本文選題：晚明 + 版刻　； 參考：《中國典籍與文化》2017年03期

【摘要】：作為興起于晚明時(shí)期的一種新型出版物,詩詞畫譜既融通了文學(xué)與繪畫兩個(gè)藝術(shù)門類,又集中呈現(xiàn)了晚明徽州書坊的刊刻技藝與審美取向。晚明詩詞畫譜的繁榮,以《詩馀畫譜》為發(fā)端。本文以《詩馀畫譜》為中心,考察以《詩馀畫譜》為代表的詩詞畫譜在版式設(shè)計(jì)、出版意圖、刊刻工藝等多個(gè)方面的創(chuàng)新,重點(diǎn)探討其版刻圖像與書法的"臨仿"手段,以此窺見晚明徽州版刻的審美風(fēng)尚與文化趣味。
[Abstract]:As a new publication rising in the late Ming Dynasty, the poetry and painting spectrum not only combines literature and painting, but also presents the art and aesthetic orientation of the Huizhou calligraphy Workshop in the late Ming Dynasty. The prosperity of poetry and painting in late Ming Dynasty began with Poems and paintings. This paper focuses on "Poems and paintings", investigates the innovations in typographic design, publishing intention, printing process and so on, and probes into the "imitating" means of its printing images and calligraphy. In this way, we can see the aesthetic style and cultural interest of the Huizhou edition in the late Ming Dynasty.
【作者單位】： 北京大學(xué)中文系;
【分類號(hào)】：G256
，

本文編號(hào)：1786119