本文選題：彝族　切入點(diǎn)：咪嘎哈　出處：《云南藝術(shù)學(xué)院》2017年碩士論文

【摘要】：本文以綠春縣�？祖�(zhèn)土嘎村彝族“咪嘎哈”祭祀活動(dòng)中的跳鼓舞為研究對(duì)象。跳鼓舞也稱“栽秧鼓舞”,在“咪嘎哈”祭祀活動(dòng)中又被稱作“跳龍鼓”,具有較高的藝術(shù)價(jià)值與深厚的歷史文化內(nèi)涵,在國內(nèi)外聞名遐邇,受到各知名專家、學(xué)者以及藝術(shù)愛好者的廣泛關(guān)注,但至今卻幾乎沒有相對(duì)深入系統(tǒng)的學(xué)術(shù)研究。彝族“咪嘎哈”漢譯“祭龍節(jié)”,是綠春縣牛孔鎮(zhèn)彝族四大寨多神崇拜中一年一次最隆重的宗教祭祀活動(dòng)。“折簸比”(跳鼓舞)是“咪嘎哈”祭祀活動(dòng)中一項(xiàng)重要的儀式內(nèi)容。隨著時(shí)代的變遷,跳鼓舞脫離了傳統(tǒng)的宗教束縛,成為一種集生產(chǎn)性、歡慶性又兼具宗教性特點(diǎn)的民間傳統(tǒng)舞蹈。筆者在參考大量歷史文獻(xiàn)以及總結(jié)前人研究成果的基礎(chǔ)上,結(jié)合第一手田野調(diào)查資料,分別從四個(gè)主體部分對(duì)跳鼓舞進(jìn)行研究分析。第一部分,在歷史與文化的大背景中綜合考察跳鼓舞的生存環(huán)境,以及跳鼓舞的起源和發(fā)展?fàn)顩r。第二部分,運(yùn)用民俗學(xué)、藝術(shù)人類學(xué)等相關(guān)理論與方法,通過牛孔鎮(zhèn)土嘎村最傳統(tǒng)隆重的“咪嘎哈”祭祀活動(dòng),力求對(duì)跳鼓舞的生成背景、表演場域、藝術(shù)形態(tài)以及功能意義進(jìn)行較為準(zhǔn)確全面的調(diào)查與研究;第三部分,運(yùn)用儀式象征與宗教學(xué)理論與方法,從儀式符號(hào)隱喻、彝族宗教信仰觀、儀式與生態(tài)等方面對(duì)跳鼓舞文化內(nèi)涵進(jìn)行深層次探索與解讀。第四部分,探討在現(xiàn)代社會(huì)語境下彝族跳鼓舞的功能變遷以及變遷的動(dòng)因,再根據(jù)以上調(diào)查分析,對(duì)彝族跳鼓舞發(fā)展提出一些思考與建議,探討傳統(tǒng)跳鼓舞的現(xiàn)代發(fā)展走向。
[Abstract]:In this paper, the jumping inspiration of the Yi people in Tuga Village, Niukong Town, Luchun County is taken as the research object.It is also called "seedling planting encouragement", and it is also called "dragon drum jump" in "Migaha" sacrificial activities. It has high artistic value and profound historical and cultural connotation. It is well known at home and abroad and is well known to various famous experts.Scholars and art enthusiasts have paid close attention to it, but so far there is almost no systematic academic research.The Yi nationality's "Mi Gaha" translation of "Dragon Festival" is the most solemn religious sacrifice in the worship of the polygods of the Sidazhai of the Yi people in Niukong Town, Luchun County.The bumpy ratio is one of the most important ritual contents in the ritual activities of Migaha.With the change of the times, dance and inspiration break away from the traditional religious bondage and become a kind of traditional folk dance with the characteristics of production, jubilation and religion.On the basis of referring to a large number of historical documents and summing up the previous research results, the author studies and analyzes the jump inspiration from four main parts, combining with the firsthand field investigation data.The first part, in the background of history and culture, comprehensively studies the living environment, origin and development of jump inspiration.The second part, using folklore, art anthropology and other relevant theories and methods, through the most traditional and ceremonious "Mi Gaha" sacrificial activities in Tuga Village, Niukong Town, to make every effort to create the background and perform the field of dance inspiration.In the third part, using the theory and method of ritual symbolism and religion, from the perspective of ritual symbol metaphor, the view of Yi people's religious belief,In the aspects of ritual and ecology, the cultural connotation of jumping inspiration is deeply explored and interpreted.The fourth part discusses the functional changes and the causes of the changes in the context of the modern society, and then according to the above investigation and analysis, the paper puts forward some thoughts and suggestions on the development of the Yi nationality jump inspiration, and probes into the modern development trend of the traditional jump inspiration.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J722.9

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