本文關(guān)鍵詞： “惡女” “惡女三部曲” 日本影視劇 “惡魔性因素” 松本清張　出處：《上海戲劇學(xué)院》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：日本朝日電視臺(tái)自2004年到2007年，，陸續(xù)根據(jù)本國國寶級(jí)社會(huì)派推理小說家松本清張的三部小說為原型，制作了三部同名電視�。骸逗谏じ锸謨�(cè)》、《野獸之道》和《壞人們》，這三部戲徹底顛覆了以往影視劇對(duì)主要人物的設(shè)定，創(chuàng)新式地把反面人物“惡女”作為了主要描述對(duì)象，這一反其道而行之的做法卻讓“惡女三部曲”贏得了廣泛的贊譽(yù)。為探究這一奇怪的現(xiàn)象，本文以“惡女三部曲”中創(chuàng)新型“惡女”形象為切入點(diǎn)，從橫向社會(huì)因素、縱向歷史因素兩個(gè)層面出發(fā)，全面而詳盡地分析日本影視劇頻繁出現(xiàn)“惡女”人物形象背后的原因，及其塑造創(chuàng)新型“惡女”人物的編劇技巧。 本論文一共由緒論、四個(gè)章節(jié)、結(jié)語三部分組成。緒論全景式展現(xiàn)“惡女”一詞的定義及研究現(xiàn)狀，確立本文研究對(duì)象為極富魅力，懂得運(yùn)用自己特長滿足自己欲望的女性，而不是普遍理解上的丑婦或惡婦。第一章羅列了日本影視劇中五類“惡女”形象，并分析其在敘事上的功能作用。第二章概括日本“惡女”形象轉(zhuǎn)變的路徑：由西方影響下嗜性的“惡”到謀殺犯罪的“惡”，再到如今符合“惡魔性因素”的“惡”，及該形象在不同領(lǐng)域的發(fā)展現(xiàn)狀。第三章指出日本人鐘情于“惡女”原因：日本推理小說盛行，日本人獨(dú)特觀點(diǎn)中把“惡”當(dāng)成了人性的一部分，還有永恒母親形象已不復(fù)存在。最后一章站在編劇的高度，從人物塑造、敘事策略、題材選擇三個(gè)角度闡述了創(chuàng)新型“惡女”藝術(shù)手法上的與眾不同之處。結(jié)語則在前面內(nèi)容的基礎(chǔ)上對(duì)當(dāng)今日本“惡女”形象的產(chǎn)生發(fā)展進(jìn)行了總結(jié)梳理。希望以此為我國電視劇主要人物塑造上的創(chuàng)新產(chǎn)生借鑒價(jià)值。
[Abstract]:From 2004 to 2007, Japan Asahi Television produced three TV dramas of the same name, Black Leather Manual, based on three novels by Matsumoto Seicho, a social reasoning novelist of the national treasure school. "the way of the Beast" and "the Bad Men", these three plays completely overturn the previous film and television drama on the main characters, innovative to the villain "evil woman" as the main object of description. In order to explore this strange phenomenon, this article starts with the innovative image of "evil girl" in "evil girl trilogy". From two aspects of horizontal social factors and vertical historical factors, the reasons behind the frequent appearance of the characters of "evil women" in Japanese films and TV plays are analyzed comprehensively and in detail. And the writer's skill of creating the characters of "evil woman". This paper consists of three parts: introduction, four chapters and conclusion. The introduction shows the definition and research status of the term "evil woman" in a panoramic way, and establishes the research object of this paper as the most attractive. The first chapter lists five kinds of images of "evil women" in Japanese movies and TV dramas. The second chapter summarizes the path of the image transformation of Japanese "evil women": from "evil" under the influence of the West to the "evil" of murder. The third chapter points out the reason why Japanese love for "evil women": the prevalence of Japanese reasoning novels. The Japanese view of "evil" as a part of human nature, as well as the image of eternal mother no longer exist. The last chapter stands at the height of the screenwriter, from the characterization, narrative strategy. This paper expounds the differences in the artistic techniques of innovative "evil women" from three angles of theme selection. The conclusion is based on the previous contents of the Japanese "evil women". This paper summarizes and combs the emergence and development of the image, hoping that it can be used for reference in the creation of the main characters of Chinese TV dramas.
【學(xué)位授予單位】：上海戲劇學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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