本文關鍵詞：從斯坦尼斯拉夫斯基體系看李雪健影視形象塑造　出處：《內蒙古大學》2017年碩士論文　論文類型：學位論文

  更多相關文章： 斯坦尼斯拉夫斯基體系 李雪健 影視形象 藝術精神

【摘要】：在中國影視表演藝術發(fā)展的百年進程中,由稚嫩到繁盛,為觀眾提供豐富生動審美愉悅的同時,也體現(xiàn)了深厚的人文積淀和藝術意蘊。其中,表演藝術理論的發(fā)展既一脈相承,又不斷融合吸收著多彩紛呈的現(xiàn)代表演理論。已有百歲高齡的斯坦尼斯拉夫斯基表演體系(以下簡稱"斯氏體系")自創(chuàng)立以來所具有的實踐意義和理論價值,在演員創(chuàng)作的過程中起到了不可小覷的作用。但隨著俄國的梅耶荷德、波蘭的格羅托夫斯基、美國的理查德謝克納以及日本的鈴木忠志等現(xiàn)代表演理論的廣泛傳播,許多影視演員認為,"斯氏體系"關于創(chuàng)造性格化人物的理論早已過時。演員在境頭前應該是本色出演,觀眾欣賞的是他們自身的性格魅力,無需創(chuàng)造性格化的人物。源于這樣的創(chuàng)作觀點,導致了在一些影視作品中,我們看到的是如出一轍的表演,人物性格化的塑造已經(jīng)不再受到演員的重視了。我國著名的表演藝術家李雪健,在銀幕和熒屏上塑造過許多鮮活、生動的人物形象,他出色的演技和秉承的現(xiàn)實主義創(chuàng)作原則體現(xiàn)了老一輩表演藝術家所特有的藝術精神。本文通過研究李雪健塑造的具有典型意義的影視形象,試分析他在藝術創(chuàng)作過程中對"斯氏體系"的運用以及他的表演藝術魅力,進而挖掘他的藝術精神。本論文的第一部分,首先是對"斯氏體系"的概述,試分析"斯氏體系"的創(chuàng)作原則以及對我國話劇表演和影視表演的影響。第二部分是對李雪健影視表演藝術發(fā)展歷程的分析。主要分為四個階段:藝術創(chuàng)作的起步階段、成長階段、成熟階段和飛躍階段,通過對這四個階段他所創(chuàng)作的作品進行定量分析研究,總結出他在不同時期的創(chuàng)作特點。第三部分是從李雪健塑造的具有代表性的影視形象出發(fā),探索他在表演創(chuàng)作過程中對"斯氏體系"的運用。第四部分是對李雪健藝術精神的挖掘。主要對他所持有的藝術創(chuàng)作態(tài)度、創(chuàng)新精神、突破精神以及敬業(yè)精神進行剖析,從而對我國演員的表演藝術創(chuàng)作提供值得借鑒的寶貴經(jīng)驗。
[Abstract]:In the century-long process of the development of Chinese film and television performing arts, from tender to prosperous, it provides the audience with rich and vivid aesthetic pleasure, but also reflects the profound humanistic accumulation and artistic implication. The development of the theory of performing arts is in the same vein. Meanwhile, it has absorbed the colorful theory of modern performance. The Stanislawski performance system (hereinafter referred to as "the system") has its practical significance and theoretical value since it was founded. Played an important role in the process of actors' creation. But with Russia's Meyerhod, Poland's Grotowski. The widespread spread of modern performance theories such as Richard Shekner of the United States and Takeshi Suzuki of Japan is considered by many film and television actors. The theory of creating character characters in the system has long been out of date. Actors and actresses are supposed to be acting in their own way, and the audience appreciates their own charisma. There is no need to create characters of character. This is the source of this creative point of view, leading to some film and television works, we see the same performance. Chinese famous performing artist Li Xuejian has created a lot of vivid and vivid characters on screen and screen. His outstanding acting skills and the principle of realistic creation embody the unique artistic spirit of the older generation of performing artists. This paper studies the typical film and television images created by Li Xuejian. The first part of this thesis is an overview of the first part of this thesis. The second part is the analysis of the development process of Li Xuejian's film and television performing art, which is divided into four stages:. The initial stage of artistic creation. The growth stage, the mature stage and the leap stage, through the four stages of his works of quantitative analysis. Summary of his creative characteristics in different periods. The third part is from Li Xuejian's representative film and television image. The 4th part is to excavate Li Xuejian's artistic spirit, mainly to his attitude of artistic creation, innovative spirit. The breakthrough spirit and the spirit of dedication are analyzed, thus providing valuable experience for the actors and actresses in our country.
【學位授予單位】：內蒙古大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J912

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