本文關(guān)鍵詞：近30年中國電視劇批評(píng)重要論爭研究（1978-2010）　出處：《東北師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 電視劇批評(píng) 論爭 批評(píng)之批評(píng)

【摘要】：近30年來電視劇批評(píng)論爭的變遷，是電視劇批評(píng)論爭標(biāo)準(zhǔn)受到社會(huì)思潮不斷影響的縮影，也是批評(píng)論爭主體姿態(tài)和立場變遷的歷程，更是電視劇批評(píng)理論話語不斷完善的過程，與之同時(shí)，電視劇批評(píng)論爭的研究范疇也隨之開拓和深化。本論文研究的的理論價(jià)值與現(xiàn)實(shí)意義概括為三方面：第一，對(duì)新時(shí)期以來中國電視劇批評(píng)研究成果進(jìn)行系統(tǒng)、科學(xué)的梳理，力求獲得中國電視劇批評(píng)論爭的微觀特征以及宏觀上的發(fā)展脈絡(luò)，并對(duì)其進(jìn)行綜合性、獨(dú)立性、科學(xué)性的剖析與探究；第二，將中國電視劇批評(píng)重要論爭作為文化表征與實(shí)踐之間的關(guān)聯(lián)，有助于發(fā)現(xiàn)中國中國電視劇批評(píng)論爭的分析、總結(jié)以及對(duì)現(xiàn)實(shí)實(shí)踐指導(dǎo)中的規(guī)律，，通過對(duì)重要論爭的探究，為構(gòu)建科學(xué)合理的電視劇批評(píng)價(jià)值體系提供重要的啟迪與指導(dǎo)；第三，通過對(duì)近30年來中國電視批評(píng)的文獻(xiàn)、專著等的整理，為提升電視劇本體研究水平、深化電視劇學(xué)科體系建設(shè)，進(jìn)而加強(qiáng)電視劇理論指導(dǎo)實(shí)踐的效度，為推動(dòng)我國文化大發(fā)展大繁榮做出自己應(yīng)有的貢獻(xiàn)。本文將從理論和歷史兩條審視路徑，嘗試系統(tǒng)全景式地將新時(shí)期以來電視劇批評(píng)重要論爭作為研究對(duì)象。在堅(jiān)持馬克思主義唯物史觀的指導(dǎo)下，考察電視劇批評(píng)重要論爭的價(jià)值起源、核心焦點(diǎn)、歷史發(fā)展與演化脈絡(luò)，探索電視劇批評(píng)重要論爭背后的變與不變，探究其內(nèi)在批評(píng)價(jià)值體系的演變路徑，以期為電視劇批評(píng)的實(shí)踐提供可供參考的系統(tǒng)性、科學(xué)性、綜合性的理論指導(dǎo)，建立起理論與實(shí)踐有價(jià)值的互動(dòng)關(guān)系。
[Abstract]:In the past 30 years, the evolution of the debate on TV drama criticism is the epitome of the constant influence of the social trend of thought on the standard of the controversy of TV drama criticism, as well as the process of the change of the subject posture and position of the criticism debate. It is also the process of constantly perfecting the theoretical discourse of TV drama criticism, and at the same time. The theoretical value and practical significance of this paper are summarized in three aspects: first, the research results of Chinese TV drama criticism since the new era are systematically carried out. In order to obtain the microscopic characteristics of the controversy of Chinese TV drama criticism and the development of the macro context, and to conduct comprehensive, independent, scientific analysis and exploration; Secondly, taking the important controversy of Chinese TV drama criticism as the connection between cultural representation and practice will help to find out the analysis, summary and the law of the Chinese TV drama criticism controversy in the practical practice. Through the exploration of the important controversy, it provides important enlightenment and guidance for the construction of scientific and reasonable value system of TV drama criticism. Thirdly, through the collation of the literature and monographs of Chinese TV criticism in the past 30 years, in order to improve the research level of teleplay ontology, deepen the construction of the subject system of TV series, and then strengthen the validity of TV play theory guidance practice. In order to promote the cultural development and prosperity of our country to make their due contribution. This paper will examine the path from the theory and history. Under the guidance of Marxist historical materialism, this paper attempts to investigate the value origin and core focus of the important controversy of TV drama criticism in the new period. Historical development and evolution of the context, explore the important controversy behind the drama criticism changes and unchanged, explore its internal criticism of the value system of the evolution of the path, in order to provide the practice of TV drama criticism for reference system. Scientific and comprehensive theoretical guidance to establish a valuable interaction between theory and practice.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J909.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 文達(dá);電視劇《紅樓夢(mèng)》編導(dǎo)不懂骨牌[J];上海戲劇;1989年05期

2 周穗明;當(dāng)前西方左翼的新自由主義批判[J];馬克思主義研究;2001年06期

3 仲呈祥;張金堯;;堅(jiān)持“美學(xué)的歷史的”標(biāo)準(zhǔn)的和諧統(tǒng)一——關(guān)于藝術(shù)批評(píng)標(biāo)準(zhǔn)的若干思考[J];文藝研究;2008年10期

4 尹鴻;意義、生產(chǎn)與消費(fèi)──當(dāng)代中國電視劇的政治經(jīng)濟(jì)學(xué)分析[J];現(xiàn)代傳播;2001年04期

5 張應(yīng)輝;中國電視劇與當(dāng)代大眾文化思潮——兼與曾慶瑞、尹鴻兩位教授商榷[J];現(xiàn)代傳播;2003年01期

6 張國濤;;長篇時(shí)代的電視劇理論研究范式[J];現(xiàn)代傳播-中國傳媒大學(xué)學(xué)報(bào);2009年03期

7 呂木子;;論中國電視劇批評(píng)話語的民族性建設(shè)[J];現(xiàn)代傳播-中國傳媒大學(xué)學(xué)報(bào);2009年04期

8 黃皖毅;;思辨歷史哲學(xué)的歷史分期及其標(biāo)準(zhǔn)——兼論馬克思?xì)v史分期理論的意義[J];西南民族大學(xué)學(xué)報(bào)(人文社科版);2006年12期

9 沈天佑;從連續(xù)劇《紅樓夢(mèng)》所想到的[J];中外電視;1987年06期

10 解璽璋;百家爭鳴說“通俗”——“通俗電視劇”研討會(huì)綜述[J];中國電視;1993年10期

本文編號(hào)：1422124