本文關(guān)鍵詞： 非語言交際 日本人 “物品表現(xiàn)” 服裝　出處：《寧波大學(xué)》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：在國際經(jīng)濟(jì)一體化環(huán)境下,想要成功地進(jìn)行交流,掌握各色各樣的非語言交際方面的知識和能力顯得尤為重要。中國和日本雖然是一衣帶水的鄰國,但是中日文化差異卻很大�？缥幕g的文化差異對于兩國間非語言交際的影響甚大。所以本論文研究“日本人的非語言交際”,目的是為中日兩國間更加和諧、順利地交流獻(xiàn)上微薄之力。 本文試圖通過“服裝表現(xiàn)”來探討日本人非語言交際的“物品表現(xiàn)”。本論文在前人研究的基礎(chǔ)上界定了“非語言交際”中“物品表現(xiàn)”的定義和內(nèi)涵,闡述了影響“物品表現(xiàn)”的因素,諸如民族文化、時代變遷、個人選擇等因素。本論文還研究了日本人服裝與穿著者個性和身份的關(guān)系。個人選擇服裝受到所處時代和社會的影響,它不僅表現(xiàn)出一個人的喜好、教養(yǎng)、思維方式,還在很大程度上反映了他的身份和地位。本論文介紹了日本人在節(jié)慶活動時的“服裝表現(xiàn)”,分析了日本人的婚禮服、喪服、和服家紋以及制服的非語言功能,認(rèn)為日式婚禮服“白無垢”、日式新娘頭紗和洋裝婚紗以及遺族們的喪服、喪葬儀式中遺體的裝束及其他人生禮儀中所穿的服裝等都有著獨(dú)特的象征意義和豐富的文化內(nèi)涵,具有身份識別的功能。本論文認(rèn)為家紋原本代表著一個人的家系、血統(tǒng)、門第和地位,隨著時代的發(fā)展,家紋又衍生出了�；�、公司徽章、集團(tuán)徽標(biāo)等新生事物,成為社會集團(tuán)的象征。制服更像是一個社會符號,它穿在身上成為一種身份的證明,同時也帶來了惡意利用該功能的犯罪行為。 “物品表現(xiàn)”反映了日本人的文化心理,從中可以看出日本人是一個曖昧的民族,他們習(xí)慣于“以心傳心”的交流方式,能體諒別人;他們樂于接受外來文化,但又表現(xiàn)出獨(dú)特的折中主義;傳統(tǒng)的集團(tuán)意識和等級觀念依舊根深蒂固;日本人熱愛自然,在日常生活中追求一種“自然和諧”的美感。
[Abstract]:In the context of international economic integration, it is particularly important to master various kinds of knowledge and abilities in non-verbal communication in order to successfully communicate. China and Japan are neighbors in a narrow strip of water. However, the cultural differences between China and Japan are very big. The intercultural differences have a great impact on the non-verbal communication between the two countries. Therefore, the purpose of this thesis is to study "the non-verbal communication of the Japanese" in order to make the two countries more harmonious. A smooth exchange makes a modest contribution. This paper attempts to explore the "performance of objects" in Japanese non-verbal communication through "costume performance". This paper defines the definition and connotation of "performance of goods" in "non-verbal communication" on the basis of previous studies. This paper expounds the factors that influence the expression of "goods", such as national culture, and the changes of times. This paper also studies the relationship between Japanese clothing and the personality and identity of the wearer. The personal choice of clothing is influenced by the age and society. It not only shows a person's preference and upbringing. The way of thinking, to a large extent, also reflects his identity and status. This paper introduces the Japanese "costume performance" during the festival activities, analyzes the Japanese wedding clothes, mourning clothes. Kimono lines and the non-verbal features of uniforms, considered Japanese wedding clothes "white no dirt", Japanese bridal yarn and dress wedding dress and bereavement of the bereavement. The costumes of the remains and other life rituals have unique symbolic significance and rich cultural connotations. With the function of identification. This paper believes that the original family lines on behalf of a person's family, lineage, family and status, with the development of the times, the school logo, the company badge derived. Group logo and other new things become the symbol of social group. Uniform is more like a social symbol, it is worn on the body to become a proof of identity, but also brought malicious use of the function of criminal behavior. "the performance of objects" reflects the cultural psychology of the Japanese, from which we can see that the Japanese are an ambiguous people, they are used to the "heart to heart" way of communication, can understand others; They are willing to accept foreign culture, but also show a unique eclecticism; The traditional sense of group and hierarchy is still deep-rooted; Japanese love nature and pursue a natural harmony in their daily life.
【學(xué)位授予單位】：寧波大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：H36

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本文編號：1490665