本文關(guān)鍵詞：中國獨立紀(jì)錄片的邊緣化傳播研究　出處：《西南交通大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

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【摘要】：我國近二十年來經(jīng)歷了顛覆性的政策開放過程,當(dāng)今正處在一個快速轉(zhuǎn)型的時代環(huán)境之中。人們面臨著各種變化與沖擊,生活在求新求變求富的矛盾之中。獨立紀(jì)錄片正是在這樣的歷史時期產(chǎn)生并以其體制之外的生存模式艱難發(fā)展。自誕生以來,敏銳且迅速地反映著時代的變遷；用平實的手法紀(jì)錄著歷史的痕跡與社會的脈動；從人性的角度出發(fā),去考察中國社會在現(xiàn)代化進(jìn)程中出現(xiàn)的矛盾與問題。這不僅是對影像歷史的強大補充,也逐漸成為個人話語的表達(dá)方式。雖然獨立紀(jì)錄片的價值被中心化的主流所遮蔽,但邊緣化的存在依然有著不可取代的意義。本文以中國獨立紀(jì)錄片為研究對象,從傳播政治經(jīng)濟(jì)學(xué)的理論背景出發(fā),運用定性研究為主要的研究方法,通過分析獨立紀(jì)錄作品關(guān)注對象的身份與流通傳播的渠道,以及宏觀地去考察獨立紀(jì)錄片的生成語境。深度探究獨立紀(jì)錄作品在中國社會的邊緣化狀態(tài)和成因。在此基礎(chǔ)上發(fā)掘獨立紀(jì)錄片在中國當(dāng)代歷史語境中存在的價值。論文主要分為以下幾個部分：首先,將獨立的概念進(jìn)行界定之后,對中國獨立紀(jì)錄片的發(fā)展軌跡從時間層面做出梳理以及特征分析。其次,以歷史梳理作為研究基礎(chǔ),對收集到的483部于1990年——2013年間生產(chǎn)的中國獨立紀(jì)錄作品進(jìn)行統(tǒng)計和分析,以此完成對中國獨立紀(jì)錄片關(guān)注對象的身份進(jìn)行解讀。通過探討?yīng)毩⒓o(jì)錄作品關(guān)注內(nèi)容所表露的社會現(xiàn)實以及背后的社會學(xué)意義來分析邊緣化傳播的原因。再次,討論獨立紀(jì)錄片作為一種媒介如何去呈現(xiàn)其關(guān)注的對象,通過分析其傳播方式與影響因素,探究獨立紀(jì)錄片在中國社會中作為對主流媒體補充角色而存在的社會價值,并對其未來的傳播趨勢做初步展望。最后,宏觀考察中國獨立紀(jì)錄片的生成語境,從歷史與文化層面入手,探析獨立紀(jì)錄片在歷史轉(zhuǎn)折期誕生并且在社會夾縫中艱難生存的復(fù)雜社會語境。結(jié)語將在以上的論述基礎(chǔ)之上,對中國獨立紀(jì)錄片的邊緣化狀態(tài)和社會價值做出總結(jié)。
[Abstract]:China has experienced a disruptive policy process in recent twenty years, today is in a rapid transition era. People are faced with a variety of changes and impact, living in the contradiction between seeking innovative ideas rich. Independent documentary is produced and survival difficult development beyond its system in this history period. Since its birth, keen and quickly reflect the changes of the time; in plain manual record and social history traces of pulsation; from the angle of human nature, to explore the social China appear in the process of modernization in the contradiction and problems. It is not only a powerful supplement to the image of history, has gradually become expression of individual discourse. Although covered by the mainstream value of the independent documentary is the center, but the marginal existence still has an irreplaceable significance. In this paper, China for Independent Documentary The object of study, starting from the theoretical background of the political economy of communication, the use of qualitative research as the main research methods, through the analysis of the independent record of identity and communication works concern the circulation channels, and to investigate the macro context independent documentary. Exploring independent record works in the marginalized state and causes China based society. To explore the independent documentary in Chinese contemporary history in the context of value. The thesis is mainly divided into the following parts: first of all, after will be independent of the definition, development of China independent documentary from the time level to make the combing and feature analysis. Secondly, taking history as the research foundation, 483 of the collected in 1990 - Chinese works independent record 2013 years of production statistics and analysis, in order to complete the China independent documentary focus on image Interpretation of identity. Based on independent record content works reveal the social reality and behind the sociological significance to analyze the reason of marginalization spread. Thirdly, discuss the independent documentary film as a medium to show the object of attention, through the analysis of the propagation processes and influence factors, explore the independent documentary film is the mainstream the media the complementary role of the existence of social value in the Chinese society, and make a preliminary outlook of the propagation trend. Finally, context independent documentary Chinese macroscopic investigation, starting from the historical and cultural level, the complex social context of independent documentary in transition period and in social history was difficult to survive in the cracks of the conclusion. Based on the above statements, Chinese independent documentary marginalization and social value to make a summary.

【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J952

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