本文關(guān)鍵詞：動(dòng)畫(huà)角色的動(dòng)作設(shè)計(jì)對(duì)其性格塑造的探究　出處：《南京師范大學(xué)》2013年碩士論文　論文類(lèi)型：學(xué)位論文

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【摘要】：動(dòng)畫(huà)角色性格的刻畫(huà)是一個(gè)角色成功的關(guān)鍵,沒(méi)有性格的動(dòng)畫(huà)角色形象僅僅是一副沒(méi)有生命沒(méi)有情感的一幅畫(huà)面。動(dòng)畫(huà)角色性格的塑造可以從很多方面進(jìn)行考究,動(dòng)作、表情、服飾、道具等都可以折射出一個(gè)角色的性格,而動(dòng)作設(shè)計(jì)是一個(gè)最直觀、最直接、最主要的塑造角色性格的手段。 人的各種行為表現(xiàn),一方面是源自其先天本能,一方面是來(lái)自后天的學(xué)習(xí)、強(qiáng)化,性格與行為動(dòng)作有著密切的聯(lián)系,兩者可以互為因果關(guān)系。一般情況下,面對(duì)不同的人物或環(huán)境,不同性格的人會(huì)有不同的行為表現(xiàn)；相反,不同的行為表現(xiàn),也反映出人物的不同的性格特征。透過(guò)一個(gè)動(dòng)作,可以發(fā)現(xiàn)一個(gè)人的內(nèi)在的性格,我們對(duì)一個(gè)人的印象也往往依賴于他舉手投足間所展現(xiàn)出來(lái)的個(gè)人氣質(zhì),行為動(dòng)作其實(shí)就是一個(gè)人內(nèi)在性格的外化體現(xiàn)。動(dòng)畫(huà)角色亦是如此,觀眾對(duì)其印象的依據(jù)也往往取決于他的行為動(dòng)作。要塑造一個(gè)成功的動(dòng)畫(huà)角色,需要賦予其獨(dú)特鮮明的性格,重點(diǎn)則應(yīng)該從角色的動(dòng)作設(shè)計(jì)入手,這樣一個(gè)成功的角色就具有了強(qiáng)烈的生命力、感染力,會(huì)令觀眾過(guò)目不忘,牢記于心底。 本文論題是“動(dòng)畫(huà)角色的動(dòng)作設(shè)計(jì)對(duì)其性格塑造的探究”,主要探討的是動(dòng)畫(huà)角色性格和行為動(dòng)作的關(guān)系,以及動(dòng)作設(shè)計(jì)對(duì)其性格塑造的意義,同時(shí)也將著重討論如何去通過(guò)動(dòng)作設(shè)計(jì)來(lái)塑造性格,以及其中所要注意的問(wèn)題。
[Abstract]:The characterization of animated characters is the key to the success of a character. The animated character image without character is just a picture without life and emotion. The character of animation character can be studied from many aspects, movement, expression, dress. Props can reflect the character of a character, and action design is the most intuitive, the most direct, the most important means of shaping character. Human's various behavior performance, on the one hand, is derived from its innate instinct, on the other hand, it comes from the acquired learning, strengthening, personality and behavior action has a close relationship, the two can be causality with each other. Generally speaking. In the face of different characters or environments, people with different personalities will have different behavior. On the contrary, different behavior also reflects the different character characteristics of the character. Through a movement, you can find a person's inner character. Our impression of a person also often depends on his personal temperament, the behavior of action is in fact an external expression of a person's internal character. Animation characters are the same. In order to create a successful animated character, it is necessary to endow it with a distinctive character, and the emphasis should be on the action design of the character. Such a successful character has a strong vitality, appeal, let the audience never forget, remember in the bottom of my heart. This thesis is "the animation character action design to its character mold exploration", mainly discusses the animation character character and the behavior movement relations, as well as the movement design to its character mold significance. It will also focus on how to shape character through action design, and how to pay attention to it.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J954;J218.7

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 張波;美國(guó)動(dòng)畫(huà)電影反面角色塑造研究[D];陜西科技大學(xué);2014年

2 李覲辰;動(dòng)畫(huà)創(chuàng)作中正反面人物角色首因效應(yīng)的表現(xiàn)研究[D];沈陽(yáng)航空航天大學(xué);2015年

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本文編號(hào)：1407525