本文關(guān)鍵詞：論3D技術(shù)與人類學(xué)紀(jì)錄片的融合　出處：《東北師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 紀(jì)錄片 人類學(xué) 3D技術(shù) 審美能力

【摘要】：從電影的誕生到發(fā)展，從無聲電影到有聲電影，從黑白到彩色，每一次發(fā)展都伴隨著一次技術(shù)革命，每一次技術(shù)革命都會(huì)引起影視藝術(shù)表現(xiàn)形式的根本性變化。如今，3D技術(shù)的發(fā)展引領(lǐng)了時(shí)代的潮流，改變了傳統(tǒng)的影視藝術(shù)的表現(xiàn)手段，將影視藝術(shù)推向了一個(gè)全新的境界，為觀眾提供了全新的是聽覺享受。 紀(jì)錄片作為影視藝術(shù)的一種藝術(shù)表現(xiàn)形式，在3D時(shí)代到臨之際，也逐漸與3D技術(shù)結(jié)緣，逐漸成為3D技術(shù)的新寵兒，在各個(gè)國家得到發(fā)展，以其更為真實(shí)的、立體的獨(dú)特表現(xiàn)形式逐漸改變著人們的觀影習(xí)慣和生活方式，并以此加快了全球化的腳步，成為新興的文化因素。但是，現(xiàn)如今3D紀(jì)錄片的理論研究卻相對(duì)比較滯后，技術(shù)開發(fā)的如火如荼，，但相應(yīng)的理論研究卻嚴(yán)重缺失。 任何技術(shù)或藝術(shù)表現(xiàn)手段的誕生和發(fā)展，都會(huì)伴隨著特定的文化訴求，3D技術(shù)應(yīng)用于紀(jì)錄片創(chuàng)作，并非偶然現(xiàn)象，而是隨著影視藝術(shù)、數(shù)字技術(shù)的發(fā)展而產(chǎn)生的必然結(jié)果。本文將通過五章的篇幅，結(jié)合影視理論、人類學(xué)理論、社會(huì)學(xué)理論、傳播學(xué)理論，對(duì)3D人類學(xué)紀(jì)錄片展開研究，分析3D技術(shù)對(duì)于3D人類學(xué)紀(jì)錄片所產(chǎn)生的影響。 第一章通過三節(jié)闡述3D技術(shù)與人類學(xué)紀(jì)錄片，第一節(jié)闡述了3D技術(shù)的發(fā)展概況；第二節(jié)闡述了人類學(xué)紀(jì)錄片的本體研究；第三節(jié)闡述人類學(xué)紀(jì)錄片的發(fā)展演進(jìn)。第二章在對(duì)3D技術(shù)及紀(jì)錄片有了一定認(rèn)知的基礎(chǔ)山，以及紀(jì)錄片的創(chuàng)作原則，闡述新技術(shù)支持下的3D紀(jì)錄片的發(fā)展。第三章從不同角度分析3D技術(shù)支持下人類學(xué)紀(jì)錄片的可行之鑒。第四章通過“3D紀(jì)錄片受眾需求與接觸渠道的問卷調(diào)查”分析研究當(dāng)代3D紀(jì)錄片在當(dāng)代青年受眾群體中的受眾需求與接觸渠道。第五章，通過全文分析總結(jié)3D技術(shù)下我國人類學(xué)紀(jì)錄片未來發(fā)展之路
[Abstract]:From the birth of the film to the development, from silent film to sound film, from black and white to color, each development is accompanied by a technological revolution. Each technological revolution will cause a fundamental change in the expression of film and television art. Nowadays, the development of 3D technology leads the trend of the times and changes the traditional means of expression of film and television art. Film and television art to a new state, for the audience to provide a new sense of hearing enjoyment. Documentary as a form of artistic expression of film and television art, in the 3D era approaching, but also gradually linked with 3D technology, gradually become the new darling of 3D technology, in each country has been developed. With its more real, three-dimensional unique form of expression is gradually changing people's viewing habits and lifestyle, and thus accelerate the pace of globalization, become a new cultural factor. Nowadays, the theoretical research of 3D documentary is relatively lagging behind, the technology development is in full swing, but the corresponding theoretical research is seriously lacking. Any technology or artistic expression means of birth and development, will be accompanied by a specific cultural appeal 3D technology applied to documentary creation, not accidental phenomenon, but with the film and television art. This paper will study the 3D anthropology documentary through five chapters, combining film and television theory, anthropology theory, sociology theory, communication theory. Analyze the impact of 3D technology on 3D anthropology documentary. The first chapter describes the 3D technology and anthropology documentary through three sections, the first section describes the development of 3D technology overview; The second section expounds the ontology research of anthropological documentary. The third section describes the development and evolution of anthropological documentaries. The second chapter has a certain understanding of 3D technology and documentary, as well as the principles of documentary creation. This paper expounds the development of 3D documentary supported by new technology. Chapter 3 analyzes the feasibility of anthropological documentary supported by 3D technology from different angles. Chapter 4th is adopted. The questionnaire survey of audience demand and contact channel of 3D documentary "Analysis and Research on the audience demand and contact Channel of Contemporary 3D documentary in Contemporary Youth audience Group." Chapter 5th. The Future Development of Anthropology documentary in China under 3D Technology through Full-text Analysis
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J952

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