本文關(guān)鍵詞： 蘇照彬 人物塑造 主題內(nèi)涵 敘事風(fēng)格　出處：《上海師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：蘇照彬是近年來(lái)活躍在海峽兩岸的電影編劇，，本文試圖深度分析、總結(jié)并研究其編劇藝術(shù)與魅力所在。 本課題的研究思路將以蘇照彬所編劇電影的創(chuàng)作時(shí)間為線索，梳理其獨(dú)立創(chuàng)作之電影作品；以其創(chuàng)作的不同類型的電影作品為分界點(diǎn)，并通過(guò)研究其電影劇本創(chuàng)作的獨(dú)特個(gè)人經(jīng)歷、以及其對(duì)于電影劇本的人物塑造、主題內(nèi)涵、美學(xué)風(fēng)格等四大方面，從縱向和橫向兩個(gè)角度對(duì)于蘇照彬所編劇的電影做出深入分析和總結(jié)，并展望其對(duì)于整個(gè)華語(yǔ)電影的推動(dòng)作用和深遠(yuǎn)意義。 在創(chuàng)作概述章節(jié)中，筆者將介紹蘇照彬如何從一名現(xiàn)代化高科技從業(yè)人員轉(zhuǎn)變成一名專業(yè)電影編劇。通過(guò)對(duì)其獨(dú)特創(chuàng)作經(jīng)歷的深入研究，掌握其電影劇本創(chuàng)作的基本脈絡(luò)并進(jìn)行分析和總結(jié)。 在人物塑造章節(jié)中，筆者將從蘇照彬所設(shè)計(jì)的主角人物共同的“橡皮人”特質(zhì)出發(fā)，對(duì)其主角人物進(jìn)行深入分析和研究；此外，筆者還將對(duì)蘇照彬電影中豐富、出彩的非典型性配角人物進(jìn)行深度探討，以揭示其如何創(chuàng)作優(yōu)秀、豐滿的人物形象。 蘇照彬所編劇的電影作品中所包含的多元化、深遠(yuǎn)主題，根據(jù)其創(chuàng)作影片類型的不同，也有著明顯的差異。在主題內(nèi)涵章節(jié)中，筆者將深入分析和研究蘇照彬在劇作中所透露出的黑色幽默的人生觀與其對(duì)于現(xiàn)代科學(xué)與傳統(tǒng)文化所造成沖擊的反思。 與以往恬靜、抒情的臺(tái)灣電影美學(xué)所不同，蘇照彬的電影美學(xué)特別值得我們細(xì)細(xì)玩味與深入品讀。在美學(xué)風(fēng)格章節(jié)中，將對(duì)其所創(chuàng)作的電影劃分為兩種截然不同的影像、美學(xué)風(fēng)格；一是多線交錯(cuò)、充滿后現(xiàn)代主義美感的電影美學(xué)風(fēng)格，二是不急不緩、保有臺(tái)灣電影一貫氣質(zhì)的從容之美�？此平厝幌喾吹膬煞N電影美學(xué)風(fēng)格，正是蘇照彬所編劇的電影作品帶給觀眾電影之美的魅力和享受。
[Abstract]:Su Zhaobin is an active screenwriter on both sides of the Taiwan Strait in recent years. The research idea of this topic will take Su Zhaobin's screenwriter's film creation time as the clue, combs its independent creation movie work; With the different types of film works as the demarcation point, and through the study of his unique personal experience of screenplay creation, as well as its characters for the film script, theme connotation, aesthetic style and four aspects. This paper analyzes and summarizes the films written by Su Chaobin from both vertical and horizontal angles, and looks forward to its promoting effect and far-reaching significance to the whole Chinese film. In the section of creation overview, the author will introduce Su Chaobin how to transform from a modern hi-tech practitioner to a professional film writer. Through the in-depth study of his unique creative experience. Grasp the basic context of its screenplay writing and analysis and summary. In the character shaping chapter, the author will proceed from Su Zhaobin's design character common "rubber person" characteristic, carries on the thorough analysis and the research to its protagonist character; In addition, the author will explore deeply the rich and outstanding supporting characters in Su Chaobin's films in order to reveal how to create excellent and full characters. Su Zhaobin's film works contain a variety of far-reaching themes, according to the different types of films, there are also obvious differences. In the theme content chapter. The author will deeply analyze and study Su Chaobin's black and humorous outlook on life and his reflection on the impact of modern science and traditional culture. Unlike the tranquil and lyrical Taiwan film aesthetics in the past, Su Zhaobin's film aesthetics is especially worthy of our careful play and in-depth reading. In the aesthetic style chapter. The film is divided into two distinct images, aesthetic style; One is the multi-line staggered, full of post-modernism aesthetic style of film, and the other is that it is not urgent to keep the calm beauty of the consistent temperament of Taiwan film. It seems to be the opposite of the two film aesthetic styles. It is Su Chaobin's film works that bring the audience the charm and enjoyment of film beauty.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J904

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 胡楊;恐怖影像的探尋與建構(gòu)[D];南京師范大學(xué);2015年

本文編號(hào)：1473440