本文關(guān)鍵詞： 多重時(shí)空 電影敘事 “異次元”時(shí)空 觀眾接受心理 好萊塢　出處：《上海交通大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：近些年來，好萊塢影壇出現(xiàn)了一些具有國(guó)際影響力的敘事新穎的優(yōu)秀電影，，如《源代碼》《云圖》《盜夢(mèng)空間》《禁閉島》等。這些電影在敘事思維上有了很大突破，不拘泥于傳統(tǒng)的敘事思維和表達(dá)，帶給觀眾耳目一新的感覺；它們最大的共同特點(diǎn)就是有著新穎的時(shí)空觀念——從“多重時(shí)空”上面挖掘敘事潛力。論文依托于新世紀(jì)后出現(xiàn)的一些較為成功的好萊塢多重時(shí)空電影，對(duì)多重時(shí)空敘事的創(chuàng)作特征、技巧、效果進(jìn)行分析，進(jìn)行電影創(chuàng)作方面和觀眾接受方面的研究。 首先，論文的緒論和第一章對(duì)研究背景、意義以及題目中所出現(xiàn)的時(shí)間分界、概念進(jìn)行界定，闡釋時(shí)空、多重時(shí)空概念與好萊塢多重時(shí)空的發(fā)展，明確論文的研究范圍和研究對(duì)象。第二章為“所敘之事”，從電影敘事主題、情節(jié)、人物、風(fēng)格角度入手，研究多重時(shí)空敘事的表現(xiàn)特點(diǎn)。第三章為“事之所敘”，強(qiáng)調(diào)“敘”，從應(yīng)用的角度探討多重時(shí)空敘事結(jié)構(gòu)的特點(diǎn)。第四章為“敘事意義”討論多重時(shí)空的敘事價(jià)值，從電影創(chuàng)作和觀眾接受兩個(gè)角度分析好萊塢的這種復(fù)雜的時(shí)空結(jié)構(gòu)的敘事意義。第五章，根據(jù)觀眾接受上的劣勢(shì)與創(chuàng)作原則，分析用多重時(shí)空結(jié)構(gòu)需要注意的時(shí)長(zhǎng)、節(jié)奏、語(yǔ)境問題，提出要堅(jiān)持現(xiàn)實(shí)主義原則、避免形式化的建設(shè)性意見。 重時(shí)空在電影敘事中有很大的敘事潛力和戲劇張力，能夠?yàn)殡娪皵⑹聨韯?chuàng)作突破。敘事的價(jià)值除了帶給創(chuàng)作本身的效果還離不開觀眾的評(píng)價(jià)，因此需要從觀眾接受角度和創(chuàng)作原則角度綜合運(yùn)用。承認(rèn)多重時(shí)空為電影藝術(shù)者提供了更豐富的電影語(yǔ)言應(yīng)用的同時(shí)，我們不得不注意，它仍舊是一種電影敘事的創(chuàng)作技法，多重時(shí)空可以為一個(gè)平凡的電影增加買點(diǎn)、噱頭來吸引觀眾矚目，卻不能使電影本身?yè)碛懈鼮樯鷦?dòng)的藝術(shù)生命，最重要的故事本身的敘事動(dòng)因以及電影創(chuàng)作者的奇思妙想。
[Abstract]:In recent years, Hollywood film industry has emerged some international influence of novel narrative excellent films. For example, "Source Code", "Cloud Picture", "Inception", "closed Island" and so on. These films have made a great breakthrough in narrative thinking, do not stick to the traditional narrative thinking and expression, and bring the audience a fresh feeling; Their most common feature is that they have a new concept of time and space-to tap the narrative potential from the "multiple space-time". The thesis relies on some successful Hollywood multi-space-time movies that appeared after the new century. This paper analyzes the creative characteristics, skills and effects of multiple temporal and spatial narration, and studies the aspects of film creation and audience acceptance. First of all, the introduction and the first chapter of the research background, significance and the topic of time boundaries, concepts to define, explain the concept of space-time, the concept of multiple space-time and Hollywood multi-space-time development. The second chapter is "the story described", from the movie narrative theme, plot, characters, style perspective. The third chapter is "the narration of things", emphasizing "narration". From the perspective of application, this paper discusses the characteristics of multiple space-time narrative structure. Chapter 4th discusses the narrative value of multiple space-time for "narrative significance". From the perspective of film creation and audience acceptance, this paper analyzes the narrative significance of Hollywood's complex space-time structure. 5th chapters, according to the weaknesses of audience acceptance and creative principles. This paper analyzes the problems of time, rhythm and context that need to be paid attention to with multiple space-time structures, and puts forward some constructive suggestions to adhere to the principle of realism and avoid formalization. The emphasis on space and time has great narrative potential and dramatic tension in the film narration, which can bring creative breakthrough to the film narrative. The value of narrative can not only bring the effect of creation itself but also the evaluation of the audience. Therefore, it is necessary to apply it comprehensively from the perspective of audience acceptance and creative principles. We have to pay attention to the fact that the multiple space-time provides a richer application of the film language for the film artists at the same time. It is still a creative technique of film narration, more time and space can increase the point for an ordinary film, gimmicks to attract audience attention, but can not make the film itself has a more vivid art life. The most important story itself is the narrative motivation and the filmmaker's whims.
【學(xué)位授予單位】：上海交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905


本文編號(hào)：1461949