本文關(guān)鍵詞：中國建國后30年電影歌曲宣傳內(nèi)容的流變（1949-1979）　出處：《遼寧大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 中國 電影 歌曲 宣傳

【摘要】：電影歌曲通常被看作是電影的一個重要組成部分，是為電影錦上添花的點(diǎn)綴。優(yōu)秀的電影歌曲隨著電影的播出，會在電影觀眾中廣泛傳播，成為膾炙人口的歌曲。在新中國建立之前，“左翼”電影中涌現(xiàn)了諸多耳熟能詳?shù)母枨�，例如《天涯歌女》、《畢業(yè)歌》、《漁光曲》和我們現(xiàn)在的國歌《義勇軍進(jìn)行曲》等諸多反應(yīng)社會各階層人民生活百態(tài)的電影歌曲。直到1949年新中國成立之后，黨中央將電影宣傳作為其文藝宣傳的一個重要方面，電影的拍攝權(quán)從建國前的私有制變成完全為公有制，電影影片中的藝術(shù)性逐漸削弱，同時電影的宣傳功能更加明顯的顯示出來。例如1958年電影和歌詞都是將口號編入歌詞來宣傳“大躍進(jìn)”和“人民公社”等運(yùn)動。 1949年中華人民共和國建國之后，當(dāng)時全國人民的核心價值觀是歌名的英雄主義和忘我的集體主義。因此，當(dāng)時電影的拍攝完全要符合當(dāng)時的政治主題，也就是革命和勞動。列寧說，電影是所有藝術(shù)中最重要的藝術(shù)。我們認(rèn)為，建國后到新時期（1949-1979）這三十年間，中國電影的價值不僅僅在于其藝術(shù)性，更在于其對意識形態(tài)的傳播。雖然，電影研究者更傾向于電影所肩負(fù)的娛樂使命，但是從電影發(fā)展的歷史上來看，電影更多的時候是以肩負(fù)著宣傳使命的媒介出現(xiàn)的。從二戰(zhàn)時期德國納粹首領(lǐng)希特勒對電影宣傳的重視就可以看出領(lǐng)導(dǎo)者對電影在宣傳麾下的作用。從“十七年”電影的發(fā)展歷程中可以看出，這一時期的電影完全成為為建設(shè)新中國搖旗吶喊的宣傳工具。加之毛澤東又提出文藝從屬于政治的文藝路線，這就使電影完全變成了宣傳的工具，電影的主要功能變成說教與宣傳。作為大眾媒體的電影具有更多的話語權(quán)，在全國相對封閉的環(huán)境下，以教育的形式構(gòu)建起大眾傳播網(wǎng)絡(luò)，在人民群眾中建立起了根深蒂固的大眾文化，凝聚了中華民族強(qiáng)大力量，克服了建設(shè)新中國過程中遇見的重重困難。而電影歌詞成為當(dāng)時電影宣傳活動中的部分宣傳文本，將宣傳內(nèi)容潛移默化的地伴隨著音樂被傳送至觀眾的腦海中。 十年“文革”時期，作為文化傳播工具的電影的發(fā)展嚴(yán)重受挫。由江青等人控制的“中央文革小組”對文化領(lǐng)域的控制異常嚴(yán)格，而“文革”前期生產(chǎn)的大部分作品被江青等人扣上各式各樣的“反革命帽子”禁止播放，與此同時，江青等人在“文革”時期以文藝創(chuàng)作的“三突出”原則為指導(dǎo)，大力發(fā)展京劇樣板戲電影，“八億人民八臺戲”就是“文革”時期電影事業(yè)的真實(shí)寫照�！皹影鍛颉庇直怀蔀椤艾F(xiàn)代京劇”，其中既有唱詞又有對白，而唱詞中的全部內(nèi)容的政治傾向都極強(qiáng)，宣傳說教和對毛主席的個人崇拜之情無處不在。文革時期真正的電影作品直到1972年才又重新回到影院，但是電影歌曲的歌詞中的宣傳內(nèi)容并沒有擺脫“文革”時期簡單的口號式的傳播方式。 直到“文革”結(jié)束之后，電影事業(yè)才逐漸開始擺脫政治上的束縛，成為真正意義上的藝術(shù)電影。 本文主要分為六個大部分，第一部分首先簡要交代電影、宣傳、歌詞的特性，界定研究對象的概念與內(nèi)涵，簡要交代建國前中國電影事業(yè)的發(fā)展情況，是下文進(jìn)行分析的基礎(chǔ)。第二部分為社會主義過渡時期的電影歌曲宣傳內(nèi)容流變分析，時間界定為1949年到1956年社會主義改造的完成。第三部分闡述社會主義曲折探索十年的電影歌曲宣傳內(nèi)容的流變，時間界定為1957年社會主義改造完成到1966年無產(chǎn)階級文化大革命爆發(fā)之前。這一歷史階段由于我黨執(zhí)政經(jīng)驗(yàn)不足，在建設(shè)社會主義的道路上走了不少彎路，政治形勢復(fù)雜，，其電影歌曲中的宣傳內(nèi)容富有較多的變化。第四部分為“文革”時期的電影歌曲內(nèi)容的流變，時間界定為1967年文革全面爆發(fā)到1976年文革結(jié)束的十年。雖然“文革”時期的電影由樣板戲電影與革命故事電影兩部分組成，但兩者電影歌曲中的宣傳內(nèi)容的方向大體是一致的。第五部分，簡要論述“文革”結(jié)束后到新時期（1977年-1979年）這三年的電影歌詞中宣傳內(nèi)容的變化。第六部分為總結(jié)。本文使用的研究方法為文本分析法與關(guān)鍵詞統(tǒng)計(jì)法，在對電影歌詞進(jìn)行文本分析的基礎(chǔ)之上，對關(guān)鍵詞出現(xiàn)頻率進(jìn)行統(tǒng)計(jì)。
[Abstract]:The movie song is usually regarded as an important part of the movie, the movie is the icing on the cake ornament. Excellent movie songs as the movie broadcast, will spread widely in the movie audience, become popular songs. In the new Chinese prior to the establishment of "left" in the movie the emergence of a number of songs such as "the horizon for having heard it many times. AlMe >, < > < graduation song, fishing song > and we are now in the National Anthem" March of the volunteers "and many other responses to all sectors of society people's life attitudes of the film songs. Not until 1949 China after the establishment of the Party Central Committee will film publicity as an important aspect of its propaganda, the movie rights from before the founding of the private ownership be entirely of public ownership, the art film in the film gradually weakened, and the propaganda function more obviously displayed. For example the 1958 movie and lyrics are the slogan series In the lyrics, the "great leap forward" and "the people's commune" were propagandize.
After the founding of People's Republic of China in 1949, when the National People's core value concept is the name of the song's selfless heroism and collectivism. Therefore, when the film completely conform to the political theme at the time, it is revolutionary and labor. Lenin said that the film is the most important of all the arts. We believe that, after the founding of the new period (1949-1979) this thirty years, China film not only in its artistic value, but also in its dissemination of ideology. Although the film researchers tend to bear in the film and entertainment mission, but from the film development history, when the film is more to shoulder the mission of media propaganda. From the World War II Nazi leader Hitler for the film publicity attention can be seen on the film in