從接受美學(xué)看“木心熱”
發(fā)布時(shí)間:2018-04-09 22:20
本文選題:木心熱 切入點(diǎn):接受美學(xué) 出處:《安徽大學(xué)》2017年碩士論文
【摘要】:木心,1927年出生在浙江桐鄉(xiāng)烏鎮(zhèn),書(shū)香門(mén)第。2006年,木心散文集《哥倫比亞的倒影》在中國(guó)大陸出版,引發(fā)"木心熱"。"木心熱"這一現(xiàn)象,從開(kāi)始出現(xiàn)一直到現(xiàn)在都飽受關(guān)注,木心的個(gè)人經(jīng)歷及其作品都是讀者、研究者關(guān)注的對(duì)象。"木心熱"在大陸的出現(xiàn)的是一種偶然,也是一種必然。他本人并不是一位新作家,而是在臺(tái)灣、在美國(guó)都享有盛名的藝術(shù)家兼作家。本文試圖從接受美學(xué)的角度來(lái)闡釋"木心熱"出現(xiàn)的過(guò)程、原因以及意義。雖然說(shuō),陳丹青等人的推崇是木心在大陸迅速流傳的推導(dǎo)力量,但"木心熱"出現(xiàn)的主要原因是木心個(gè)人豐富的人生經(jīng)驗(yàn),長(zhǎng)期的文學(xué)素養(yǎng)方面的積累,其作品中存在的召喚結(jié)構(gòu)對(duì)讀者的審美需求的滿足,以及作品與讀者在閱讀中所形成的期待視野的契合等。以上這些都是木心能夠得到讀者的喜愛(ài),并且形成熱潮的原因。但究其根本,還是因?yàn)槟拘男闹惺冀K存在的讀者觀念,這種觀念一直影響著木心的文學(xué)創(chuàng)作,其作品中也有所體現(xiàn),最直觀的還是讀者的態(tài)度。"木心熱"的出現(xiàn)受到了很多的爭(zhēng)議,其文學(xué)價(jià)值也并不被正統(tǒng)文學(xué)界所認(rèn)可,但值得提出的是其作品中所表現(xiàn)出來(lái)的"讀者觀念"對(duì)接受美學(xué)來(lái)說(shuō),是一種豐富。除此之外,木心作品中語(yǔ)言的使用一改目前文壇白話泛濫的情況,讓讀者看到了五四以后再次出現(xiàn)的對(duì)漢語(yǔ)語(yǔ)言的重視。木心是作家的同時(shí),也是一位畫(huà)家,其文學(xué)創(chuàng)作中必然會(huì)呈現(xiàn)出繪畫(huà)的特征,形成獨(dú)特的文體。這些都能夠給讀者以及文學(xué)創(chuàng)作者以創(chuàng)作上的靈感和啟示。讀者在看其作品時(shí),能夠感受到作者對(duì)文學(xué)有著宗教般的信仰。另外,他在作品中呈現(xiàn)出不一樣的文學(xué)觀,以及他試圖在文學(xué)史中融入個(gè)人情思,以此向讀者展示世界文化。木心的作品一開(kāi)始是在臺(tái)灣刊登,受到大眾的推崇后,在臺(tái)灣掀起了一陣熱潮,給了當(dāng)時(shí)的很多作家創(chuàng)作的靈感和思路。另外,木心在大陸的重新出現(xiàn),也在大陸的文壇掀起了一陣熱浪,讀者和研究者在討論研究木心以及其作品的同時(shí)也是對(duì)目前社會(huì)文化氛圍的一種充實(shí),給文壇帶來(lái)新鮮的血液。時(shí)代在發(fā)展,木心的接受現(xiàn)在仍然在進(jìn)行中,我們應(yīng)該實(shí)事求是,辯證看待。
[Abstract]:Muxin was born in Wuzhen, Tongxiang, Zhejiang Province in 1927. In 2006, Muxin prose collection "reflection of Colombia" was published in mainland China, causing "Wood Heart craze". "The phenomenon of "heartwarming" has attracted much attention from the beginning to now, and its personal experience and works are the objects of concern to readers and researchers.The emergence of wood core heat in the mainland is a coincidence and a necessity.He is not a new writer, but a famous artist and writer in Taiwan and the United States.This paper attempts to explain the process, causes and significance of the emergence of "wood core fever" from the perspective of reception aesthetics.Although Chen Danqing's praise was the derivation of the rapid spread of wooden heart in the mainland, the main reason for the emergence of "wooden heart fever" was the accumulation of his personal rich life experience and long-term literary literacy.The conjuring structure in his works satisfies the aesthetic needs of the readers, and the correspondence between the works and the expectation vision formed by the readers in reading, and so on.All of these are the reasons why wooden heart can be loved by readers and form a craze.But the root of it is still because of the reader's concept that always exists in Muxin's heart. This concept has always influenced Muxin's literary creation. It is also reflected in his works, and the most intuitive one is the attitude of the reader. "The emergence of "wooden heart fever" has been controversial, and its literary value is not recognized by orthodox literary circles, but it is worth mentioning that the "reader concept" in his works is rich in reception aesthetics.In addition, the use of language in Mu Xin's works has changed the current situation of vernacular language in literary circles, which makes readers see the importance of Chinese language again after the May 4th Movement.Muxin is not only a writer, but also a painter, his literary creation will inevitably show the characteristics of painting, forming a unique style.These can give readers as well as literary creators to create inspiration and inspiration.Readers can feel the author's religious belief in literature when they look at his works.In addition, he presents a different view of literature in his works, and he tries to incorporate his personal feelings into the history of literature in order to show the readers the world culture.Mu-hsin 's works were first published in Taiwan. After being praised by the public, Muxin created a wave of enthusiasm in Taiwan, which gave inspiration and ideas to many writers at that time.In addition, the re-emergence of the wooden heart in the mainland has also set off a heat wave in the literary circles of the mainland. Readers and researchers are discussing the study of wooden heart and its works at the same time as they are enriching the current social and cultural atmosphere.Bring fresh blood to the literary world.The times are developing, and the acceptance of wood heart is still in progress. We should seek truth from facts and treat it dialectically.
【學(xué)位授予單位】:安徽大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:I206.7
【相似文獻(xiàn)】
相關(guān)期刊論文 前10條
1 夏葆元;;木心的遠(yuǎn)行與歸來(lái)[J];上海文學(xué);2012年03期
2 陳巨源;;與一代奇才木心的交往[J];上海采風(fēng);2013年03期
3 ;木心作品[J];中國(guó)圖書(shū)評(píng)論;2007年03期
4 陳丹青;;木心的“文學(xué)遠(yuǎn)征”[J];中國(guó)經(jīng)濟(jì)周刊;2013年10期
5 張林海;余奇;;陳木心的愛(ài)路心[J];中國(guó)公路;1996年10期
6 陳丹青;;陳丹青:我和木心的五年紐約時(shí)光[J];東西南北;2014年12期
7 李R,
本文編號(hào):1728421
本文鏈接:http://sikaile.net/shoufeilunwen/zaizhiboshi/1728421.html
最近更新
教材專(zhuān)著