本文關(guān)鍵詞： 侯曜電影 游方之內(nèi) 游方之外 抽象抒情 儒學(xué)懺悔　出處：《當(dāng)代電影》2017年04期 　論文類型：期刊論文

【摘要】：侯曜的藝術(shù)觀念和具體創(chuàng)作,是傳統(tǒng)良心主義世界觀的反映,他的作品明顯體現(xiàn)出超然與介入、游方之外與游方之內(nèi)的矛盾。飽受新文化、新文學(xué)滋養(yǎng)的侯曜在其濃厚的浪漫主義激情之下,其作品更多表現(xiàn)出的卻是價(jià)值理性的守舊,無(wú)論是對(duì)善惡沖突、孝道、恕道、"文以載道"和家庭本位的鐘情,還是在"抽象抒情"上表現(xiàn)出的傳統(tǒng)文人"詩(shī)可以怨"的"挫傷"體驗(yàn),或者是儒學(xué)式的懺悔意識(shí),都體現(xiàn)出他在傳統(tǒng)與"五四"的徘徊中靠向前者的文化與精神的無(wú)意識(shí),由此可以進(jìn)一步審視"五四"自身的兩歧性。
[Abstract]:Hou Yao's artistic concept and concrete creation are the reflection of the traditional world view of conscience. His works clearly reflect the contradiction between the outside and the inside of the visitors and suffer from the new culture. New literature nourish Hou Yao in its strong romanticism passion, his works more show is the value of the old reason, whether good or evil conflict, filial piety, forgiveness. The love of "literature based on Taoism" and family standard is the experience of "contusion" of traditional literati's "poem can complain", or the consciousness of repentance of Confucianism type, which is shown on "abstract lyric". Both reflect his unconsciousness of the culture and spirit of the tradition and the May fourth Movement, which can further examine the "May fourth" itself.
【作者單位】： 西南交通大學(xué)人文學(xué)院;
【分類號(hào)】：J911
【正文快照】： 在中國(guó)電影的歷史上,侯曜是一個(gè)有些悲劇色彩的人物,他的大部分作品因?yàn)樯⑹П环Q為中國(guó)電影史上的“失蹤者”,因而關(guān)于他的研究極其稀少。他的作品在他的那個(gè)時(shí)代并未得到普遍認(rèn)可,而多遭詬病,如當(dāng)時(shí)有評(píng)論稱:他的影片“無(wú)一合乎影劇之格式,均犯單調(diào)直率之病”。(1)《棄婦》《，

本文編號(hào)：1451689