【摘要】：作為使命驅(qū)動(dòng)型組織,博物館在時(shí)間和空間維度上集中展示地方意識(shí),它是更注重精神層面需求的文化旅游者的必訪地。文化旅游者的博物館旅游體驗(yàn)質(zhì)量在很大程度上取決于其先驗(yàn)性場(chǎng)所——生活世界。若把文化旅游者的旅游活動(dòng)和體驗(yàn)比喻為一棵正在茁壯成長(zhǎng)的參天大樹(shù),其"生活世界"正是深埋于大地的強(qiáng)壯根莖,大樹(shù)枝葉向遠(yuǎn)處的每一寸伸展都依賴(lài)于根莖的充足滋養(yǎng)。因此,本文以"生活世界"在旅游世界的延伸意義為基點(diǎn),構(gòu)建"博物館凝視"和"反凝視"概念,旨在說(shuō)明"生活世界"在旅游者認(rèn)知和理解博物館文化事物和獲得良好博物館體驗(yàn)層面的先驗(yàn)性影響。
[Abstract]:As a mission-driven organization, the museum focuses on displaying local consciousness in the dimension of time and space, which is a necessary place for cultural tourists who pay more attention to spiritual needs. The quality of museum tourism experience of cultural tourists depends to a great extent on its transcendental place-living world. If the tourism activities and experiences of cultural tourists are compared to that of a towering tree that is thriving, its "life world" is just a strong rhizome buried deep in the earth, and every inch of its branches and leaves extending to the distance depends on the sufficient nourishment of the rhizome. Therefore, based on the extended meaning of "life world" in the tourist world, this paper constructs the concepts of "museum gaze" and "anti-gaze". The purpose of this paper is to illustrate the transcendental influence of "living World" on tourists' cognition and understanding of museum culture and good museum experience.
【作者單位】： 云南大學(xué);
【分類(lèi)號(hào)】：G260
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本文編號(hào)：2175788