詠嘆調(diào)《年輕姑娘應(yīng)該懂得》音樂與演唱分析
發(fā)布時(shí)間:2018-03-30 18:14
本文選題:年輕姑娘應(yīng)該懂得 切入點(diǎn):音樂分析 出處:《河北大學(xué)》2017年碩士論文
【摘要】:女仆德絲皮娜是歌劇《女人心》中推動(dòng)劇情發(fā)展的重要人物之一,德絲皮娜雖然對(duì)愛情持一種輕視的態(tài)度,卻又渴望得到愛情的滋潤(rùn),但又害怕受到男人的傷害,對(duì)男人產(chǎn)生了極度的不信任感。此角色是一個(gè)個(gè)性鮮明,富有感染力,對(duì)愛情的態(tài)度充滿了矛盾的丑角角色。在演唱中,由于旋律的變化性與跳躍性,要注意合理的分配呼吸,要根據(jù)樂句的長(zhǎng)短來調(diào)整呼吸的力度,避免為了達(dá)到某種演唱效果而隨意控制呼吸的速度與強(qiáng)度。要利用注意力的穩(wěn)定性與分配性的特點(diǎn),既能專注于詠嘆調(diào)的演唱,又能兼顧舞臺(tái)的效果。
[Abstract]:Despina, the maid, is one of the most important characters in the opera "woman's Heart" that drives the plot. Despina, though she has a despising attitude towards love, yearns for it, but she is afraid of being hurt by men. This character is a character with distinct personality, infectious, and full of contradictory attitude towards love. In singing, due to the changing and jumping nature of melody, it is necessary to pay attention to the rational distribution of breath. We should adjust the intensity of breathing according to the length of the phrase, avoid controlling the speed and intensity of breathing in order to achieve a certain singing effect. We should take advantage of the stability and distribution of attention to focus on the singing of arias. Can also take into account the effect of the stage.
【學(xué)位授予單位】:河北大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J617.2
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 黃阿羅;徐筱婧;;莫扎特歌劇選段《年輕姑娘應(yīng)該懂得》演唱風(fēng)格研究[J];當(dāng)代音樂;2016年20期
,本文編號(hào):1687054
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