本文關(guān)鍵詞：大型歷史題材電視劇《大宅門》成功元素的分析　出處：《重慶大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 大宅門 歷史跨度 民族化 因果關(guān)系

【摘要】：2001年在中央電視臺(tái)播出了一部創(chuàng)造21%的收視率，榮獲中央電視臺(tái)收視冠軍的電視劇，它就是由郭寶昌編劇并導(dǎo)演的《大宅門》（第一部）。這部電視劇不僅挽回了央視播放《笑傲江湖》的尷尬，而且一度超過(guò)了之前《雍正王朝》創(chuàng)下的最高紀(jì)錄，成為當(dāng)時(shí)最受歡迎的電視劇作品，，也成為電視劇史上的一部難得的經(jīng)典！而后，郭寶昌快馬加鞭，又于2002年創(chuàng)作了《大宅門》的第二部，將整部劇作完整、充實(shí)。時(shí)至今日，回首這部經(jīng)典之作，依然會(huì)發(fā)現(xiàn)其熠熠閃光的亮點(diǎn)，深深啟迪著中國(guó)當(dāng)今乃至以后的電視劇創(chuàng)作。 那么本文就是超越其表層因素，深入到更深層次來(lái)探討《大宅門》火熱的原因，究竟是什么造就了其火熱的場(chǎng)面。這不僅僅為《大宅門》本身的火熱找到了答案，更為我國(guó)影視作品的發(fā)展提供了一個(gè)方向上的參考。不是我們民族的不行，而是挖掘的方向、方式不對(duì)�！洞笳T》證明，只要方向?qū)β�，民族的也�?huì)大放異彩，并非只有外國(guó)的月亮才是圓的。 在研究過(guò)程中，本文不僅僅針對(duì)《大宅門》故事層面進(jìn)行文本性梳理，更是深入到作品內(nèi)在的思想層面以及其火熱原因的社會(huì)層面進(jìn)行綜合性論述。闡釋了在悠長(zhǎng)的歷史跨度中大宅門和百草廳的榮辱興衰以及民族化元素在劇中的運(yùn)用，并通過(guò)具體人物闡釋了影響人物命運(yùn)歸宿的因果關(guān)系�？梢哉f(shuō)，本文的研究范圍比較廣泛，其中涉及到歷史研究、京劇研究、服飾研究、傳統(tǒng)禮教研究等等領(lǐng)域。豐富和擴(kuò)大了研究領(lǐng)域，能夠?yàn)樵搫〉姆治鎏峁┮粋�(gè)全面的詳實(shí)的參考依據(jù)。 當(dāng)然本文研究的最終目的是歸納出《大宅門》的優(yōu)點(diǎn)，能夠?yàn)槲覈?guó)電視劇創(chuàng)作提供一個(gè)比較成功的案例，從而指導(dǎo)今后的影視劇創(chuàng)作。但是文中也比較有針對(duì)性的提出了該劇的一些缺點(diǎn)，從而警示今后電視劇創(chuàng)作，為之提供一些比較有價(jià)值的借鑒。
[Abstract]:In 2001, CCTV broadcast a TV series that created 21% ratings and won the CCTV ratings championship. It was written and directed by Guo Baochang (the first movie). The show not only saved the embarrassment of CCTV's broadcast of The Smiling銆丳roud Wanderer. And once more than the previous "Yongzheng Dynasty" set the highest record, become the most popular TV works, but also become a rare classic in the history of TV series!!! In 2002, Guo Baochang created the second part of the House Gate, complete and enriched the entire play. To this day, looking back on this classic, it will still find its shining bright spot. It deeply enlightens the creation of TV dramas in China today and in the future. So this article is to go beyond its surface factors, to a deeper level to explore the "big house door" hot reasons. After all, what made its hot scene. This not only for the "House door" itself hot to find the answer, but also the development of Chinese film and television works to provide a reference on the direction, is not our nation's failure. But the direction of the excavation, the wrong way. "House door" proves that as long as the right direction, the nation will shine brilliantly, not only the foreign moon is round. In the course of the research, this paper not only aims at the story level of "Oasis door" text combing. It also goes deep into the inner ideological level of the work and the social level of its hot reasons. It explains the rise and fall of the great house door and the hundred grass hall in the long span of history and the transportation of the nationalized elements in the play. Yes. And through the specific characters to explain the causal relationship affecting the fate of the characters. It can be said that the scope of this study is more extensive, which involves historical research, Beijing Opera research, clothing research. It enriches and expands the research field and can provide a comprehensive and detailed reference for the analysis of the play. Of course, the ultimate purpose of this study is to sum up the advantages of "Oasis door", which can provide a more successful case for the creation of Chinese TV series. In order to guide the future film and television drama creation. But the article also pointed out some shortcomings of the play, thus warning the future creation of TV series, to provide some valuable reference.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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1 陸寅生;《大宅門》得失談[J];當(dāng)代電視;2001年11期

2 彭俐;倘若魯迅看《大宅門》[J];當(dāng)代電視;2001年11期

3 桂青山;《大宅門》中的文化錯(cuò)位[J];中國(guó)電視;2001年10期

4 肖楠;《大宅門》:現(xiàn)代《紅樓夢(mèng)》?[J];藝術(shù)導(dǎo)刊;2001年03期

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