【摘要】：本文從文學(xué)期刊的角度切入,以先鋒文學(xué)潮流為中心,對八十年代中期以來小說創(chuàng)作中先鋒精神的發(fā)展脈絡(luò)進(jìn)行重新梳理。綜觀八十年代文學(xué)的總體狀況,呈現(xiàn)出鮮明的潮流化特征,然而文學(xué)的發(fā)展未必如文學(xué)史所書的那么單純明了。本文既通過文學(xué)期刊這一特殊棱鏡,立體地折射出先鋒文學(xué)的歷時變遷與共時結(jié)構(gòu),又從先鋒文學(xué)反觀文學(xué)期刊自身的生存境域,為當(dāng)前文學(xué)期刊的發(fā)展提供些許借鑒。本文對文學(xué)期刊與先鋒文學(xué)的深層互動的透視,旨在揭示先鋒文學(xué)生成、發(fā)展、渙散過程中的多樣性與復(fù)雜性,彰顯一些被文學(xué)批評和文學(xué)史敘述所遮蔽與誤讀的文學(xué)真相,進(jìn)而雙向地反思先鋒文學(xué)與文學(xué)期刊在新時期文學(xué)發(fā)展史上的地位、作用與局限性。 引言:“先鋒”的遷徙。引言部分闡述了論文選題的意義、研究現(xiàn)狀,并對“先鋒”、“先鋒精神”、“先鋒文學(xué)”等核心概念的理論來源和歷史演變,進(jìn)行了必要的辨析與廓清。本文的主要目標(biāo)為:針對當(dāng)前文學(xué)史對于“先鋒文學(xué)”的約定俗成的表述,論文通過對作為先鋒文學(xué)主要陣地的文學(xué)期刊的分析,考察先鋒文學(xué)的審美演變與傳播接受狀況相互依存、相互牽制的動態(tài)進(jìn)程,打通文學(xué)的內(nèi)外分界,雙線并行地透視八十年代中期以來的社會形態(tài)、文化格局、讀者趣味、文學(xué)風(fēng)尚等因素對于文學(xué)創(chuàng)作與文學(xué)期刊的滲透、改塑機(jī)制。 第一章:潛行與崛起。在先鋒文學(xué)的發(fā)展過程當(dāng)中,刊載先鋒小說的文學(xué)期刊種類,隨著時間的推移而出現(xiàn)了一些微妙的變化。先鋒作家的成長軌跡總體上呈現(xiàn)出從邊緣走向中心的態(tài)勢,從居住地的地方刊物走向《收獲》、《人民文學(xué)》等中心刊物,從相互游離的游擊狀態(tài)走向相互呼應(yīng)的群體展示,這是先鋒文學(xué)在文學(xué)期刊史上留下的腳印。本章著重探討邊緣刊物和中心刊物在先鋒文學(xué)潮流發(fā)生與壯大過程中各自的角色與作用,各自的優(yōu)勢與劣勢,勾勒出先鋒文學(xué)從潛滋暗長到錦衣夜行的發(fā)展軌跡,并追問其深層的文化根源。先鋒文學(xué)從醞釀到崛起的過程,也正是新時期文學(xué)期刊從缺乏個性的合唱狀態(tài)逐漸走向分化的過程。 第二章:后撤或逃亡。先鋒文學(xué)在進(jìn)入九十年代之后,其形式探索的意味逐漸淡化,整體上轉(zhuǎn)向?qū)v史題材的重新開掘,大都傾向于顛覆原有主流歷史觀念和官史文本意旨,在“正史”的背景下書寫個人或家族命運。這種“新歷史小說”風(fēng)格的寫作,在某種意義上是“先鋒小說”與“新寫實小說”雜交的結(jié)果。先鋒作家群體性地轉(zhuǎn)向?qū)憣嶏L(fēng)格,與當(dāng)時的文化語境密切相關(guān)。意識形態(tài)的調(diào)整、經(jīng)濟(jì)轉(zhuǎn)型帶來的文學(xué)生存危機(jī)、消費文化尤其是影視文化對文學(xué)發(fā)展的擠壓,多重
[Abstract]:From the angle of literary periodicals, this paper reorganizes the development of vanguard spirit in novel creation since the middle of 1980's, with the vanguard literary trend as the center. Looking at the general situation of literature in 1980's, it shows a distinct trend, but the development of literature is not as simple and clear as that in literary history. This paper not only reflects the diachronic change and synchronic structure of pioneer literature through the special prism of literary periodical, but also looks at the existence domain of literary periodical from the perspective of vanguard literature, and provides some reference for the development of current literary periodical. The purpose of this paper is to reveal the diversity and complexity in the process of the generation, development and laxity of literary journals and vanguard literature, and to reveal some literary facts that are obscured and misread by literary criticism and narration of literary history. And then it reflects on the position, function and limitation of vanguard literature and literary periodical in the history of literature development in the new period. Introduction: the Migration of Pioneer. In the foreword part, the significance and research status of the thesis are expounded, and the theoretical origin and historical evolution of the core concepts of "pioneer", "pioneer spirit" and "pioneer literature" are analyzed and clarified. The main purpose of this paper is to analyze the literature periodicals, which are the main position of the pioneer literature, in view of the common expression of the avant-garde literature in the current literary history. This paper examines the dynamic process of the aesthetic evolution and communication acceptance of pioneer literature, which depends on each other and restricts each other, opens up the internal and external boundaries of literature, and sees through the social formation, cultural pattern and reader's interest since the middle of the eighties. Literary fashion and other factors to literary creation and literary periodical infiltration, change the mechanism. Chapter one: stealth and rise. In the course of the development of pioneer literature, there have been some subtle changes with the passage of time. On the whole, the growth track of vanguard writers shows the trend of moving from the edge to the center, from the local publication in the place of residence to the central publication such as "Harvest", "people's Literature", and from the free guerrilla state to the group display that echoes each other. This is the footprints left by pioneer literature in the history of literary periodicals. This chapter focuses on the role and role of marginal publications and central publications in the process of the emergence and expansion of the vanguard literary trend, their respective strengths and weaknesses, and outlines the development track of the vanguard literature from the hidden dark to the brocade night. And to ask its deep cultural roots. The process of vanguard literature from brewing to rising is also the process of literary periodicals in the new period from the lack of personality to the gradual differentiation of chorus state. Chapter two: retreat or escape. After entering the nineties, the avant-garde literature gradually desalinated the meaning of its form exploration, and as a whole turned to the re-excavation of historical themes, mostly tending to subvert the original mainstream historical concepts and the intention of official history texts. Under the background of "official History", the book writes about the fate of individuals or families. In a sense, this writing style of "new historical novel" is the result of the hybrid of "avant-garde novel" and "new realistic novel". The avant-garde writers turned to realistic style in groups, which was closely related to the cultural context at that time. The adjustment of ideology, the crisis of literature existence brought about by economic transformation, and the squeeze of consumer culture, especially film and television culture, on the development of literature
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2005
【分類號】：I207.42

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 唐麗君;《中國》研究[D];四川師范大學(xué);2010年

2 侯欣羽;以文學(xué)的方式介入現(xiàn)場：《當(dāng)代作家評論》研究[D];沈陽師范大學(xué);2012年

3 王松鋒;“通俗”的意義與限度[D];河南大學(xué);2012年

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本文編號：2146186