本文關(guān)鍵詞：恐怖電影中的身體意象及其審美意義　出處：《浙江師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 恐怖電影 身體 意象 審美意義

【摘要】：恐怖電影作為類型電影中的一個(gè)重要組成部分,一直都深受觀眾喜愛以及研究者的重視。近年來,恐怖電影的觀影人數(shù)不斷攀升,與恐怖電影有關(guān)的學(xué)術(shù)研究成果也日漸增多。這些論文所涉及的核心論題,以恐怖電影中的審美愉悅或?qū)徝擂D(zhuǎn)化問題居多,或傾向于對(duì)某一局部地區(qū)或領(lǐng)域的恐怖電影加以具體研究。本文試圖在前人研究基礎(chǔ)之上,另辟蹊徑,從美學(xué)角度來對(duì)恐怖電影中的身體意象及其審美意義做一番梳理和把握。 除前言、結(jié)語外,論文主體分三個(gè)章節(jié)。 第一章先簡單回顧一下恐怖電影的身體簡史,再依據(jù)塑形方式、表現(xiàn)題材的不同,將恐怖電影中的身體意象劃分為三種類型,即物化的身體意象,異�；纳眢w意象以及幻化的身體意象,并對(duì)每一類型身體意象進(jìn)行詳盡分析。其中,物化的身體意象可劃分為兩類：純粹恐怖之物,以及物與人的合體——以此象征外在世界充滿著危險(xiǎn)與恐怖,人類自始至終都難以擺脫外在世界的影響與束縛；異�；纳眢w意象亦能分為兩類：殘缺的身體意象與變態(tài)的身體意象——以此象征對(duì)于人類而言,最恐怖的莫過于人自身；幻化的身體意象亦有兩類：靈異的身體意象以及不在場的身體意象——以此象征未知世界同樣充滿了難以言喻的恐怖。 第二章從外在表現(xiàn)方式和內(nèi)在表現(xiàn)方式兩個(gè)不同層面對(duì)恐怖電影中的身體意象作出總結(jié),認(rèn)為外在表現(xiàn)方式主要包括四點(diǎn)：其一,直接呈現(xiàn),即以最直接的方式對(duì)恐怖電影中的恐怖形象加以還原；其二,化妝,即采用化妝的方式來刻畫恐怖電影中的身體形象；其三,道具,即以某些特定道具來充當(dāng)恐怖身體的替代品；其四,特技,即運(yùn)用電腦技術(shù)將原本只存在于人類頭腦之中的恐怖身體形象制作出來并投放到熒幕之上。內(nèi)在表現(xiàn)方式則更強(qiáng)調(diào)電影導(dǎo)演、編劇的主觀意圖,通過營造恐怖氛圍來強(qiáng)化觀眾對(duì)恐怖身體意象的理解。在恐怖電影身體意象的具體制作中,兩類表現(xiàn)方式常常一起使用,共同塑造恐怖電影中復(fù)雜而又豐富的諸類身體意象。 第三章對(duì)恐怖電影中的身體意象所傳達(dá)的審美意義進(jìn)行了反思,認(rèn)為恐怖電影中的身體意象以及表現(xiàn)方式對(duì)于傳統(tǒng)審美觀念中“以美為美”的觀念而言是一種顛覆。這種顛覆主要體現(xiàn)在以下三個(gè)方面：其一,恐怖電影身體意象所呈現(xiàn)的是一種藝術(shù)恐怖；其二,恐怖電影中的恐怖身體意象能促使負(fù)面情感的宣泄；其三,恐怖身體意象能使人在有距離的審美觀照中獲得審美愉悅。 本文以對(duì)比研究法、文獻(xiàn)研究法、歸納總結(jié)法等作為主要研究方法,并結(jié)合大量電影作品實(shí)例來闡釋論點(diǎn)論據(jù),發(fā)掘其間具有重要理論價(jià)值的觀點(diǎn),以深化人們對(duì)于恐怖電影身體意象的認(rèn)識(shí)。
[Abstract]:Horror film as an important part of the type of film, has been loved by the audience and the attention of researchers. In recent years, the number of horror films has been increasing. The academic research results related to horror films are also increasing. The core topics of these papers are the aesthetic pleasure or aesthetic transformation in horror films. Or tend to a specific study of a local area or field of horror film. This paper attempts to explore a new way based on previous studies. From the aesthetic point of view, the body image and its aesthetic significance in horror movies are combed and grasped. In addition to the preface, the conclusion, the main body of the paper is divided into three chapters. The first chapter briefly reviews the history of the body of horror film, then according to the molding way, the different performance of the subject matter, the body image in the horror film can be divided into three types, that is, the body image of materialization. The abnormal body image and the phantom body image are analyzed in detail. Among them, the materialized body image can be divided into two categories: pure terror. And the combination of things and people-symbolizing that the external world is full of danger and terror, and that it is difficult for human beings to get rid of the influence and bondage of the external world from beginning to end; Abnormal body image can also be divided into two categories: incomplete body image and abnormal body image-as a symbol of human being, the most horrible thing is the person himself; There are also two types of phantom body imagery: the spiritual body image and the absent body image-which symbolizes the unknown world with unspeakable horror. The second chapter summarizes the body image in the horror film from two different aspects of the external expression mode and the internal expression mode, and thinks that the external expression mode mainly includes four points: first, the direct presentation. That is to say, in the most direct way, the horror image in the horror film should be restored; Second, makeup, that is, the use of makeup to portray the body image in the horror film; Third, props, that is, with certain specific props to act as a substitute for the body of terror; Fourth, the use of special effects, that is, the use of computer technology will only exist in the human mind to create the body image of terror and put on the screen, the internal expression is more emphasis on the subjective intention of film directors, screenwriters. Through the creation of terror atmosphere to strengthen the audience to understand the body image of terror. In the specific production of body image of horror film, the two kinds of expression are often used together. To create the complex and rich body images in horror movies. The third chapter reflects on the aesthetic significance of the body image in the horror film. It is considered that the body image and the way of expression in the horror film is a kind of subversion to the traditional aesthetic concept of "beauty as beauty". This kind of subversion is mainly reflected in the following three aspects: first. The body image of horror film is a kind of artistic terror. Secondly, the body image of terror in horror film can promote the negative emotion's catharsis; Thirdly, the horror body image can make people obtain aesthetic pleasure in the distance aesthetic picture. In this paper, comparative research method, literature research method, induction and summary method as the main research methods, and a large number of film examples to explain the arguments, explore the point of view with important theoretical value. In order to deepen people's understanding of the body image of horror movies.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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