本文關(guān)鍵詞： 臺(tái)灣 青春電影 后殖民　出處：《華東師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：青春電影作為臺(tái)灣電影中一種不能忽視的電影類型,它所呈現(xiàn)的文化形態(tài)和社會(huì)意識(shí)非常具有代表性。新世紀(jì)之后的臺(tái)灣電影文本同當(dāng)下臺(tái)灣的社會(huì)現(xiàn)狀關(guān)系密切。同時(shí),這一時(shí)期臺(tái)灣青春片的高質(zhì)量產(chǎn)出,伴隨其中的則是威權(quán)政治的消長(zhǎng)、族群意識(shí)的顯隱、等各種因素。從當(dāng)下的臺(tái)灣青春電影看臺(tái)灣的社會(huì)現(xiàn)狀和歷史背景,不難發(fā)現(xiàn),殖民與后殖民是臺(tái)灣社會(huì)永遠(yuǎn)無(wú)法逾越的話題。 后殖民不僅僅是一個(gè)簡(jiǎn)單的歷史事實(shí),同時(shí)是一種心理結(jié)構(gòu)。如果說(shuō)殖民主義主要是對(duì)經(jīng)濟(jì)、政治、軍事和國(guó)家主權(quán)上進(jìn)行侵略和干涉的話,那么,后殖民主義則是強(qiáng)調(diào)對(duì)文化、知識(shí)、語(yǔ)言和文化霸權(quán)方面的控制。在闊別被殖民時(shí)代幾十年之后,臺(tái)灣社會(huì)是否可以真正與殖民歷史告別?新世紀(jì)以來(lái)的臺(tái)灣青春片已經(jīng)回答了這個(gè)問(wèn)題。 關(guān)于這個(gè)議題,本文將依托后殖民文化理論,以新世紀(jì)臺(tái)灣青春電影為研究對(duì)象來(lái)進(jìn)行研究。文章主要分為兩個(gè)部分：“新世紀(jì)臺(tái)灣青春電影中的后殖民圖景”和“新世紀(jì)臺(tái)灣青春電影中的本土意識(shí)構(gòu)建”。首先,本文將用“文化研究”的方法將新世紀(jì)臺(tái)灣青春電影與后殖民文化理論進(jìn)行結(jié)合,做電影文化上的解讀；其次,使用“文本分析”的方法,具體分析新世紀(jì)臺(tái)灣青春電影中的“敘事”“人物設(shè)計(jì)”“文化元素”,三個(gè)不同層面是如何展現(xiàn)“后殖民意識(shí)形態(tài)”和“臺(tái)灣本土意識(shí)”的,最后,利用“數(shù)據(jù)分析”的方法,分析新世紀(jì)臺(tái)灣青春電影的產(chǎn)量、質(zhì)量,以及某些具象化元素的使用頻率。筆者綜合使用以上三種研究方法,對(duì)2000年至2012年的臺(tái)灣青春電影進(jìn)行宏觀和微觀的分析,從中抽象出典型、相似的特征,以此來(lái)完成對(duì)文章主題的敘述和佐證。
[Abstract]:As a youth movie can not ignore the type of film in the Taiwan film, which shows the culture and social consciousness is very representative. The Taiwan film text after the new century, the social status of relations with current Taiwan closely. At the same time, the high quality output of Taiwan youth film of this period, with the decline of authoritarian is political, explicit and implicit ethnic consciousness, and other factors. From the current Taiwan youth movie social status and historical background of Taiwan, it is not difficult to find, colonial and post colonial society of Taiwan is never subject.
Post colonialism is not just a simple fact of history, also is a kind of psychological structure. If the colonialism is mainly on economic, political, military and national sovereignty on aggression and interference, then, post colonialism is the emphasis on culture, knowledge, control language and cultural hegemony. After being away from the colonial era for decades, is the society of Taiwan and colonial history can really say goodbye? Taiwan youth film since the new century has answered this question.
On this issue, this paper will rely on the postcolonial cultural theory in the new century, Taiwan youth movie as the research subject. The article is divided into two parts: "post colonial picture" Taiwan youth movie in the new century and the "native consciousness of Taiwan youth movie in the new century. Firstly, this paper will construct" will Taiwan new century youth movie and postcolonial cultural theory combining with method of "cultural studies", do the interpretation of the film culture; secondly, using the method of text analysis, detailed analysis of the new century in Taiwan youth film "narrative" and "character design" and "culture", three different aspects of how show the "post colonial ideology" and "Taiwan native consciousness", finally, using the method of data analysis, quality analysis of yield, Taiwan youth movie in the new century, and some concrete element Using the above three methods, the author makes a macro and micro analysis of Taiwan youth movie from 2000 to 2012, and abstracts typical and similar features, so as to complete the narration and proof of the theme of the movie.

【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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本文編號(hào)：1479785