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水族紡織歌謠研究

發(fā)布時間:2018-05-01 07:18

  本文選題:水族紡織歌謠敘事主題 + 藝術(shù)特色; 參考:《貴州民族大學(xué)》2017年碩士論文


【摘要】:水族歌謠是水族民間文學(xué)最重要的組成部分。本文以貴州省水族紡織歌謠為研究對象,于不同水族地區(qū)搜集紡織歌謠中擇取最具典型性且內(nèi)容較完整的水族紡織歌謠進行整理、記音和翻譯,并結(jié)合紡織歌謠田野調(diào)查資料來展開研究。當下,水族紡織歌謠仍以活態(tài)的口耳相傳的方式傳承,只有當歌手演唱時,歌謠中古代水族婦女紡織勞動的畫面才能活現(xiàn)于聽眾眼前。文章主要從紡織歌謠翻譯文本,分析和研究歌謠的敘事主題、押韻特點、句式特點和價值,并結(jié)合田野調(diào)查資料,分析紡織歌謠傳承現(xiàn)狀,并對歌謠的傳承與保護作幾點思考。通過分析,不同地區(qū)的水族紡織歌謠內(nèi)容大同小異,其敘事主題是棉紡勞動、紡紗織布、浸染裁衣和紡織工具制作;紡織歌謠韻式主要有句首韻、句中韻、首尾韻、腰韻、腳韻(尾韻)五種,其中腰韻出現(xiàn)的頻率最高;紡織歌謠句式優(yōu)美,以七言三四式為主,兼有四言句和五言句。此外,紡織歌謠具有民俗價值,文化價值和史學(xué)價值;谒寮徔椄柚{田野調(diào)查材料,文章最后一部分主要對水族紡織歌謠的傳承現(xiàn)狀作分析。通過傳承分析,當下水族紡織歌謠的傳承令人堪憂,其主要是紡織歌謠的生境發(fā)生變化,部分歌手對紡織歌謠的理解不透和傳承主體單一等原因所致。我們都知道傳承是為了更好地保護,如何做到有效地將紡織歌謠在保護中更好地傳承,作者對紡織歌謠的傳承與保護作了幾點思考:一是保護和培養(yǎng)紡織歌謠演唱人才;二是多渠道地創(chuàng)造紡織歌謠的演唱環(huán)境;三是賦予紡織歌謠新的時代氣息。
[Abstract]:The songs of the Shui nationality are the most important part of the folk literature of the Shui nationality. In this paper, the author chooses the most typical and complete textile ballads collected from different aquarium areas to sort out, memorize and translate them, taking the aquatic textile ballads of Guizhou Province as the research object. And combined with the field investigation of textile ballads to carry out research. At present, the aquatic textile ballads are still passed down in a living way. Only when the singer sings, can the ancient water women's textile work in the ballad appear in front of the audience. This paper mainly analyzes and studies the narrative theme, rhyme characteristics, sentence structure and value of the ballad from the translation text of the textile ballad, and analyzes the present situation of the inheritance of the textile ballad, and makes some thoughts on the inheritance and protection of the ballad. According to the analysis, the content of the Shui nationality textile ballads in different regions is much the same, and its narrative themes are cotton spinning labor, spinning and weaving, dyeing and cutting clothes, and the making of textile tools; the textile ballad rhymes mainly have the rhyme of the first rhyme, the rhyme of the sentence, the rhyme of the final rhyme, the rhyme of the waist, and the rhyme of the waist. Foot rhyme (final rhyme) of which the highest frequency of waist rhyme; textile ballad sentence beautiful, mainly seven-character 34-type, both four-character sentence and five-character sentence. In addition, textile ballads have folklore value, cultural value and historical value. Based on the field investigation materials of Shui nationality textile ballads, the last part of the article mainly analyzes the present situation of the inheritance of Shui nationality textile ballads. Through the analysis of inheritance, the inheritance of textile ballads is worrying, which is mainly caused by the changes in the habitat of textile ballads, the lack of understanding of textile ballads by some singers and the single subject of inheritance. We all know that inheritance is for better protection, how to effectively protect the textile ballads in the better transmission, the author of the inheritance and protection of textile ballads made several thoughts: first, to protect and cultivate textile ballad singing talent; The second is to create the singing environment of textile ballads through many channels, and the third is to give textile ballads a new flavor of the times.
【學(xué)位授予單位】:貴州民族大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:I207.7

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