本文選題：明代 + 歲時(shí)節(jié)日服飾��； 參考：《江南大學(xué)》2017年碩士論文

【摘要】：我國歲時(shí)節(jié)日歷史悠久,自漢代起就出現(xiàn)了完整的歲時(shí)節(jié)日體系,至今仍然通用。歲時(shí)節(jié)日的表現(xiàn)形式豐富多樣,在衣食住行上均有體現(xiàn)。其中以服飾來象征節(jié)令轉(zhuǎn)換或表達(dá)歲時(shí)節(jié)日內(nèi)涵更是由來已久。到了明代,出現(xiàn)了歲時(shí)節(jié)日應(yīng)景紋樣,隨著節(jié)序框架更換相應(yīng)的圖案以應(yīng)節(jié)景,運(yùn)用在服裝和配飾上。明代歲時(shí)節(jié)日服飾應(yīng)景紋樣是我國歲時(shí)節(jié)日文化中的特殊符號,代表了明代豐富精彩的節(jié)俗生活,是明人對傳統(tǒng)節(jié)日文化的繼承與創(chuàng)新。明代歲時(shí)節(jié)日服飾應(yīng)景紋樣依據(jù)節(jié)日期間的節(jié)俗活動(dòng)、神話故事、物品象征等元素創(chuàng)造而來,按照節(jié)序轉(zhuǎn)換服飾,以應(yīng)節(jié)景。應(yīng)景紋樣在題材選擇、圖案構(gòu)成、顏色搭配、工藝特征方面都極具特色,具有極強(qiáng)的審美藝術(shù)特征,蘊(yùn)含著深厚的文化內(nèi)涵,映射出明代的政治、經(jīng)濟(jì)、文化、科技、制度等多方面時(shí)代因素。本文以歲時(shí)節(jié)日歷史文化為理論基礎(chǔ),以明代歲時(shí)節(jié)日服飾應(yīng)景紋樣為主題,結(jié)合文獻(xiàn)資料、畫像等史料,以及出土服飾、面料、繡片等文物佐證,構(gòu)建歲時(shí)節(jié)日服飾應(yīng)景紋樣的時(shí)序框架與運(yùn)用方式。在此基礎(chǔ)上將應(yīng)景紋樣分類,剖析其淵源形制,進(jìn)而總結(jié)分析其藝術(shù)特征,完成課題的形制分析。結(jié)合明代的時(shí)代特征以及應(yīng)景紋樣的藝術(shù)特征,分析應(yīng)景紋樣的文化意蘊(yùn)和影響因素,完成課題的意蘊(yùn)研究。結(jié)合藝術(shù)特征和文化意蘊(yùn),將課題應(yīng)用于童裝設(shè)計(jì)中。首先,結(jié)合相關(guān)的歷史學(xué)、民俗學(xué)、藝術(shù)學(xué)等學(xué)科領(lǐng)域的知識,對應(yīng)景紋樣包含的歲時(shí)節(jié)日歷史淵源、文化內(nèi)涵進(jìn)行初步探索和總結(jié),完成課題的基本概念了解。根據(jù)文獻(xiàn)資料和出土文物對應(yīng)景紋樣的形制內(nèi)容、運(yùn)用方式進(jìn)行梳理,從而將應(yīng)景紋樣進(jìn)行合理分類,剖析其藝術(shù)特征,為設(shè)計(jì)應(yīng)用奠定基礎(chǔ)。其次,參考明代政治、經(jīng)濟(jì)、文化、科技等各方面史籍資料以及明代世情小說,將歲時(shí)節(jié)日服飾應(yīng)景紋樣放在社會(huì)大環(huán)境中考量,從各個(gè)方面剖析其文化意蘊(yùn)以及影響因素。最后,綜合前期對明代歲時(shí)節(jié)日服飾應(yīng)景紋樣的藝術(shù)特征總結(jié)以及內(nèi)涵分析,考察童裝市場,依據(jù)中式風(fēng)格童裝的設(shè)計(jì)方式,結(jié)合流行趨勢,將明代歲時(shí)節(jié)日服飾應(yīng)景紋樣應(yīng)用在童裝上,以期弘揚(yáng)我國傳統(tǒng)歲時(shí)節(jié)日文化,打造出兼具情感功能與審美內(nèi)涵的節(jié)日童裝。
[Abstract]:The festival has a long history in China. Since the Han Dynasty, there has been a complete festival system, which is still in common use. The expression forms of the festival are rich and varied, and are reflected on food, clothing, housing and travel. Among them, clothing to symbolize seasonal conversion or express the meaning of the festival is a long time ago. In the Ming Dynasty, the festival scene pattern appeared at the age, and the corresponding pattern was replaced with the festival sequence frame, which was used in the clothing and accessories. The pattern of festival dress in Ming Dynasty is a special symbol in the festival culture of our country. It represents the rich and splendid festival custom life of Ming Dynasty, and it is the inheritance and innovation of the traditional festival culture of Ming people. In Ming Dynasty, the pattern of holiday dress was created according to the festival activities, mythical stories, articles symbol and so on. According to the festival order, the dress was transformed to the festival scene. The scene pattern has its own characteristics in subject selection, pattern composition, collocation of colors, and technological features. It has a strong aesthetic artistic feature and contains profound cultural connotations, reflecting the political, economic, cultural, scientific and technological aspects of the Ming Dynasty. System and other factors of the times. Based on the theory of festival history and culture, the theme of this paper is the pattern of festival dress in Ming Dynasty, the historical materials such as documents, portraits, and cultural relics such as unearthed clothes, fabrics, embroidered pieces, etc. Construct the timing frame and application mode of holiday dress pattern. On this basis, it classifies the scene pattern, analyzes its origin form, then summarizes and analyzes its artistic characteristics, and completes the form analysis of the subject. Based on the characteristics of the Ming Dynasty and the artistic features of the scene pattern, the cultural implication and the influencing factors of the scene pattern are analyzed, and the research on the implication of the subject is completed. Combined with artistic features and cultural implications, the subject is applied to children's clothing design. First of all, combined with the relevant knowledge of history, folklore, art and other disciplines, corresponding to the scene pattern contains the historical origin of the festival, cultural connotation of the preliminary exploration and summary, complete the basic concept of the subject understanding. According to the literature data and unearthed cultural relics, the form content of the scene pattern is combed out, and then the scene pattern is reasonably classified and its artistic characteristics are analyzed, which lays a foundation for the design and application. Secondly, referring to the Ming Dynasty politics, economy, culture, science and technology and other historical books, as well as the novels of the world of the Ming Dynasty, this paper analyzes the cultural implication and the influencing factors of the holiday dress pattern in the social environment. Finally, synthesizes the early stage to the Ming Dynasty festival clothing scene pattern artistic characteristic summary as well as the connotation analysis, inspects the children's clothing market, according to the Chinese style children's clothing design way, unifies the popular tendency, In order to carry forward the traditional festival culture of our country and create the children's clothing with emotional function and aesthetic connotation, this paper applies the pattern of festival dress in Ming Dynasty to children's clothing.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J523.5

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本文編號：1954515