發(fā)布時(shí)間：2018-01-16 11:27

  本文關(guān)鍵詞：楊爭(zhēng)光作品中的“無聊”主題及“無聊”的影像化研究　出處：《陜西師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 楊爭(zhēng)光 無聊 主題 影像化

【摘要】：楊爭(zhēng)光作為新時(shí)期文壇上的新寫實(shí)作家以及當(dāng)代著名的影視編劇,長期以來受到評(píng)論界的關(guān)注。但是將這些評(píng)論性的文章簡(jiǎn)單的歸納發(fā)現(xiàn),對(duì)楊爭(zhēng)光的研究一直停留在他小說主題、敘述等方面的研究中,而忽視了他的影視編劇的身份書寫。本文正是以此為基點(diǎn),重新將楊爭(zhēng)光的小說《棺材鋪》和《老旦是一棵樹》以及與楊爭(zhēng)光有關(guān)的影視改編作品——包括改編自楊爭(zhēng)光小說的電影《沙鎮(zhèn)的故事》、楊爭(zhēng)光改編自他人小說的電影《生日》、他人改編自楊爭(zhēng)光小說的電影《哈里如何變成一顆樹》納為一體。通過所選文本分析研究楊爭(zhēng)光作品中的十分重要的一個(gè)主題——“無聊”,并且進(jìn)一步進(jìn)行對(duì)“無聊”的影像化研究。 本文的章節(jié)內(nèi)部的結(jié)構(gòu)安排是：首先對(duì)小說文本的“無聊”主題進(jìn)行分析：進(jìn)而對(duì)電影劇作對(duì)“無聊”主題的影像化努力進(jìn)行闡釋；最后對(duì)于電影作品對(duì)“無聊”主題影像化表達(dá)方式進(jìn)行總結(jié)。 本文第一章導(dǎo)論部分的主要內(nèi)容是對(duì)于“無聊”的概念進(jìn)行解讀,包括對(duì)于無聊的哲學(xué)解讀、無聊的類型分析以及無聊的現(xiàn)代性。進(jìn)而在對(duì)楊爭(zhēng)光作品以往研究綜述的基礎(chǔ)上,提煉出楊爭(zhēng)光作品中有關(guān)于“無聊”主題的小說和影視作品。 本文的第二章將依次對(duì)楊爭(zhēng)光先生的小說《棺材鋪》進(jìn)行“無聊”主題分析；進(jìn)而對(duì)由小說《棺材鋪》改編的《沙鎮(zhèn)的故事》電影劇作中“無聊”主題的缺失進(jìn)行批評(píng)；最后在對(duì)于電影作品《沙鎮(zhèn)的故事》對(duì)“無聊”主題有限的影像化表達(dá),從天氣、場(chǎng)地、人物狀態(tài)、對(duì)白和音效等方面進(jìn)行總結(jié)。 本文的第三章將首先對(duì)鬼子的小說《瓦城上空的麥田》進(jìn)行主題分析,分析小說與無聊主題的關(guān)聯(lián)；進(jìn)而對(duì)于由楊爭(zhēng)光先生改編《瓦城上空的麥田》的電影劇作《生日》對(duì)“無聊”主題的加強(qiáng)及影像化努力進(jìn)行分析闡釋：最后對(duì)于電影作品《生日》對(duì)于“無聊”主題的影像化表達(dá)的完成從燈光、道具、場(chǎng)地、人物狀態(tài)和對(duì)白等方面進(jìn)行總結(jié)。 本文的第四章的內(nèi)容主要是首先對(duì)于楊爭(zhēng)光先生的小說代表作《老旦是一棵樹》中“無聊”的主題進(jìn)行分析。然后是對(duì)改編自《老旦是一棵樹》的愛爾蘭電影劇作《哈里如何變成一顆樹》對(duì)于“無聊”主題的強(qiáng)化進(jìn)行闡釋。最后對(duì)于電影作品《哈里如何變成一顆樹》對(duì)于“無聊”主題的影像化表達(dá)從燈光、場(chǎng)地、天氣、人物狀態(tài)、對(duì)白等多個(gè)方面進(jìn)行總結(jié)。 本文的第五章的內(nèi)容主要是對(duì)于無聊作為現(xiàn)代人性深處的一種情緒狀態(tài)進(jìn)行分析,從而歸納出楊爭(zhēng)光作品在“無事生非”外衣下所進(jìn)行的“無聊”主題的闡釋。并且通過分析其他有主題涉及“無聊”的小說以及影視作品進(jìn)行歸納舉證。對(duì)于“無聊”主題如何進(jìn)行影像化表達(dá)也要做最后的歸納總結(jié)。最終總結(jié)出“無聊”作為人性深處的一種情緒狀態(tài),具有一種無法避免和無法擺脫的性質(zhì)。
[Abstract]:Yang Zhiguang, as a new realistic writer in the literary world of the new period and a famous contemporary film and television screenwriter, has long been concerned by the critics. However, these critical articles are simply summed up and discovered. The study of Yang Zhengguang has been staying in his novel theme, narration and other aspects of the study, but ignored his film and television screenwriter's identity writing. This article is based on this. Reorient Yang's novel "coffin shop" and "Old Dan is a Tree" and the film and television adaptation related to Yang Zhiguang-including the film "the Story of Sha Zhen" adapted from Yang's novels. Yang Zhengguang adapted from other people's novel film "Birthday". The film "how Harry becomes a Tree" is adapted from Yang Zhiguang's novel. Through the analysis of selected texts, the author studies one of the most important themes in Yang Zhiguang's works, "boredom." And further research on the image of