本文關(guān)鍵詞：符碼、結(jié)構(gòu)與風(fēng)格:論魯迅作品改編的兩部動(dòng)畫(huà)短片　出處：《魯迅研究月刊》2017年02期 　論文類(lèi)型：期刊論文

  更多相關(guān)文章： 動(dòng)畫(huà)短片 魯迅作品 動(dòng)畫(huà)電影 眉間尺 論魯迅 文字符號(hào) 影像文化 作品改編 小說(shuō)情節(jié) 影像語(yǔ)言

【摘要】：正魯迅作品轉(zhuǎn)換成影像存在眾多形態(tài),有電影、紀(jì)錄片、文化專(zhuān)題片等,它們通過(guò)改編文字符號(hào)的作品提供了魯迅思想的新載體,也通過(guò)再創(chuàng)造延伸了魯迅形象及其作品的影響力。在背負(fù)著改造國(guó)民性格巨大負(fù)荷的二十世紀(jì)中國(guó)文化語(yǔ)境中,魯迅一直被視為深刻見(jiàn)地和勇敢擔(dān)負(fù)的現(xiàn)代思想者,他的作品被視為需要后來(lái)者上窮黃泉下碧落苦苦探索的現(xiàn)代思想庫(kù),以魯迅作品為底本的影像改
[Abstract]:There are many forms in the transformation of positive Lu Xun's works into images, such as movies, documentaries, cultural feature films and so on. They provide a new carrier of Lu Xun's thought through the adaptation of the works of character symbols. It also extends the image of Lu Xun and the influence of his works through re-creation. In the context of Chinese culture in 20th century which bears the huge burden of reforming the national character. Lu Xun has always been regarded as a modern thinker with profound insight and brave responsibilities. His works are regarded as the modern think tanks that need to be explored by those who come from behind. The image reform based on the works of Lu Xun is regarded as a modern think-tank that needs to be explored by the latecomers under Huang Quan and Bi Luo.
【作者單位】： 浙江大學(xué)西溪校區(qū)中文系;
【分類(lèi)號(hào)】：I210.6;J954
【正文快照】： 魯迅作品轉(zhuǎn)換成影像存在眾多形態(tài),有電影、紀(jì)錄片、文化專(zhuān)題片等,它們通過(guò)改編文字符號(hào)的作品提供了魯迅思想的新載體,健過(guò)再創(chuàng)造延伸了魯迅形象及其作品的影響力。在背負(fù)著改造國(guó)民性格巨大負(fù)荷的二十世紀(jì)中國(guó)文化語(yǔ)境中,魯迅一直被視為深刻見(jiàn)地和勇敢擔(dān)負(fù)的現(xiàn)代思想者,他的，

本文編號(hào)：1396100