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  本文關(guān)鍵詞： 謎題 主題表達 敘事手法 類型意義　出處：《南京師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：謎題電影是建立在敘事層面的“謎面/謎底”懸疑設(shè)置基礎(chǔ)之上的一種電影超類型敘事,謎題電影憑借編導(dǎo)有意為之的敘述“編碼”牽引觀眾參與故事發(fā)展,觀眾根據(jù)主觀感知主動地加入影片主題和情節(jié)的“解碼”中,這種敘事上的遮蔽和誤導(dǎo)調(diào)動了觀眾自覺填補敘事空白的積極性。謎題電影之所以不同于傳統(tǒng)好萊塢線性敘事電影就在于其呈現(xiàn)的是真實世界的歧義性與多義性,在不確定與矛盾的遮蔽敘事中,觀眾的理解和解構(gòu)是填滿整部電影的最后一塊拼圖,不同的解讀i拼貼出不同的故事內(nèi)容,這種看似雜亂無章的堆積與剪接背后是謎題電影試圖表達的關(guān)于世界的多樣性與未知性的哲學(xué)意義。 本文以1990年代以來美國謎題電影為研究對象,著重分析謎題電影作為-種新的電影敘事類型在主題表達、敘事手法等方面與傳統(tǒng)主流類型電影的差異,從而揭示出謎題電影存在的獨特價值。本文共分為四個章節(jié)：第一章詳細論述了謎題電影的生成和發(fā)展概況,從歷史發(fā)展、商業(yè)制作、文化觀念等方面分析了謎題電影這一類型具有的特點,從整體上闡述了謎題電影的類型意義；第二章以謎題電影獨特的主題表達為論述核心,詳細地闡釋了謎題電影表達的主題觀點和價值取向,并結(jié)合哲學(xué)、社會學(xué)等相關(guān)學(xué)科,從多個角度分析了謎題電影的主題價值；第三章著重分析了謎題電影的敘事策略和敘事結(jié)構(gòu),以非線性敘事手法為切入點,詳細闡述了謎題電影獨具特色的影片結(jié)構(gòu)方式和敘事手段,并概括了謎題電影與好萊塢傳統(tǒng)線性敘事的聯(lián)系和差異；第四章從類型發(fā)展和商業(yè)制作兩個方面,分析了謎題電影與好萊塢主流電影體系之間千絲萬縷的聯(lián)系,以及謎題電影對好萊塢類型發(fā)展的意義。 1990年代以來謎題類型電影受到越來越多年輕觀眾的喜愛,無論在電影文本類型發(fā)展或者電影產(chǎn)業(yè)形成模式方面,謎題電影對國內(nèi)類型電影的確立和健全發(fā)展都具有重要的啟發(fā)和借鑒意義。
[Abstract]:Riddle film is a kind of super-type narration based on the suspense of "riddle / riddle" at the narrative level. The puzzle film draws the audience to participate in the development of the story by means of the narration "coding" intended by the director. According to the subjective perception, the audience actively adds the "decode" to the theme and plot of the film. This narrative masking and misdirection arouses the audience's enthusiasm to fill in the narrative blanks. The reason why the puzzle film is different from the traditional Hollywood linear narrative film is that it presents the ambiguity and polysemy of the real world. In the obscure narrative of uncertainty and contradiction, the audience's understanding and deconstruction is the last piece of puzzle that fills the entire film. Different interpretations of I collage different stories. Behind this seemingly unorganized accumulation and splicing is the philosophical significance of the diversity and uncertainty of the world that the riddle film attempts to convey. This paper focuses on the study of American puzzle films since 1990s, and analyzes the differences between puzzles films as a new type of film narration and traditional mainstream movies in terms of theme expression, narrative techniques, and so on. This paper is divided into four chapters: the first chapter discusses the generation and development of riddle film in detail, from the historical development, commercial production, This paper analyzes the characteristics of riddle film from the aspects of cultural concepts, and expounds the significance of the type of riddle film in the whole. Chapter two focuses on the unique theme of riddle film. This paper explains in detail the thematic point of view and value orientation of riddle film, and analyzes the theme value of riddle film from many angles, combining with philosophy, sociology and other related disciplines. The third chapter focuses on the analysis of the narrative strategy and narrative structure of the riddle film, taking the nonlinear narrative techniques as the breakthrough point, elaborated the unique feature of the riddle film structure and narrative means. And summarizes the relationship and difference between puzzle film and Hollywood traditional linear narration. Chapter 4th analyzes the relationship between puzzle film and Hollywood mainstream film system from two aspects: type development and commercial production. As well as the puzzle film to Hollywood type development significance. Since the 1990s, puzzle-type films have been popular with more and more young audiences, whether in terms of the development of film text types or the formation patterns of the film industry. Puzzle films have important inspiration and reference significance for the establishment and sound development of domestic films.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J909

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本文編號：1482651