the propaganda arm of the leader. From the development of "seventeen years" movie history The process can be seen in the movies at that time become completely for the construction of new China banner publicity tool. And Mao Zedong came from the literature belongs to the political line in literature, which makes the movie completely into a promotional tool, main functions of film into preaching and publicity. The mass media as the film has more right to speak, in the the relatively closed environment, in the form of education to build public communication network, the masses of the people established the mass culture ingrained, the cohesion of the Chinese nation powerful force, to overcome the difficulties encountered in the construction of new country in the process. While the film lyrics became part of the movie publicity publicity, will the subtle propaganda content accompanied by music is transmitted to the audience's mind.
Ten years of the "Cultural Revolution" period, as the development of cultural communication films suffered a serious setback. Controlled by Jiang Qing's "the Central Cultural Revolution Group" to control the field of culture is very strict, but most of the "Cultural Revolution" pre production work by Jiang Qing et al. Every kind of "counter revolutionary hat" banned, at the same time, Jiang Qing et al. In the period of "Cultural Revolution" in literary creation "three prominent" principle, vigorously develop the model Beijing opera film, "a true portrayal of eight hundred million people in the eight stage is the period of" Cultural Revolution "film industry." in play "also known as" Modern Peking Opera ", which has lyrics and dialogue, and all the contents in the lyrics of political tendencies are very strong, propaganda and personal worship of Mao's love everywhere. During the cultural revolution, the real movie works until 1972 and returned to the theater, But the propaganda content of the lyrics of the movie song did not get rid of the simple slogan mode of the "Cultural Revolution" period.
It was not until the end of the "Cultural Revolution" that the film career gradually began to get rid of the political bondage and become a real artistic film.
This paper is mainly divided into six parts. The first part gives a brief account of the film, publicity, lyrics characteristics, concept and connotation of defining the research object, the development of a brief account of the China film industry before the founding of the PRC, is the basis for the following. The second part is the analysis of film songs rheological Socialist propaganda content during the transition period of time from 1949 to 1956 is defined as the completion of socialist transformation. The third part describes the rheological socialist twists explore ten years of film songs promotional content, before the time is defined as the socialist transformation completed in 1957 to 1966 the outbreak of the great proletarian Cultural Revolution. This historical stage of our party's ruling due to lack of experience, quite a few detours on the road of socialist construction, political the situation is complicated, the change of propaganda film songs in the rich more. The fourth part is the "Cultural Revolution" period. Rheological film songs content, time is defined as the Cultural Revolution broke out in 1967 1976 to the end of the cultural revolution in ten years. Although the period of "Cultural Revolution" model opera film by film and film the story of the revolution of two parts, but the publicity content both in the direction of the film songs are roughly consistent. The fifth part briefly discusses the end of the "Cultural Revolution" after the new period (1977 -1979) changes in the three years of the propaganda film in the lyrics. The sixth part is the conclusion. This research method used for text analysis and keyword statistics, based on the text analysis on the film of the lyrics, keywords frequency statistics.

【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J617.6

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