本文關鍵詞：影像傳播中的代際沖突研究　出處：《湖南師范大學》2014年碩士論文　論文類型：學位論文

  更多相關文章： 影像傳播 代際沖突 文本 意識形態(tài) 受眾

【摘要】：在社會學中,兩代人因思維方式和行為方式差異而結成的矛盾關系被稱之為“代溝”或“代際沖突”,它是社會變遷中的一種實際存在,也是現(xiàn)實生活中的一種常態(tài)。近年來,我們不難發(fā)現(xiàn),在熒幕上頻頻出現(xiàn)的各種類型的影像中,這一話題已成為其間情節(jié)發(fā)展的主線。換言之,現(xiàn)實世界那些關于家長里短的矛盾,關于不同代際人的碰撞和沖突已演繹成更深沉的影像表達。 代際沖突是代際關系的一種表現(xiàn)形式,在各個歷史時代、各種社會形態(tài)中都客觀存在。從社會學層面來看,這些差異主要源于兩代人社會化速度的差異,以及兩代人參與各項社會活動所備條件的不同。因而它不僅是一個年齡問題,更是一種社會問題和文化問題。隨著社會的變遷,代際沖突日益為人們所重視,而將其作為敘事主題的影像作品也日益增多。不論是早年的情景喜劇《家有兒女》,還是近幾年熱播的《我的青春誰做主》、《北京青年》、《媳婦的美好宣言》與《小爸爸》等,都是影像與代際沖突相結合的文本典型。不過,由于語境的不同,代際沖突在影像中也呈現(xiàn)出不同的特征。 從傳播學視閡出發(fā),代際沖突作為一種影像文本,還可以被歸結為父子(女)沖突、母子(女)沖突、婆媳沖突與祖孫沖突等主要類型。通過文本結構的設置、情節(jié)沖突的安排、人物形象的建構,這些影像講述了一個又一個家庭故事,同時也傳達出獨特的文化內涵和現(xiàn)實意義。具體而言,其背后的意識形態(tài)訴求主要包括：弘揚行孝意識、強化女性地位,以及表現(xiàn)地域文化的差異和城鄉(xiāng)關系的失衡。 基于筆者的問卷調查,可以發(fā)現(xiàn),該類影像大多都能迅速吸引受眾眼球,因其能在不同程度上滿足受眾的認同心理、窺視心理和娛樂心理。而從霍爾的編碼／解碼理論來看,由于“自身的文化框架”各不相同,受眾會選擇以不同的立場來對這些影像進行解碼,其中主要存在傾向式解讀、協(xié)商式解讀與對抗式解讀等三種模式。而無論受眾如何解碼,值得注意的是,越來越多的影像開始呈現(xiàn)出娛樂化和妖魔化等弊病,其“扎堆”現(xiàn)象也帶來了受眾的審美疲勞和對家庭關系的焦慮與恐慌等負面影響。 鑒于此,我們對影像中的代際沖突現(xiàn)象進行學理層面的反思就成為必然且必須的事情。湖南衛(wèi)視去年熱播的《爸爸去哪兒》(第一季)就能夠給我們提供一定的啟示：代際沖突不一定要拿來渲染或放大,將更多的鏡頭置于代際間的溝通、交流和關愛,或許,更能夠有效促進代際和諧,以及一個家庭乃至整個社會的和諧。與之同時,我們還應該對代際沖突母題進行一定的繼承、揉和與創(chuàng)新。隨著丁克、少子、單親、老齡化等家庭模式的日趨增多,可以預見的是,越來越多的“婚戀劇”、“育兒劇”與“親子劇”等將應運而生,以滿足日新月異的市場需求。
[Abstract]:In sociology, the contradiction between two generations because of differences in ways of thinking and behavior and form known as the "generation gap" or "intergenerational conflict", it is a kind of social change in the actual existence of a norm is in real life. In recent years, we find that frequently appear in the on the screen of the various types of images, this topic has become the main line of the development of the plot. In other words, the real world of small household affairs contradiction, collision and conflict of different generations people have deeper into the interpretation of image expression.
Intergenerational conflict is a form of intergenerational relationships, in every historical era, various forms of society are objective existence. From the sociological perspective, these differences mainly due to differences in social rate of two generations, and two generations of people to participate in various social activities conditions prepared. So it is not only a age, is also a kind of social and cultural problems. With the change of society, intergenerational conflict is increasingly valued by people, and as the narrative theme of video works are increasing. Whether the early sitcom home with kids or < >, in recent years the hit "my youth who call the shots. < < >, Beijing youth, beautiful daughter declaration" and "small daddy >, is the text image and the combination of typical intergenerational conflict. However, due to the different context, intergenerational conflict in the images also show different characteristics.
From the perspective of communication science as the threshold, intergenerational conflict as a kind of image text, can also be attributed to the parent-child conflict, mother (female) (female) conflict, the main types of law conflict and conflict. And through text structure setting, plot conflicts arrangement, construction characters, these images also tells the story of a a family story, but also convey a unique cultural connotation and realistic significance. In particular, the ideology behind mainly includes: carry forward the filial piety consciousness, strengthen the status of women, as well as the unbalanced geographical and cultural differences and the relationship between urban and rural areas.
Based on the questionnaire survey, the author can be found, the image mostly can quickly attract audience attention, because it can satisfy the audience's psychological identity in different degrees, and peep psychology entertainment psychology. From Holzer's encoding / decoding theory, because of their own cultural frame "is different, the audience will pick in a different position to decode these images, which are mainly tendency interpretation, deliberative interpretation and adversarial interpretation of three models. And no matter how the audience decoding, it is worth noting that, more and more image began to show entertainment and demonize the ills of the" get together "phenomenon also bring the audience fatigued and the relation between family members anxiety and panic and other negative effects.
In view of this, has become an inevitable and necessary thing for our image in phenomenological reflection theory of intergenerational conflict. Hunan TV last year hit Daddy where < > (first quarter) can provide some inspiration for us: intergenerational conflict does not necessarily bring or rendering, will be more in the lens intergenerational communication, communication and love, perhaps, can more effectively promote the intergenerational harmony, as well as a family and the harmony of the whole society. At the same time, we should also perform some of the inheritance of intergenerational conflict motif, kneading and innovation. With the single Dink, fewer children, and aging of the family is increased, it is foreseeable that more and more "romantic drama", "parenting drama" and "family drama" will come into being, in order to meet the market demand change rapidly.

【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905;G206

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