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新時期家庭倫理劇的敘事研究

發(fā)布時間:2018-01-14 21:12

  本文關(guān)鍵詞:新時期家庭倫理劇的敘事研究 出處:《西北大學(xué)》2013年碩士論文 論文類型:學(xué)位論文


  更多相關(guān)文章: 家庭倫理劇 結(jié)構(gòu)變化 主題變化 流變原因


【摘要】:1958年中國電視劇誕生,在隨后五十多年的發(fā)展中,電視劇已經(jīng)成為人民群眾喜聞樂見的一種精神生活方式。改革開放之后,中國電視劇的發(fā)展創(chuàng)作也隨之走向了新的起點,家庭倫理劇這一新劇種開始出現(xiàn)。從1990年長篇連續(xù)劇《渴望》的熱播開始,中國家庭倫理劇經(jīng)歷了20多年的繁榮和興盛,尤其是在跨入21世紀(jì)的十多年里,中國家庭倫理劇的數(shù)量和質(zhì)量更是與日俱增,整個社會反響也更為強(qiáng)烈。家庭倫理劇講述了普通人日常的生活狀態(tài),展現(xiàn)著不同時期的家庭問題和矛盾,也折射出了傳統(tǒng)文化道德等方面的變遷,彰顯著時代變化衍生出的各種問題。 20世紀(jì)末,我國經(jīng)歷了從政治型社會向經(jīng)濟(jì)型社會的轉(zhuǎn)變,社會的轉(zhuǎn)型,多元化思潮的涌現(xiàn),人們的心態(tài)發(fā)展更加復(fù)雜,這種轉(zhuǎn)變?yōu)榧彝惱韯〉膭?chuàng)作提供了豐富的素材。新時期的家庭倫理劇在社會轉(zhuǎn)型,文化轉(zhuǎn)型的時代變遷中繁盛發(fā)展,敘事主題和結(jié)構(gòu)都呈現(xiàn)出了多元化的趨勢。 本文將立足文本實例,以20多年來的國產(chǎn)家庭倫理劇為研究對象,運用敘事學(xué)的相關(guān)理論,從新時期家庭倫理劇的敘事結(jié)構(gòu)變化和主題變遷兩方面展開分析和論述。新時期的家庭倫理劇經(jīng)歷了社會轉(zhuǎn)型的歷史變遷,其敘事結(jié)構(gòu)有一個漸變的過程,這種變化呈現(xiàn)出三個特征:一是核心-衛(wèi)星式到雙峰并置式的轉(zhuǎn)變;二是從順應(yīng)到背叛到融合結(jié)構(gòu)的使用;三是新式開放結(jié)構(gòu)的探索。敘事結(jié)構(gòu)的變化也體現(xiàn)了主題的變遷,新時期的家庭倫理劇更加注重個體情感的關(guān)注,倫理回歸的呼喚和新家庭觀念的探討。這些變化與社會轉(zhuǎn)型和受眾需求是緊密相關(guān)的。它反映出了新的歷史時期普通人的精神困惑和倫理迷茫。因此,新時期的家庭倫理劇在努力重構(gòu)現(xiàn)代倫理價值的同時,完成了傳統(tǒng)道德觀念和個體價值的融合。但是,我們看到這一題材的創(chuàng)作還存在著一些不足,如:敘事的同質(zhì)化,倫理價值批判性的缺失等,這些仍需要創(chuàng)作者的不斷努力和提高。
[Abstract]:Chinese TV series was born in 1958. In the following 50 years of development, TV drama has become a popular spiritual way of life. After the reform and opening up. The development and creation of Chinese TV series has also moved towards a new starting point, family ethics drama, a new kind of drama began to appear, from 1990, the long drama series "desire" began to spread. Family ethics drama in China has experienced more than 20 years of prosperity and prosperity, especially in the decade into 21th century, the number and quality of Chinese family ethics drama is increasing day by day. Family ethics drama tells about the daily life of ordinary people, showing the family problems and contradictions in different periods, but also reflects the traditional cultural and moral changes. Highlight the changes of the times derived from a variety of problems. In 20th century, our country experienced the transformation from the political society to the economic society, the transformation of the society, the emergence of diversified trends of thought, the development of people's mentality is more complex. This transformation provides rich materials for the creation of family ethics dramas. Family ethics plays in the new era of social transformation, cultural transformation in the era of prosperity and development. Both the theme and the structure of the narrative show a trend of diversification. This article will base on the text example, take more than 20 years domestic family ethics drama as the research object, uses the related theory of narratology. This paper analyzes and discusses the changes of narrative structure and theme of family ethics drama in the new period. The family ethics drama of the new period has experienced the historical change of social transformation, and its narrative structure has a gradual process. There are three characteristics of this change: one is the transformation from the core-satellite type to the double-peak superposition type; Second, from adaptation to betrayal to the use of fusion structure; The third is the exploration of the new open structure. The change of narrative structure also reflects the change of the theme. The family ethics drama in the new period pays more attention to the individual emotion. These changes are closely related to the social transformation and the needs of the audience. It reflects the spiritual confusion and ethical confusion of ordinary people in the new historical period. At the same time, the family ethics drama in the new period tries to reconstruct the modern ethical value, at the same time, it completes the integration of the traditional moral concept and the individual value. However, we can see that there are still some shortcomings in the creation of this subject matter. For example, the homogeneity of narration, the lack of critical ethical value and so on, these still need the continuous efforts and improvement of the creators.
【學(xué)位授予單位】:西北大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J905

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