本文選題：慢設計　切入點：可持續(xù)發(fā)展　出處：《中央美術學院》2017年碩士論文

【摘要】：本文通過研究"慢設計"的源起、背景、理論及原則,對比快與慢的意義和價值。詳細的通過"慢設計"與三種不同語境的藝術表達:既傳統(tǒng)手工藝和慢設計的關系,大自然和慢設計的關系以及后匆匆主義宣言和慢設計的關系,更深刻的理解這個時代我們是需要"慢"和"慢設計",最后得出到結論"慢設計"是符合長期人類和地球的設計方法。其核心是提倡人類福祉深思熟慮的設計,是以使用環(huán)境的可持續(xù)發(fā)展的原則。慢設計本質上是整體的,考慮到長期和廣泛的自然和人類的關系。為此,慢設計尋找元素之間的積極協同系統(tǒng),多樣性和地域性,培養(yǎng)有意義的關系。在慢設計的設計過程中,它變得更具包容性和民主化。它承認我們都是設計師的見解,技能和愿望施加創(chuàng)造我們的世界和我們的生活的過程。
[Abstract]:By studying the origin, background, theory and principle of "slow design", this paper compares the meaning and value of "slow design" with that of "slow design" and the artistic expression of "slow design" in three different contexts: the relationship between traditional handicraft and slow design. The relationship between nature and slow design, and the relationship between postrush declarations and slow design, We need "slow" and "slow design" to come to the conclusion that "slow design" is a design method that is consistent with long-term human beings and the Earth. Is based on the principle of sustainable development using the environment. Slow design is intrinsically holistic, taking into account the long-term and extensive relationship between nature and human beings. To this end, slow design seeks active systems of synergy, diversity and regionality among elements, Cultivate meaningful relationships. In the process of slow design, it becomes more inclusive and democratic. It recognizes that we are all designers of ideas, skills, and aspirations that impose processes that create our world and our lives.
【學位授予單位】：中央美術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J505

【參考文獻】

相關期刊論文 前1條

1 于雷;;慢設計——回歸基本設計[J];新建筑;2012年03期

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本文編號：1664709