本文關(guān)鍵詞：《看電影》雜志研究　出處：《西南大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 背景 定位 本體 運(yùn)營模式 電影產(chǎn)業(yè) 峨眉電影制片廠

【摘要】：《看電影》原名《電影作品》,創(chuàng)刊于1980年4月12日,是一本內(nèi)容豐富的電影雜志,1996年雜志封面巧妙地淡化“作品”二字凸顯“看”字；2001年7月正式更名為《看電影》；2005年1月《看電影午夜場》成功創(chuàng)辦,一月出版三刊,在我國電影雜志史上獨(dú)此一家�！犊措娪啊冯s志以其獨(dú)特的辦刊風(fēng)格,占據(jù)電影雜志界大半個(gè)市場,銷量領(lǐng)先于《電影世界》等電影雜志,獨(dú)霸鰲頭,是電影界不可缺少的一本電影娛樂雜志。它不僅記錄了國內(nèi)外電影發(fā)展的焦點(diǎn),也以窗口的形式參與著電影產(chǎn)業(yè)的發(fā)展。 本文的研究范圍是從1980年的《看電影》到2005年的《看電影午夜場》4個(gè)階段,歷時(shí)30多年。雜志一直以來引領(lǐng)時(shí)尚,信息量極其豐富、有趣,能滿足讀者對最新電影文化的渴望。在市場份額的占有方面,《看電影》經(jīng)歷兩次改版與一次增刊的變革,扛起了統(tǒng)領(lǐng)雜志市場的大旗來應(yīng)對時(shí)代的大發(fā)展,文本將從雜志本身的發(fā)展史為骨架,試圖探討其生存發(fā)展的策略。 本文主要分6個(gè)章節(jié)進(jìn)行論述。第一章是緒論部分,介紹了本文的研究目的、意義、現(xiàn)狀、內(nèi)容和方法；第二章為《電影作品》階段；第三章為《看[電影作品]》階段；第四章為《看電影》階段；第五章為《看電影午夜場》；第六章為雜志的問題分析及展望。文章通過闡釋創(chuàng)刊的背景、雜志的定位、雜志的本體等內(nèi)容,系統(tǒng)揭示雜志原來只是刊登劇本的雜志轉(zhuǎn)變?yōu)榧捌�、評、論”三位一體的綜合性雜志轉(zhuǎn)變的過程,進(jìn)而體會雜志與峨眉電影集團(tuán)(原峨眉電影制片廠)的不可分割的關(guān)系以及與電影產(chǎn)業(yè)的發(fā)展互動。
[Abstract]:The original name of "movie works", founded in April 12th 1980, is a rich film magazine, 1996 magazine cover skillfully downplay "works" two characters highlight "see" word; In July 2001, he officially changed his name to "watching movies"; In January 2005, the film midnight field was established successfully, and three magazines were published in January, which is unique in the history of Chinese film magazines. Occupying most of the film magazine market, the sales volume is ahead of other movie magazines, such as the film world, dominating, is an indispensable film entertainment magazine in the film industry, it not only records the focus of domestic and foreign film development. Also participate in the development of the film industry in the form of window. The research scope of this paper is from 1980 to 2005 "watching midnight field" four stages, lasted for more than 30 years. The magazine has been leading fashion, the amount of information is extremely rich, interesting. It can satisfy the readers' desire for the latest film culture. In terms of market share, "watching movies" has experienced two changes and one supplement, and it has carried the banner of leading the magazine market to cope with the great development of the times. From the history of the magazine itself to the skeleton, the text will try to explore its survival and development strategies. This paper is divided into six chapters. The first chapter is the introduction part, which introduces the purpose, significance, current situation, content and method of this paper; the second chapter is the stage of "movie works"; the third chapter is "see" [Film works] > stage; Chapter 4th is the stage of "watching movies"; Chapter 5th is "watching movies at midnight"; Chapter 6th is the problem analysis and prospect of the magazine. By explaining the background of the publication, the positioning of the magazine, and the ontology of the magazine, the article systematically reveals that the magazine originally only published the script of the magazine into a collection, review. On the process of the Transformation of the Trinity Comprehensive Magazine, and then understand the inseparable relationship between the magazine and the Emei Film Group (formerly Emei Film Studio) and its interaction with the development of the film industry.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：G229.29;J943

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本文編號：1411398