本文關(guān)鍵詞： 臺灣電影 青春電影 亞類型 青春成長　出處：《四川師范大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：2000年以來,臺灣青春電影已逐漸成長為臺灣電影市場的主流類型,其獨特的故事設(shè)計與風(fēng)格特征,深受兩岸電影觀眾的擁躉,為臺灣電影產(chǎn)業(yè)開辟了新的出路。本文通過對新世紀(jì)以來臺灣青春電影片目的梳理和分類,結(jié)合類型電影、社會學(xué)、文化學(xué)以及敘事學(xué)等研究方法,立足于臺灣電影現(xiàn)狀,致力于從生產(chǎn)機制、社會背景及創(chuàng)作主體出發(fā),探討2000年以來臺灣青春電影的發(fā)展特征。本文首次對臺灣青春電影作為一個整體題材進行亞類型分類,并從敘事主題、主創(chuàng)特點、演員風(fēng)格,以及故事發(fā)生的城市背景即敘事語境等角度,分析當(dāng)下臺灣青春電影的總體特色和風(fēng)格。本文以2000年以來臺灣青春電影為研究對象,重點分析“青春”母題之下的亞類型分類特點及代表作品。全文除緒論和結(jié)語之外,主要分為五個章節(jié)。即:第一章,從青春電影的定義到臺灣青春電影的興起,對臺灣青春電影的發(fā)展進行簡要概述;第二章,以青春電影主創(chuàng)年輕化、導(dǎo)演創(chuàng)作群體的性別特征與風(fēng)格形成以及青春電影演員風(fēng)格為著眼點,分析新世紀(jì)以來臺灣青春電影創(chuàng)作主體的特點;第三章,為本文重點分析內(nèi)容,對臺灣青春電影亞類型進行分類,并結(jié)合具體影片片目,對臺灣青春電影亞類型進行分類研究;第四章,分析臺灣青春電影中出現(xiàn)的城市空間、城市文化及流行音樂,對青春電影的創(chuàng)作與發(fā)展帶來的影響;第五章,立足于臺灣電影產(chǎn)業(yè)的發(fā)展現(xiàn)狀,闡釋青春電影對臺灣電影和華語電影的貢獻。
[Abstract]:Since 2000, Taiwan's youth films have gradually grown into the mainstream of Taiwan's film market, its unique story design and style characteristics, deeply supported by the film audience across the Taiwan Strait. This paper combs and classifies the aim of Taiwan's youth film since the new century, and combines the research methods of genre film, sociology, culture and narratology. Based on the current situation of Taiwanese films, we are committed to starting from the production mechanism, social background and creative subject. This paper discusses the characteristics of the development of Taiwan's youth films since 2000. For the first time, this paper classifies Taiwan's youth films as a whole, and classifies them from the narrative theme, the creative features and the style of the actors. And the urban context of the story, such as narrative context, to analyze the overall characteristics and style of the current Taiwan youth film. This paper takes the Taiwan youth film as the research object since 2000. This paper focuses on the characteristics of subtype classification and representative works under the motif of "Youth". In addition to the introduction and conclusion, the full text is divided into five chapters. That is: chapter one. From the definition of youth film to the rise of Taiwan youth film, the development of Taiwan youth film is briefly summarized. The second chapter analyzes the characteristics of Taiwan's youth films since the new century, focusing on the rejuvenation of youth films, the formation of the gender characteristics and style of directors' creative groups and the style of young film actors. The third chapter focuses on the analysis of the content of this paper, the subtypes of Taiwan youth films are classified, and combined with the specific film category, the subtypes of Taiwan youth films are classified and studied. Chapter 4th analyzes the impact of urban space, urban culture and pop music on the creation and development of youth films in Taiwan. Chapter 5th, based on the current situation of Taiwan film industry, explains the contribution of youth film to Taiwanese film and Chinese film.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J905

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本文編號：1456801