本文關(guān)鍵詞：戲曲電視劇場(chǎng)景藝術(shù)“由虛轉(zhuǎn)實(shí)”趨勢(shì)漫談　出處：《戲劇文學(xué)》2017年11期 　論文類型：期刊論文

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【摘要】："由虛轉(zhuǎn)實(shí)"構(gòu)成了當(dāng)前國(guó)內(nèi)戲曲電視劇在場(chǎng)景美學(xué)上的主體框架,也成為明顯的演變趨勢(shì)。從早期的實(shí)時(shí)錄影,再到當(dāng)今遵照電視劇的表達(dá)模式進(jìn)行表演與拍攝,戲曲電視劇在場(chǎng)景藝術(shù)環(huán)節(jié)也經(jīng)歷了從簡(jiǎn)約主義到寫實(shí)主義,再到實(shí)用主義的重要轉(zhuǎn)變。而在戲劇行業(yè)競(jìng)爭(zhēng)持續(xù)加劇、受眾需求更為多樣的背景之下,通過場(chǎng)景藝術(shù)的創(chuàng)新去推動(dòng)戲曲電視劇的整體變革,探索更具共贏性的運(yùn)作策略,無疑也能為戲劇產(chǎn)業(yè)的轉(zhuǎn)型升級(jí)提供可行的借鑒。
[Abstract]:"from virtual turn to reality" constitutes the main frame of domestic drama drama in the scene aesthetics, but also become an obvious trend of evolution. From the early real-time video. Then to act and shoot according to the expression mode of TV drama, drama drama also experienced from minimalism to realism in the scene art link. Then to the important transformation of pragmatism, and in the drama industry competition continues to intensify, the audience needs more diverse background, through the creation of scene art to promote the overall reform of drama drama. Exploring a more win-win operation strategy can undoubtedly provide a feasible reference for the transformation and upgrading of the drama industry.
【作者單位】： 河北工程大學(xué);
【分類號(hào)】：J951.2
【正文快照】： 戲劇產(chǎn)業(yè)的蓬勃發(fā)展,在提高行業(yè)的綜合效益與社會(huì)知名度、影響力的同時(shí),也充分推動(dòng)了戲曲電視劇統(tǒng)籌理念與運(yùn)作方式的調(diào)整、轉(zhuǎn)變,促使呈現(xiàn)出了全方位、多元化拓展的積極態(tài)勢(shì)。其中在場(chǎng)景藝術(shù)上的推陳出新,以“由虛轉(zhuǎn)實(shí)”為代表的美學(xué)變革,不僅被視作當(dāng)前國(guó)產(chǎn)戲曲電視劇最為突，

本文編號(hào)：1401698