發(fā)布時(shí)間：2018-01-22 08:49

  本文關(guān)鍵詞： 中國(guó) 博物館 博物館學(xué) 陳列設(shè)計(jì) 思想　出處：《復(fù)旦大學(xué)》2013年博士論文　論文類型：學(xué)位論文

【摘要】：陳列設(shè)計(jì)包括陳列內(nèi)容設(shè)計(jì)和陳列形式設(shè)計(jì)。陳列設(shè)計(jì)的思想主要來自博物館陳列工作實(shí)踐與設(shè)計(jì)師的創(chuàng)造性思維,是對(duì)陳列本質(zhì)、現(xiàn)象、實(shí)踐的系統(tǒng)性思考,包括陳列設(shè)計(jì)規(guī)劃、設(shè)計(jì)手段與方法、設(shè)計(jì)用材、設(shè)計(jì)風(fēng)格、設(shè)計(jì)評(píng)估、設(shè)計(jì)管理等內(nèi)容。 本文的主要內(nèi)容與研究結(jié)論：(1)探討了近代中國(guó)博物館陳列設(shè)計(jì)思想的發(fā)展,認(rèn)為這一時(shí)期總體上并未形成系統(tǒng)的陳列設(shè)計(jì)理念；(2)探討了建國(guó)初期我國(guó)博物館陳列設(shè)計(jì)思想的發(fā)展,認(rèn)為這一時(shí)期主要向蘇聯(lián)學(xué)習(xí),陳列設(shè)計(jì)思想帶有較強(qiáng)的政治屬性；(3)探討了改革開放后我國(guó)博物館陳列設(shè)計(jì)思想的發(fā)展,認(rèn)為這一時(shí)期雖然博物館陳列設(shè)計(jì)全面革新,但相關(guān)理論研究總體上仍顯不足；(4)探討了新世紀(jì)以來我國(guó)博物館陳列設(shè)計(jì)思想的發(fā)展,認(rèn)為這一時(shí)期陳列設(shè)計(jì)獲得較大發(fā)展,在實(shí)踐中需要引入科學(xué)的評(píng)估程序；(5)總體結(jié)論上指出中國(guó)博物館陳列設(shè)計(jì)思想呈進(jìn)階式發(fā)展,在發(fā)展的過程中各種外部影響因素偏強(qiáng),而內(nèi)生驅(qū)動(dòng)較弱。 本文最后對(duì)我國(guó)博物館陳列設(shè)計(jì)思想的發(fā)展提出若干對(duì)策建議與展望：(1)加強(qiáng)博物館陳列設(shè)計(jì)師的文博素養(yǎng)；(2)規(guī)范好博物館陳列深化設(shè)計(jì)環(huán)節(jié)；(3)管理好陳列設(shè)計(jì)工程招投標(biāo)；(4)建立“陳列設(shè)計(jì)學(xué)”專業(yè)門類；(5)探求中國(guó)特色、地方特色與個(gè)性特色的博物館陳列設(shè)計(jì)。
[Abstract]:Display design includes display content design and display form design. The idea of display design mainly comes from museum display work practice and designer's creative thinking. It is a systematic thinking about the essence, phenomenon and practice of display. Including display design planning, design means and methods, design materials, design style, design evaluation, design management and so on. The main content and research conclusion of this paper discusses the development of the modern Chinese museum display design thought, and thinks that there is no systematic display design idea in this period; This paper discusses the development of museum display design in the early days of the founding of the people's Republic of China, and thinks that during this period, the museum display design thought mainly learned from the Soviet Union, and the display design thought had a strong political attribute. This paper discusses the development of museum display design in China after the reform and opening up, and thinks that although the museum display design has been innovated in an all-round way during this period, the related theoretical research is still insufficient in general. This paper discusses the development of museum display design in our country since the new century, and holds that the display design in this period has been greatly developed, and the scientific evaluation procedure should be introduced in practice. 5) it is pointed out that the idea of exhibition design of Chinese museums develops in an advanced way. In the process of development, various external factors are strong, but the endogenous drive is weak. Finally, this paper puts forward some suggestions and suggestions on the development of museum display design thought in China. (1) strengthening the cultural literacy of museum display designers; 2) standardizing and deepening the design of museum display; 3) to manage the bidding of display design project; (4) establishing the professional category of "display design"; Explore the museum display design with Chinese, local and individual characteristics.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2013
【分類號(hào)】：G265

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