boredom. The internal structure of this chapter is as follows: firstly, it analyzes the theme of "boredom" in the text of the novel, and then explains the image of the theme of "boredom" in the film play; Finally, the film works on the theme of "boring" image expression methods are summarized. The main content of the first chapter is the interpretation of the concept of "boredom", including the philosophical interpretation of boredom. Based on the analysis of the types of boredom and the modernity of boredom, on the basis of summarizing the previous studies of Yang Zhiguang's works, the author abstracts out that there are novels and films on the theme of "boredom" in Yang Zhanguang's works. The second chapter will analyze the theme of "boredom" in Mr. Yang Zhanguang's novel "coffin shop" in turn. Then it criticizes the lack of the theme of "boredom" in the film play "the Story of Shazhen" adapted from the novel "coffin shop"; Finally, it summarizes the limited image expression of the theme of "boredom" in the film "the Story of Shazhen", from the aspects of weather, venue, character state, dialogue and sound effect. The third chapter of this paper will first of all analyze the theme of the ghost's novel "the wheat field over Wacheng", and analyze the relationship between the novel and the theme of boredom. Then the film play "Birthday" adapted by Mr. Yang Zhiguang in "the Wheat Field over Wacheng" is analyzed and explained in terms of the enhancement of the theme of "boredom" and the efforts to visualize it: finally, "Birthday >" for the film works "Birthday >" Boring "the theme of the image of the expression of the completion from the light." Props, venues, character status and dialogue are summarized. The content of the 4th chapter of this article is mainly about "boredom" in the masterpiece of Yang Zhengguang's novel "Old Dan is a Tree". And then the Irish film play "how Harry became a Tree" adapted from "Old Dan is a Tree" for "boredom" Finally, the film "Harry how to become a tree" for the "boring" theme image expression from the light. Venue, weather, character status, white and other aspects of the summary. The 5th chapter of this article is mainly about the analysis of boredom as a kind of emotional state in the depth of modern human nature. So as to sum up the interpretation of the theme of "boredom" carried out by Yang Zhengguang's works under the cloak of "nothing to do with nothing". And by analyzing other novels and film works with themes related to "boredom", we can conclude the evidence. " The theme of "boredom" how to image the expression of the final summary. Finally summed up the "boredom" as a deep emotional state of human nature. Having an unavoidable and unavoidable quality.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905;I207.42

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本文編號(hào)：1432854