本文選題：花泣 + 演奏技巧　； 參考：《云南藝術(shù)學(xué)院》2017年碩士論文

【摘要】：本文是圍繞本人碩士音樂會中的演奏曲目《花泣》所展開的有關(guān)文化意蘊(yùn)探究和自身演奏經(jīng)驗分析的文章。文章以緒論的形式簡單介紹論文的課題來源、研究目的、研究現(xiàn)狀以及研究方法。文章將從三個大塊來分析笛曲《花泣》的藝術(shù)特點(diǎn)以及文化意蘊(yùn):第一塊首先從笛曲《花泣》的作者及取材介紹入手,充分說明《花泣》的靈感來源。第二塊將從樂曲結(jié)構(gòu)、演奏技巧和情感方面對笛曲《花泣》藝術(shù)特點(diǎn)進(jìn)行詳細(xì)的分析,意在對自己的演奏進(jìn)行總結(jié)與反思,從各方面提升自己二度創(chuàng)作的能力。第三塊作為論文的一個創(chuàng)新點(diǎn),將對樂曲的創(chuàng)作特點(diǎn)和文化意蘊(yùn)進(jìn)行淺析,意在提醒演奏者要挖掘笛曲的內(nèi)涵所在,并且結(jié)合自身理解運(yùn)用到二次創(chuàng)作中去,真正讓演奏動情動人,感人至深。
[Abstract]:This paper is about the analysis of the cultural implication and the analysis of my own performance experience.In the form of introduction, this paper briefly introduces the subject source, research purpose, research status and research methods.The article will analyze the artistic characteristics and cultural implication of "Flower Cry" from three big pieces: the first one begins with the author and material introduction of "Flower Cry", and fully explains the inspiration source of "Flower Cry".The second part will analyze the artistic characteristics of the flute from the aspects of music structure, performance skills and emotion, in order to sum up and reflect on his own performance, and improve his ability of second creation from all aspects.The third piece, as an innovation of the thesis, will analyze the creative characteristics and cultural implication of the music, in order to remind the players to dig out the meaning of the flute and apply it to the second creation in combination with their own understanding.Really make the performance moving and moving.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J632.11

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 潘訊;;徐麗仙與“麗調(diào)”藝術(shù)探析[J];蘇州教育學(xué)院學(xué)報;2014年04期

2 丁傳明;;淺析竹笛曲《花泣》[J];音樂大觀;2014年03期

3 王小麗;;“麗調(diào)”開篇《黛玉葬花》淺析[J];飛天;2011年12期

4 耿成鵬;胡艷;;《易經(jīng)》美學(xué)思想放談[J];長江論壇;2006年04期

，

本文編號：1769071