同名小說(shuō)。它們均展現(xiàn)了女性主體建構(gòu)、黑人民俗文化和黑人群體力量等主題元素。莫里森在繼承前人赫斯頓的創(chuàng)作主題基礎(chǔ)上,大膽運(yùn)用后現(xiàn)代主義創(chuàng)作手法,如多人敘事、內(nèi)心獨(dú)白、意識(shí)流等。莫里森對(duì)赫斯頓的繼承與發(fā)揚(yáng)體現(xiàn)了黑人女性作家創(chuàng)作的一脈相承,這為美國(guó)黑人女性文學(xué)創(chuàng)作構(gòu)建了譜系,同時(shí)也對(duì)黑人傳統(tǒng)價(jià)值觀的重塑起到了積極的推進(jìn)作用。
[Abstract]:The film "True Love" and "looking at God" are adapted from two novels of the same name by American black women writers Tony Morrison and Zola Nell Heston, respectively. They both show the construction of female subjects. On the basis of inheriting Herston's creation theme, Morrison boldly used post-modernism creative techniques, such as multi-person narration, inner monologue, etc. Stream of consciousness and so on. Morrison's inheritance and development of Heston reflected the continuity of the creation of black female writers, which constructed a genealogy for the literary creation of black women in the United States. At the same time, it also played a positive role in the reconstruction of black traditional values.
【作者單位】： 吉林化工學(xué)院;
【基金】：2017年度吉林省教育廳“十三五”社會(huì)科學(xué)項(xiàng)目(項(xiàng)目編號(hào):JJKH20170230SK)階段性研究成果
【分類號(hào)】：J905
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本文編號(hào)：1498360