本文關(guān)鍵詞： 地域文化 張藝謀 賈樟柯 人本主義 電影創(chuàng)作 全球化　出處：《西安建筑科技大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：在地域文化的各種概念里，有一種認(rèn)為是地域性的精神文化決定著并能解釋該片區(qū)人們一切創(chuàng)造活動的方式和動機(jī)；法國著名學(xué)者丹納在分析藝術(shù)的產(chǎn)生時認(rèn)為，，“精神文明的產(chǎn)物和動植物界的產(chǎn)物一樣，只能用各自的環(huán)境來解釋”。作為中國電影界第五代導(dǎo)演和新生代導(dǎo)演代表的張藝謀和賈樟柯，各自的系列作品中都有鮮明的地域性特征。對張藝謀導(dǎo)演已有的研究中，其角度大多分布在民俗文化、敘事手法、視覺語言、女性主義等幾方面；對賈樟柯導(dǎo)演的研究焦點(diǎn)則大多集中在其關(guān)注社會底層的主題與紀(jì)實質(zhì)樸的風(fēng)格，探討變遷時代一些特定人群的生存狀態(tài)。兩位導(dǎo)演的作品既有可以比較的相似性，又有時間與空間造成的巨大差異。以兩位導(dǎo)演為例或相關(guān)比較研究基本都是從審美和敘事兩個角度入手的，而兩位導(dǎo)演的作品中鮮明的地域性是不容忽視的共同的突出特征，從地域文化視角，人本主義理論出發(fā)，對兩位導(dǎo)演的電影創(chuàng)作進(jìn)行既平行又對比的研究，則少之又少，目前在學(xué)界尚有一定的空白性。 正文第一章緒論部分就本課題的研究背景、國內(nèi)外研究現(xiàn)狀、目的、意義、內(nèi)容和方法進(jìn)行了匯報。第二章廓清了地域文化的概念，簡述了其歷史發(fā)展過程，對其在中國的發(fā)展概況及中國電影中的地域文化特征進(jìn)行了闡述。第三章從兩位導(dǎo)演出身的本土地域文化出發(fā)，介紹了三秦文化和三晉文化的主要構(gòu)成，分析了它們對張藝謀和賈樟柯電影創(chuàng)作可能產(chǎn)生的影響，并指出兩位導(dǎo)演在全球化影響下創(chuàng)作主題與風(fēng)格出現(xiàn)的變化。第四章從人本主義理論出發(fā)分別對張藝謀民俗儀式下的文化意蘊(yùn)和賈樟柯作品的在地性進(jìn)行了解讀，比較了他們創(chuàng)作目的與方式上的異同。第五章探究了如何通過電影藝術(shù)更加充分有效地保護(hù)和發(fā)展中國地域文化，對當(dāng)前中國地域文化在全球化背景下所面臨的現(xiàn)狀做了分析，對電影導(dǎo)演們在地域文化相關(guān)創(chuàng)作方面的創(chuàng)新嘗試提出幾條新思路。最后結(jié)論部分對本課題全面概述，總結(jié)了幾點(diǎn)本課題研究過程中獲得的認(rèn)識。 本文從地域文化角度對張藝謀和賈樟柯的電影創(chuàng)作進(jìn)行了較為全面系統(tǒng)的梳理和歸整，一方面對導(dǎo)演個人的創(chuàng)作動機(jī)尋求較為合理的地域文化解釋，另一方面對他們作品中所呈現(xiàn)出的地域特征進(jìn)行了地域文化角度的闡釋，以期對張藝謀和賈樟柯的研究提出新的角度，并豐富該角度研究的理論材料，鼓勵更多的學(xué)者跟進(jìn)并深入該領(lǐng)域研究，為中國電影藝術(shù)在未來全球化下如何保持和發(fā)展中國本土特色文化的探究添磚加瓦。
[Abstract]:Among the various concepts of regional culture, there is a kind of spiritual culture which is considered to be regional, which determines and explains the ways and motives of all the creative activities of the people in the region. Dana, a famous French scholar, thought that "the products of spiritual civilization are the same as those of animals and plants." "can only be explained by their own circumstances." Zhang Yimou and Jia Zhangke, as the fifth generation of directors and representatives of the new generation of directors in the Chinese film industry. There are distinct regional characteristics in their respective series of works. In the studies of Zhang Yimou, most of them are from the aspects of folk culture, narrative techniques, visual language, feminism and so on. On the other hand, the research focus of Jia Zhangke is mostly focused on the theme of the bottom of the society and the simple style. This paper discusses the living conditions of certain groups of people in the changing times. The works of the two directors have some comparable similarities. There is also a huge difference between time and space. Taking the two directors as an example or the relative comparative studies are basically from the aesthetic and narrative perspectives. And the two directors in the work of the distinctive regionality is a common outstanding characteristics can not be ignored, from the perspective of regional culture, humanism theory, the film creation of the two directors both parallel and comparative study. At present, there is still a certain blank in the academic field. The first chapter introduces the research background, the current situation, the purpose, the significance, the content and the method of the research at home and abroad. The second chapter clarifies the concept of regional culture, briefly describes its historical development process. The development of its in China and the characteristics of regional culture in Chinese films are expounded. The third chapter introduces the main composition of the culture of the three Qin Dynasty and the three Jin Dynasty from the local culture of the two directors. This paper analyzes their possible influence on Zhang Yimou and Jia Zhangke's film creation. And pointed out that the two directors under the influence of globalization in the creation of theme and style changes. 4th chapter from the humanistic theory of Zhang Yimou under the ceremony of folk culture and Jia Zhangke works in the interpretation of the nature of the interpretation. . Chapter 5th explores how to protect and develop Chinese regional culture more effectively through film art. This paper analyzes the current situation of Chinese regional culture in the context of globalization. This paper puts forward several new ideas on the innovation of the regional culture related creation of the film directors. Finally, the conclusion summarizes the overall summary of this subject and summarizes the understanding gained in the course of the research. In this paper, Zhang Yimou and Jia Zhangke film creation from the perspective of regional culture for a more comprehensive and systematic combing and integration, on the one hand to the director's personal creative motivation to seek a more reasonable regional culture explanation. On the other hand, it explains the regional characteristics of their works from the angle of regional culture, in order to put forward a new angle to the study of Zhang Yimou and Jia Zhangke, and enrich the theoretical materials of this angle. More scholars are encouraged to follow up and further study in this field so as to contribute to the exploration of how to maintain and develop Chinese native culture under the future globalization of Chinese film art.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905

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